402 Best International Movies Movies to Watch (Page 7)

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Margarita with a Straw is a bold and unflinching film that offers a sensitive and nuanced portrayal of disability, sexuality, and identity. The film follows the journey of a young woman with cerebral palsy as she navigates her way through life, love, and self-discovery. The film's honest portrayal of exploring sexuality, its rich and diverse cast of characters, and its raw and emotional story make it a deeply affecting watch. It's a triumph of representation and inclusivity, and a testament to the power of storytelling to challenge and change the way we see the world.

Genre: Drama

Actor: Doug Plaut, Hussain Dalal, Jacob Berger, Kalki Koechlin, Kuljeet Singh, Malhar Khushu, Marco Torriani, Revathi, Revathy, Sayani Gupta, Tenzing Dalha, Vin Scialla, William Moseley

Director: Nilesh Maniyar, Shonali Bose

Rating: Not Rated

, 2015

Youth is a film about Fred Ballinger (Michael Caine) a famous composer vacationing at a resort in the Swiss Alps with his friend Mick (Harvey Keitel), an accomplished filmmaker, and his daughter Lena (Rachel Weisz). While Fred shuns his work (including an opportunity to play for the Queen of England) and muddles himself in disillusionment, Mick works fervently on his final film, intended to be his life’s crowning achievement. Their remaining time is spent intermingling amongst the guests and reminiscing upon their lives, their achievements, their failures and their undying yearnings. From writer/director Paolo Sorrentino (The Great Beauty), Youth is another charming work offering an array of eccentric characters and quirky scenarios, while also serving as a touching examination of age, wisdom and ultimately personal reckoning.

Genre: Comedy, Drama

Actor: Aldo Ralli, Alex Beckett, Alex MacQueen, Alexander Seibt, Alice Bauer, Anabel Kutay, Anna Marie Cseh, Ashley Bryant, Beatrice Curnew, Beatrice Walker, Carolina Carlsson, Chloe Pirrie, Dominique Leidner, Ed Stoppard, Elizabeth Kinnear, Emilia Jones, Eugenia Caruso, Gabriela Belisario, Harvey Keitel, Heidi Maria Glössner, Helmut Förnbacher, Ian Keir Attard, Jane Fonda, Jasmin Barbara Mairhofer, Josie Taylor, Julia Danuser, Kaspar Weiss, Laura De Marchi, Loredana Cannata, Luna Mijović, Madalina Diana Ghenea, Mãdãlina Ghenea, Mark Gessner, Mark Kozelek, Melinda Bokor, Michael Caine, Paloma Faith, Paul Dano, Poppy Corby-Tuech, Portia Reiners, Rachel Weisz, Rebecca Calder, Robert Seethaler, Roly Serrano, Sonia Gessner, Sumi Jo, Tatiana Luter, Tom Lipinski, Veronika Dash, Wolfgang Michael

Director: Paolo Sorrentino

Rating: R

To plenty of countries around the globe, democracy has become so ubiquitous that we forget it’s relatively new, at least relative to the rest of human history. Bhutan is one of the last countries that became a democracy, and writer-director Pawo Choyning Dorji chose to depict a slice of how they made the shift in The Monk and the Gun. As Tashi sets out to obtain two weapons for his mentor, and Ron seeks a specific antique gun, Dorji presents slice-of-life moments of the beautiful Bhutan countryside, intercut with the subtle ways tradition still persists amidst modernity, and the funny ways change can clash with culture. It’s no wonder The Monk and the Gun was chosen as the Bhutanese entry for the Best International Feature at the 96th Academy Awards.

Genre: Drama

Actor: Choeying Jatsho, Deki Lhamo, Pema Zangmo Sherpa, Tandin Sonam, Tandin Wangchuk

Director: Pawo Choyning Dorji

If you’ve ever seen a movie by kings of social realism Ken Loach or the Dardenne brothers, you’ll recognize the cinematic tradition The Measure of a Man is coming from, but if you haven’t, don’t fear. The filmmaking here isn’t complicated, academic, or laden with references — in fact, the opposite is true. Stylistically pared back, the intensely modern and human story at the movie’s center expands to fill the frame so we have nowhere else to look.

With a disabled son to provide for, middle-aged Thierry (Vincent Lindon) desperately searches for a job, undergoing several state-required indignities — such as practice interview sessions in which fellow jobseekers critique everything from his body language to his tone of voice — just for a shot at being able to pay his bills. So many scenes and conversations here are palpably laden with the anxieties of real life, both economic and personal. And yet, for all the dehumanization and desperation clouding its edges, Measure of a Man isn’t a hopeless movie. We’re reminded by happy scenes at home just how rich Thierry’s life is, unemployed or not — but it's perhaps his moral compass, which begins to twitch when he takes a security job with an unscrupulous corporate employer, that’s most heartening of all.

Genre: Drama

Actor: Christophe Rossignon, Karine de Mirbeck, Mathieu Schaller, Soufiane Guerrab, Vincent Lindon, Xavier Mathieu, Yves Ory

Director: Stéphane Brizé

This is the type of movie I completely fell in love with but cannot articulate exactly why. Maybe it's the mixture of beauty and pain portrayed, maybe it's the intricate sounds and beautiful imagery, maybe it's the story, maybe it's all of the above. A woman is hit with sudden disability after an accident and calls on an unlikely companion, a night club bouncer by the name of Ali. Together they explore her new predicament and its implications, while forming a special bond. This is a movie that will call upon your internal strength, while portraying how us humans can become strong together. Most of all it provides an immensely powerful, ultimately simple story that is both touching and will stay with you for a very long time. Directed by Jacques Audiard (A Prophet).

Genre: Drama, Romance

Actor: Armand Verdure, Bouli Lanners, Celine Sallette, Corinne Masiero, Fabien Baïardi, Françoise Michaud, Irina Coito, Jean-Michel Correia, Marion Cotillard, Matthias Schoenaerts, Mourad Frarema, Yannick Choirat

Director: Jacques Audiard

Rating: 15, R

An offbeat film with a more than decent amount of suspense. To that it adds really good music and unexpected animation, to make for a very audacious, interesting and mostly fun film. It uses all this to show how life can change in a twist and how it can be influenced by weird connections of otherwise unrelated events.

Genre: Action, Drama, Mystery, Thriller

Actor: Armin Rohde, Beate Finckh, Franka Potente, Hans Paetsch, Heino Ferch, Herbert Knaup, Joachim Krol, Julia Lindig, Lars Rudolph, Ludger Pistor, Marc Bischoff, Monica Bleibtreu, Moritz Bleibtreu, Nina Petri, Sebastian Schipper, Suzanne von Borsody, Ute Lubosch, Utz Krause, Volkhart Buff

Director: Tom Tykwer

Rating: R

This Park Chan-Wook classic is the third part of a trilogy of films around the theme of revenge, following Sympathy for Mr. Vengeance and Oldboy. While ultimately unique, Lady Vengeance is a thriller set in a prison, in the vein of films such as the Japanese action drama Female Prisoner #701: Scorpion. After being framed and wrongly convicted for murder, our protagonist seeks out the true perpetrator of the crime –– but more than anything else, she seeks vengeance. 

This film’s run time is 115 minutes and every second is essential. There is often gratuitous violence perpetrated by men against women in film, however Lady Vengeance takes back control and for that reason it remains one of my favorite revenge films.

Genre: Drama, Thriller

Actor: Anne Cordiner, Bu-seon Kim, Byeong-ok Kim, Choe Hui-jin, Choi Hee-jin, Choi Jung-woo, Choi Min-sik, Go Su-hee, Ha-kyun Shin, Han Jae-duk, Hye-jeong Kang, Ji-tae Yu, Jin-Seo Yoon, Jin-seo Yun, Jun Sung-ae, Kang Hye-jeong, Kang Hye-jung, Kang-ho Song, Kim Bu-seon, Kim Byeong-Ok, Kim Byung-ok, Kim Jin-goo, Kim Keum-soon, Kim Shi-hoo, Kim Yoo-jung, Kim You-jung, Ko Chang-seok, Ko Su-hee, Koh Soo-hee, Kwon Yea-young, Lee Byung-joon, Lee Dae-yeon, Lee Seung-shin, Lee Yeong-ae, Lee Yong-nyeo, Lee Young-ae, Lim Su-gyeong, Min-sik Choi, Nam Il-woo, Oh Dal-su, Oh Gwang-rok, Oh Kwang-rok, Park Myung-shin, Ra Mi-ran, Ryoo Seung-wan, Seo Ji-hee, Seo Young-ju, Seung-Shin Lee, Seung-wan Ryoo, Shi-hoo Kim, Shin Ha-gyun, Shin Ha-kyun, Song Kang-ho, Su-hee Go, Toni Barry, Tony Barry, Won Mi-won, Yea-young Kwon, Yeong-ae Lee, Yoo Ji-tae, Yoon Jin-seo

Director: Chan-wook Park, Park Chan-wook

Rating: R

At the risk of being cliché, I'm going to state that only the French could have made a movie about racial issues and the troubles of youngsters in the suburbs and still make it elegant. I've tried looking for other adjectives, but I couldn't find one that better describes those long takes shot in a moody black and white. But despite the elegance of the footage, the power of the narrative and the acting makes the violence and hate realistic as hell, dragging you into the story and empathizing with the characters until you want to raise your arm and fight for your rights. Aside from this unusual combination of fine art and explicit violence, the most shocking thing about La Haine is how much the issues it addresses still make sense right now, even though the movie was released 20 years ago.

Genre: Drama

Actor: Abdel Ahmed Ghili, Andrée Damant, Benoit Magimel, Bernie Bonvoisin, Choukri Gabteni, Christophe Rossignon, Cut Killer, Edouard Montoute, Florent Lavandeira, François Levantal, François Toumarkine, Heloise Rauth, Hubert Koundé, Joseph Momo, Julie Mauduech, Karim Belkhadra, Karin Viard, Laurent Labasse, Marc Duret, Mathieu Kassovitz, Mathilde Vitry, Nabil Ben Mhamed, Olga Abrego, Patrick Médioni, Peter Kassovitz, Philippe Nahon, Rywka Wajsbrot, Saïd Taghmaoui, Sandor Weltmann, Sébastien Tavel, Solo, Souleymane Dicko, Thang-Long, Vincent Cassel, Vincent Lindon, Virginie Montel, Zinedine Soualem

Director: Mathieu Kassovitz

Rating: Not Rated

In this film-within-a-film, we and a fictional version of actress Maggie Cheung are brought through the disorienting experience of French filmmaking. The film’s washed-up director wants to remake the classic silent film Les Vampires to revive his career. But as with all plans, everything inevitably goes wrong. On top of depicting the regular chaos of a movie set, this film presents the anxieties of the modern-day French film industry—about how it may be past its prime, and how it can still compete on a global level. And through the steady, inscrutable face of Maggie Cheung, we remember the creative collaborations we've had ourselves—the energetic passion, the behind-the-scenes power dynamics, and the pure chaos of the process.

Genre: Comedy, Drama

Actor: Alex Descas, Antoine Basler, Arsinée Khanjian, Balthazar Clémenti, Bernard Nissile, Bulle Ogier, Dominique Faysse, Estelle Larrivaz, François-Renaud Labarthe, Jacques Fieschi, Jean-Pierre Léaud, Lou Castel, Maggie Cheung, Nathalie Boutefeu, Nathalie Richard, Nicolas Giraudi, Olivier Torres, Smaïl Mekki

Director: Olivier Assayas

Rating: Not Rated

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Remarkably for a movie about women being shunned and exploited by those more powerful than them, I Am Not A Witch is often wryly funny. That’s because this satire about Zambia’s labor camps for "witches" is told with a matter-of-fact-ness that brings out both the heartbreak and absurdity of the film’s events. The bitter gravity of the predicament nine-year-old Shula (Maggie Mulubwa) finds herself in — she’s been accused of witchcraft on the back of some very flimsy evidence — is never glossed over, but neither is its farcicality. Appropriately for its subject, there are also touches of magical realism here, notes that elevate the film into something even more complex than a wry commentary on this morbidly fascinating form of misogyny. This hybrid tonal approach is executed with the kind of fluidity filmmakers might hope to one day master late on in their career — which makes the fact that this is director Rungano Nyoni’s debut all the more extraordinary.

Genre: Drama

Actor: Dyna Mufuni, Gloria Huwiler, Henry B.J. Phiri, Maggie Mulubwa, Nancy Murilo, Nellie Munamonga, Ritah Mubanga, Travers Merrill

Director: Rungano Nyoni

A sincere portrayal of the gritty British working class life through the coming-of-age story of a girl who loves rap music and dancing to it. It features a stunning and powerful performance from newcomer Katie Jarvis who had no acting experience whatsoever, and who was cast in the street after she was spotted fighting. She plays Mia, a 15 year old teenager whose world changes drastically when her mother's new boyfriend (played by Michael Fassbender) turns his eyes to her. Don't watch this movie if you are looking for a no-brainer, definitely do watch it if you are interested in films that realistically portray others' lives and let you into them.

Genre: Drama

Actor: Anthony Geary, Carrie-Ann Savill, Charlotte Collins, Grant Wild, Harry Treadaway, Jack Gordon, Jason Maza, Joanna Horton, Katie Jarvis, Kierston Wareing, Michael Fassbender, Rebecca Griffiths, Sarah Bayes, Sydney Mary Nash, Toyin Ogidi

Director: Andrea Arnold

Rating: Not Rated

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Forlorn longing envelops Days of Being Wild, where the act of dreaming is as valuable as its actual fulfillment. “You’ll see me tonight in your dreams,” Yuddy tells Su Li-zhen on their first meeting, and indeed, this line of dialogue sets the film’s main contradiction: would you rather trap yourself in the trance-like beauty of dreams or face the unpleasant possibilities of reality? Wong Kar-wai’s characters each have their own answers, with varying subplots intersecting through the consequences of their decisions. In the end, happiness comes in unexpected ways, granted only to those brave enough to wake up and dream again.

