8 Movies Like Booksmart (2019) On Korea South
Chasing the feel of watching Booksmart ? Here are the movies we recommend you watch after Booksmart (2019).
Do you keep re-watching Superbad when you're hungover? Next time you are, try the film that has been praised as 'the female Superbad”: the amazing Booksmart. Yes, it's coming-of-age comedy, but, like Superbad, it tried something a little different. Like its two main characters, one could say it's a bit smarter than Greg Mottola's seminal bromedy. Molly (Beanie Feldstein, incidentally, Jonah Hill's younger sister) and Amy (Kaitlyn Dever) are best friends, class presidents, and academic overachievers. Nice girls, too. With excellent grades in their pockets, they head off to college only to find that the same in-crowd from high school that was doing nothing but partying, now goes to the same college as them. Why, oh why, did they choose academic success over partying, when, clearly, they could have had both? On their last day in high school, now here's a trope, they decide to make up for all the years of lost partying on one night. This sets off a raucous, raunchy, and wildly entertaining ride. And with a feminist twist!
This unique romance is set during a time when a man would be sent the painting of the woman he was to marry before the wedding could take place. Héloïse, secluded with her mother and a maid on a remote island, doesn't approve of her upcoming wedding and refuses to be painted. Her mother sends for a new painter, Marianne, to try to paint her without her noticing. Marianne has to take on this near-impossible task when she starts having feelings for Héloïse. This makes for a riveting romance where Marianne has to choose between her heart and her art while keeping a huge secret from her love interest.
It wouldn't be too far of a reach to evoke Kids (1995) while diving into Mid90s. But instead of taking on the HIV crisis, Mid90s is a much more tender, poignant reflection on coming of age in 90's skate culture. Jonah Hill, writer and director, examines the complexities of trying to fit in and the difficult choices one has to embrace individualism. From an opening of physical abuse to scenes of drug usage and traumatic experiences, Mid90s is a meditation not only on culture, but also a subtle examination of what it means to be human, to reach emotional and physical limitations, and to seek acceptance. Filmed in a 4:3 aspect ratio, Mid90s doesn't concern itself with grandiose filmography, but instead the aspect ratio almost reflects the tonal and metaphorical aspects played out on screen. With a smaller dynamic range of color and the familiar dust/scratches, the 16mm film compliments gritty and emotional moments of Mid90s. The emotional range of the film will take the audience from the depths of empathy to laughing out loud, but there is no compromise to the weight of each moment. Jonah Hill's directorial debut is beautiful in every sense of the word.
Andy Samberg, Cristin Milioti (Modern Love, Black Mirror), and J.K. Simmons star in this easy but original rom-com that takes place in a wedding time loop. Nyles (Samberg) finds himself living the same day over and over again, so he gives in to the monotony and the fact that there is no way to escape it.
When he is about to hook up with one of the guests, Sarah (Milioti), he is attacked by a mysterious character. The routine of his time-loop is broken.
Palm Springs is often surreal and philosophical, which are not adjectives usually used to describe rom-coms. It offers just enough twists to be original without jeopardizing the things that make it a good rom-com.
This lovely romance is about Ellie, a straight-A student who takes money from a classmate, Paul, to write love letters for him. Ellie does this to help with the household bills but there is one big problem: the girl Paul is in love with is also the girl Ellie has a crush on.
This might seem like the set-up for a standard Netflix comedy (and if you’re thinking Bergerac, you’re right, it is based on the famous play) but as the introduction of the film reads: “This is not a love story … not one where anyone gets what they want."
It is in fact, personal work from a brilliant and quality-focused director, Alice Wu. Her last movie, Saving Face, a pioneering lesbian romance set in an Asian American context, was released a long 15 years ago.
This Eddie Murphy comedy had all the ingredients to be both a famous movie and an award-winner, but neither happened. It tells the true story of Rudy Ray Moore, a comedian who became famous for creating a character called Dolemite, a pimp, and who later attempted to make his own movie based on the same character. Murphy plays Rudy, but there are also other recognizable faces in supporting roles: Chris Rock, Wesley Snipes, Keegan-Michael Key, Snoop Dogg, and many others. It's above all a funny movie, but being Eddie Murphy's first R-rated movie since 1999, it's also a realistic portrayal of both 1970s L.A. and the struggles of being a black filmmaker at the time.
Anna Kendrick and Blake Lively star in this crime-comedy as two opposite mom personalities: one a stay-at-home food vlogger, and the other an upper-class businesswoman.
Kendrick’s character (Stephanie, the vlogger mom) agrees to pick up her new friend’s kid from school. However, the kid’s mom disappears, leaving Stephanie to lead an investigation on her own into what happened.
This is a funny no-brainer carried by the two leads’ unlikely but genuine chemistry.