Chasing the feel of watching Inception ? Here are the movies we recommend you watch after Inception (2010).
This emotional and moving story is about a mother of four who is forced into homelessness in Dublin. With her husband working in a demanding restaurant job, Rosie is left to take care of the children while trying to find anything resembling accommodation. She starts by seeking the help of the city council, but every facility she calls is full or refuses to welcome them.
As a viewer, the heartbreaking reality of the situation sinks in quickly: Rosie and her husband are priced out and there are too many people in their condition. