While the film is calm, contemplative, and never goes into histrionics, there’s a deep-seated anger in All Shall Be Well that powers every scene. Sure, most of the scenes revolve around estate planning, talking with lawyers, and hashing things out through civil discussion. And sure, Pat’s biological family calmly explain their reasons behind their decisions. However, while dressed up in logic, All Shall Be Well understands the real weight of what they’re asking for from Pat’s life partner Angie. Every request reveals the limit of the family’s acceptance of Pat, how willing they are to ignore Pat’s wishes just to take advantage of a financial deal, just so they benefit from the home Pat and Angie built. With Patra Au’s brilliant performance, the drama underlines how the system is stacked against Pat and Angie’s love, but also how their love still transcends past the material.
"“All Shall Be Well” illustrates Yeung’s keen eye for the nuances of social dynamics, especially regarding matters of wealth and class that many may prefer to skirt around when it comes to family."
— Josh Slater-Williams
"A picture of cruel realities. It’s a deliberate, nimble drama, one about major slights, class imbalance, and rampant homophobia."
— Robert Daniels
Angie and Pat are a couple living in Hong Kong who have been together for over four decades. After Pat's unexpected death, Angie finds herself at the mercy of her extended family as she struggles to retain both her dignity and the home that they shared for over thirty years.
Berlin
1 win, 1 nomination
