100 Best Movies on Kanopy Right Now

We remember the idea of the tortured artist, in part due to many works depicting life’s sorrows, but also due to the fact plenty of the greats fit this trope well. Camille Claudel is one such tortured artist, but her anguish has not led her to artistic acclaim. Instead, Isabelle Adjani’s take on the sculptor contemplates the ways her genius has gone unrecognized, in part due to her bout of insanity, but in part due to the maddening ways her art has been cut short by those that claim to love her. While it does take nearly three hours, and, like in real life, the film focuses more on her relationship with Rodin than her own art, Camille Claudel nonetheless remains a fascinating character study of a woman that just wanted to make art on her own terms.

When we love a person, most of us are convinced that we love them for their personality, and if we truly love them, love would remain even if their beauty fades away. The Beauty Inside, a Korean remake of the 2012 American interactive Internet series, challenges this notion. As Woo-jin’s body changes regularly, he’s unable to live a normal life because of a lack of a consistent appearance, a lack of a visual reference point that allows him to be recognized by the people he loves. While more can be explored with the premise’s metaphysical elements, and Woo-jin’s characterization is mostly a neutral, blank canvas, The Beauty Inside is still a sweet, feel-good romance that makes the impossible feel wonderfully possible.

As much as we’d like to think everyone can be redeemed, there are terrible, awful people that do exist that make it hard to believe in change. Idiots and Angels takes one such person named Angel, and forces him through a highly unusual, creepy, and cynical redemption tale that involves a body transformation that’s less heavenly and more Kafkaesque. As he pulls feathers from his body, Angel’s miserable, terrible self has no choice but to act decently for once. It’s a unique transformation, one we wish our curmudgeonly acquaintances would have, and with no words spoken, Bill Plympton’s unique cross-hatched animation takes center stage. Idiots and Angels may not be the most perfect animated film out there, but it’s certainly one of its kind, something you’ve probably never seen before.

It’s difficult to try to capture the truth of who a person really is, especially when there’s already preconceived notions or previous depictions about said person. Released a year after Capote (2005), Infamous inevitably drew comparisons to the biopic, especially with the stark difference between their tones. It starts off with a more gossipy, idle tone, introducing novelist Truman Capote first through documentary-like interviews, just before Toby Jones as Capote charms his way through droll chatter about some famous people. It seems much more vapid than Philip Seymour Hoffman’s depiction, but much more warm too, making Capote’s tendencies to gab and tell other people’s stories, in part due to fame, but also due to a certain joie de vivre of storytelling, once that inevitably breaks him when he finds the story of what his life could have been. Infamous might not be as acclaimed as its preceding Capote depiction, nor is it more truthful, but it’s certainly a fascinating portrayal of a fascinating man.

Some bigots like to equate genitals to one’s gender and sexual orientation, but in practice, it’s not always a straightforward equation, especially for the rare, but natural, occasion when people are born with both male and female sex organs. XXY isn’t the first film to discuss the intersex experience, but it’s one of the first features that managed to be critically acclaimed. Unlike some of its predecessors, XXY is much more grounded, taking place in the modern era, and is mostly centered on Alex’s gender and sexual exploration. The film isn’t a perfect depiction– at the time, intersex wasn’t even the most common term, and sex-reassignment surgery was often the default action– but there is a lot in the film that dared to question certain ideas, such as having to choose only between a binary. Not many intersex films were created after this, in part due to how rare intersex is, and how broad the term encompasses multiple conditions, but XXY stands out all the more because of it.

There are plenty of LGBT stories made in film, but not all of them have to end in tragedy– some, especially in recent years, are relatively sweet, lighthearted, and merely focused on the simple experience of a first love. Boys has the classic coming-of-age romance moments we’re familiar with, such as the first kiss, training camps, and after school fair dates, and even though it’s just made for television, it’s beautifully captured, including that stunning overhead lake shot where Sieger and Marc swim together. If you’re craving for a sweet and easy LGBT romance without the heartache, or if you’re new to watching LGBT films altogether, Boys is a decent entry-level movie to start with.

While Hollywood still makes some films in this genre, there are less historical epics being released, in part due to cost, but also in part due to having had so many, ever since the start of the medium. However, there are some historical events that we rarely see on film, and one of them is The Great Battle. Set before the formation of a united Korea, the film is a classic standoff against a larger army, that has all the swordfighting and armies we’ve come to expect, but it’s also grounded by the dynamic between a young warrior sent to assassinate, and the hardened, brilliant commander whose leadership kept the troops protected. While there are moments that definitely eludes historical accuracy, and there are some subplots that distract from the main conflict, The Great Battle is a fairly entertaining historical epic to watch, especially when focused on the action-packed clashes and the spectacular warfare.

There are people in life that have a one of a kind voice that you can’t help but listen to, as they provide different perspectives that challenge your own in compelling ways. The Whole Wide World tries to capture the fairly elusive pulp fiction writer Robert E. Howard, but through the perspective of the one love he once had, Novalyne Price. It’s a unique perspective, one that contrasts the choices the real life couple made that diverged their paths– pursuing the road less travelled over what’s socially expected– and director Dan Ireland crafts some pulp-like moments, especially with the rousing score and the excellent performances. That being said, Ireland does play it safe with his debut, as The Whole Wide World leaves things as vague as Howard did in his relationship with Price.

In this day and age, it thankfully has become less risky to come out as gay, due to the struggle of many LGBTQ+ people from the past. However, this struggle was hard won– while gay people were persecuted in the Nazi regime, it was only until decades later people started to discuss it, and one reason why research and education about it increased was due to the play Bent, depicted in film in 1997. The screen version admittedly falters compared to the West End original, with static staging and focus on the dialogue over action, but the performances are fairly decent, with an unexpected collection of cast members that maximize each moment they’re in. It’s quite depressing, and sometimes heavy handed, but Bent is a needed perspective.

In certain heartbreaking instances, children are separated from their parents by the State, supposedly in hopes of finding them a better home. But for plenty of British and commonwealth orphans, the government process is, at worst, systematically designed to separate families to support the Kingdom’s colonies. While the film isn’t really focused on the details and the rationale behind the program, Oranges and Sunshine is much more concerned with the fact that it happened– that it has harmed hundreds of thousands of children for hundred years, and that it only took someone who cared enough to pay attention for things to actually change. It’s a decent depiction of Margaret Humphreys’ work, and it does a great job in promoting the Child Migrants Trust.