Genre: Crime, Drama, Romance

Actor: Alicia Alonzo, Andy Lau, Anita Mui, Carina Lau, Hung Ling-Ling, Jacky Cheung, Leslie Cheung, Maggie Cheung, Maritoni Fernandez, Rebecca Pan, Tony Leung Chiu-Wai

Director: Kar-Wai Wong, Wong Kar-wai

Rating: Not Rated

Celebrated Malian filmmaker Souleyman Cissé crafted Yeelen (which means ‘brightness’) as an explicit antidote to the “ethnographic” lens through which Western directors often told Africa-set stories. That intention is certainly felt, because Yeelen doesn’t trouble itself to translate its folklore-drawn premise for audiences unfamiliar with 13th-century Malian myths. Rejecting Western storytelling conventions, it instead uses those of the culture it depicts — a looping approach to time and matter-of-fact magical realism — to present the tale of Nianankoro (Issiaka Kane), a supernaturally gifted young man whose sorcerer father (Niamanto Sanogo) plots to kill him because of the threats he poses to the elder man's power. 

 A basic primer to the customs central to Yeelen is provided in the opening titles, but knowledge of the culture it communicates through isn’t a prerequisite to watching and enjoying the film because its epic conflicts — both Oedipal (father versus son) and religious (flesh versus spirit) — and otherworldly sensibilities make it both instinctively familiar and mesmerizing. A deserved winner of the Cannes Jury Prize, though the fact that it was the first African film to win one of the festival's awards — 40 years into its existence — makes this an unjustly belated milestone.

Genre: Drama

Actor: Aoua Sangare, Balla Moussa Keita, Ismaila Sarr, Issiaka Kane, Niamanto Sanogo

Director: Souleymane Cissé

Rating: NR

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Break-ups aren’t the easiest thing to overcome, but how we deal with them usually doesn’t get as ludicrous as the events Pepa goes through in Women on the Verge of a Nervous Breakdown. The film makes said nervous breakdown chaotic– it includes spiked gazpacho, a frantic call to the police, and being held at gunpoint– but as Pepa and the women around her try to put off each fire, at least one of them literally, writer-director Pedro Almodóvar ensures sympathy for them, with Pepa's snappy dialogue cutting through the lies of a smooth-talking womanizer refusing to face them. And it’s all paired with a suitably dramatic score, meticulous staging, and exaggerated, colorful frames mostly occurring in the wreck of a fabulously styled penthouse.

Genre: Comedy, Drama

Actor: Agustín Almodóvar, Ana Leza, Ángel de Andrés López, Antonio Banderas, Carmen Maura, Chus Lampreave, Eduardo Calvo, Fernando Guillen, Francisca Caballero, Gabriel Latorre, Guillermo Montesinos, Imanol Uribe, Joaquín Climent, José Antonio Navarro, José Marco, Juan Lombardero, Julieta Serrano, Kiti Manver, Loles León, Lupe Barrado, María Barranco, Rossy de Palma, Yayo Calvo

Director: Pedro Almodóvar

Rating: R

A zombie virus breaks out and catches up with a father as he is taking his daughter from Seoul to Busan, South Korea’s second-largest city. Watch them trying to survive to reach their destination, a purported safe zone.

The acting is spot-on; the set pieces are particularly well choreographed. You’ll care about the characters. You’ll feel for the father as he struggles to keep his humanity in the bleakest of scenarios.

It’s a refreshingly thrilling disaster movie, a perfect specimen of the genre.

Genre: Action, Adventure, Drama, Horror, Science Fiction, Thriller

Actor: Ahn So-hee, An So-hee, Baek Seung-hwan, Cha Chung-hwa, Chang-hwan Kim, Choi Gwi-hwa, Choi Woo-shik, Choi Woo-sung, Dong-seok Ma, Eui-sung Kim, Gong Yoo, Han Ji-eun, Han Sung-soo, Jang Hyuk-jin, Jeon Ye-eun, Jeong Seok-yong, Jung Seok-yong, Jung Young-ki, Jung Yu-mi, Kim Chang-hwan, Kim Eui-sung, Kim Jae-rok, Kim Joo-heon, Kim Joo-hun, Kim Ju-hun, Kim Keum-soon, Kim Soo-ahn, Kim Soo-an, Kim Su-an, Kim Won-Jin, Lee Joo-sil, Lee Joong-ok, Ma Dong-seok, Park Myung-shin, Sang-ho Yeon, Seok-yong Jeong, Shim Eun-kyung, Sohee, Soo-an Kim, Soo-jung Ye, Terri Doty, Woo Do-im, Woo-sik Choi, Ye Soo-jung, Ye Su-jeong, Yeon Sang-ho, Yoo Gong, Yu-mi Jeong, Yu-mi Jung

Director: Sang-ho Yeon, Yeon Sang-ho

Rating: Not Rated

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