2 Movies Like A Haunting in Venice (2023) On Criterionchannel

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Chasing the feel of watching A Haunting in Venice ? Here are the movies we recommend you watch right after.

Kenneth Branagh’s third Hercule Poirot movie does everything it can to divorce itself from the quaintness of a typical Agatha Christie adaptation. Loosely based on the novel Hallowe’en Party, this outing swaps exotic locales for the claustrophobic confines of a gothic Venetian palazzo and flirts outright with horror. The film, shot through more Dutch angles than an Amsterdam maths class has ever seen, uses the genre's visual language to credibly suggest that this mystery might actually have paranormal undertones. Forcing Poirot to reconsider his die-hard loyalty to rational explanations is an interesting twist — it punctures the idea of him as a mystery-solving god and gives the film bigger questions to chew on than whodunnit.What that does, however, is sap the satisfaction of watching him expertly crack the puzzle, because the movie spends so much time centering Poirot’s crisis of confidence. A Haunting in Venice’s tone switch to serious horror is also at odds with the campily bad accents and mostly overwrought acting from the (much less starry than usual) cast. It’s not the same kind of reliable guilty pleasure we expect these vehicles to be, then, but this outing of Branagh’s Poirot is at least an interesting experiment in expanding these stories' usual limits.

Set in one of Morocco’s oldest medinas, Blue Caftan is a tender portrayal of pure love and the different forms it takes. It follows traditional tailor Halim (Saleh Bakri) and his wife Mina (Lubna Azabal) who, despite their imperfect marriage, prove their affection in small but moving ways. He peels tangerines for her and washes her hair, she preps his meals and defends his craft from demanding customers. When a third person, Youssef (Ayoub Missioui), enters the picture, even more manifestations of passion (and the lack and longing and excess of it) emerge. 

It’s a dramatic film, but never overly so. Like the silky fabric Halim handles with expert care, it’s rich but soft, detailed but delicate. In the face of poverty, sickness, and discrimination, the film mines moments of joy, friendship, and pleasure, subverting the expectation that tragic circumstances must mean tragic outcomes. 

Blue Caftan, even in its saddest moments—and there are plenty—is a film full of love, made even more memorable by the deft performances and palpable chemistry of its three leads.

Genre: Drama, Romance

Actor: Lubna Azabal, Saleh Bakri, Zakaria Atifi

Director: Maryam Touzani

, 2023

There's something rich at the heart of Afire that, whether intentionally or not, is kept at arm's length from the viewer. Over the course of Leon's (Thomas Schubert) quiet summer retreat to work on the manuscript for his second book, we come to understand his generally irritable nature as not just creative but existential. Through his eyes and writer-director Christian Petzold's expertly restrained sensibilities for drama, every moment becomes tinged with a vague jealousy—insecurity about other people leading satisfied lives, and his inability to let anything be without finding fault in it first. Leon is meant to be difficult to sympathize with, but at his core is an emptiness that comes with the acknowledgement of how limited one's future really is.

And on the opposite end is Nadja (Paula Beer), a woman who just happens to be staying at the same vacation home due to an overlap in booking, whom Leon sees as a reminder for everything he lacks: romance, thoughtful attentiveness, and a love of life that helps her to stop focusing on what she thinks she lacks. The film stops short of having these characters undergo change that feels truly meaningful, but just seeing them dance around each other with a sharpening tension is well worth the experience.

Genre: Comedy, Drama, Romance

Actor: Enno Trebs, Esther Esche, Jennipher Antoni, Langston Uibel, Matthias Brandt, Paula Beer, Thomas Schubert

Director: Christian Petzold

Rating: NR