Short Term 12 is exactly like being injured in a part of your body where you didn't think it was possible to get injured before. It will hurt but it will make you care. Natural and understated by budget and by purpose, it is powered by perfect performances that will take you on an emotional roller coaster ride you will never forget. It is at times sweet, at times depressing and at times hilarious. The thing is, without even taking into consideration its small budget or the importance of the issues it talks about - we would still consider Short Term 12 as one of the best movies of the past 20 years.
Six vignettes that test the limits of psychotic human extremes are masterfully woven with layers of irony and satire. Each story begins in a relatable situation, but the characters propel themselves into an incomprehensible circumstance. Lovers of dark comedy will be delighted, shocked, and awed by this emotional thrill ride all while laughing their asses off. Truly, nothing more needs to be said about this film, so sit back and let the insanity ensue.
A movie which will catch you from the first second, with one of the best movie beginnings of all time, up until its outstanding end. It is a slow-burning and calm film with nonetheless a very powerful impact. Incendies is guaranteed to be one of those movies you will never forget. The story is about Jeanne and Simon who, to fulfill their mother's last wishes, must journey to her birthplace in an unnamed Middle-Eastern country. There they discover her tragic and sad past life, and unveil a deeply disturbing secret which will change their lives forever. The movie contains a series of flashbacks telling the story of the mother, Nawal Marwan, while the rest is from the viewpoint of her children.
In the mood for an impeccably crafted real-life thriller? This movie is for you. On the way out of a nightclub, Victoria runs into four raucous German men who convince her to hang out with them. She is from Spain and has been temporarily living in Berlin. Her German isn’t great, but her English is passable. She shares some drinks with her new friends and strikes up a flirtation with one of them. But what starts out as light-hearted hijinks at 4:30 am eventually swerves into darker and more dangerous territory, as Victoria is coerced into participating in her German companions’ dangerous plans. While the plot may sound like your standard-issue crime drama, Victoria turns out to be something a little different, due to the thrilling and unusual way it was filmed – in a single shot. The “one take” filming process could be viewed as a stunt, but in this case, it works wonders to serve the story. The tension built from the tightrope walk of the actors and filming crew adds to the ratcheting tension of the storyline. Laia Costa gives an astounding lead performance. There is not a single scene in Victoria where she is not present, and the movie would simply not work without her. A crazy, awesome movie.
Once again, Mads Mikkelsen gives us an unforgettable performance in this Danish thriller. Lucas is a new teacher in a small town. He is just starting a new life after a divorce and the loss of his last job. One day, a child from the class he is teaching accuses him of an unforgivable act. The lie will spread throughout the small community and will tear Lucas' life apart. The Hunt, or "Jagten" in its original version, is one of those rare thrillers that will haunt you for days, and make you question everything in its aftermath. Extraordinary!
The true story of Oscar Grant III, a 22-year-old black man on the last day of 2008, where his will to change is challenged by his past and the police. You’ve probably read and heard a lot about young black men's’ encounters with the police, and for this reason, you might feel like skipping this film. Don’t. Produced by Academy Award winner Forest Whitaker, it is compassionate and powerfully told, that it surpasses the sadness of its subject matter to be a celebration of life. It is an extraordinary film and important watch.
Winner of an Oscar and a Golden Globe among endless accolades, A Separation is a movie about an Iranian couple faced with the decision of leaving the country for better opportunities or staying to take care of a sick parent. If you’ve ever been curious about the humans of Iran beyond the politics, and by cultural extension, humans of Middle-Eastern countries, watch A Separation. But hold it, “An interesting foreign movie” is not how A Separation should be viewed (it’s not Slumdog Millionaire). As someone who grew up in a middle-class Muslim family, this film may be the only one to thoroughly portray many integral aspects of my upbringing. It perfectly depicts the delicate interaction between high moral standards and the realities of underdevelopment: how many bad people are only good people running out of options, and how parents raise their children in a shell of protection from the outside world while struggling to also introduce them to it. On a separate level, it also portrays how people live ready to have every privilege they have ever had revoked and how the constant need to “man up” transforms people, as well as the role of religion in all this. A Separation is my movie, and so I am asking you to watch this film the same way I’d want you to come visit and get to know my home country.
In many ways, The Perks of Being a Wallflower is a modern masterpiece. It's a psychological experience - one that is sincere to its premise and the troubled nature of the human beings in it. You will be surprised by the depth of its many layers and the extents to which a similar movie can go (on paper it's a coming-of-age story). Its character-driven chemistry will catch you even more as it reaches its perfect mix between comedy, warmth, tragedy, and honest depiction of depression.
First off you have to remember it is the same writer as Training Day. Then you have to believe that he must have gone to a joint training camp between the Taliban and Mexican Cartels or something since Training Day to come up with such a tense, unpredictable script. But End of Watch is more than that. It is warm and sweet (yes), and a great showcase of Gyllenhaal and Pena's talents -- which thanks to a documentary-style cinematography, and the actors' 5-month immersion program with actual LA cops, make for a very authentic, rich, and overall exciting film.
Taika Waititi’s follow-up to the (also great) What We Do in the Shadows, is a pure delight and the perfect antidote after a bad day or a steady diet of too many sad movies. "Bad egg" Ricky Baker has been bounced out of more foster care situations than he cares to remember until he's given his last chance with a couple living on a rural New Zealand farm. After tragedy strikes early in the film Ricky and his foster uncle (Hec) find themselves on the run in the bush while a nationwide manhunt is initiated on their behalf. Hip-hop enthusiast Ricky and crusty, cantankerous Hec make quite the inspired pairing; this is a very funny film full of the deadpan humor that has become emblematic of Waititi's work (Flight of the Conchords, Boy) but it is also oddly touching and full of heart.