Amidst the chaos that occurred when South Sudan split from the nation, a man is shot dead. To make up for the family’s loss, Northern ex-singer Mona hires his South Sudanese widow as her househelp, a widow unaware of her husband’s true fate, without an actual body. This widow is who Goodbye Julia is named after. Through this personal wrong, writer-director Mohamed Kordofani reckons with the religious and racial tensions that led to the division, a conflict that continues to displace millions of Sudanese to this day. While the ending pulls its punches, the film still works through the emotional tension and the compelling bond formed between actual singer Eiman Yousif and acting newcomer Siran Riak. Goodbye Julia depicts their sorrow with a graceful touch.
"Kordofani’s intelligent, compassionate scripting ensures that the political never overwhelms the personal. Yet it also illuminates just how well the fault lines that divide a nation can map onto the rifts within a human heart divided against itself."
— Jessica Kiang
A retired singer from northern Sudan, Mona, burdened by guilt for covering up a man's death, hires his southern widow, Julia, as her maid. Unable to confess her role in the tragedy, she hopes to move forward, but the country's growing unrest threatens to reveal her secret.
Cannes
1 win
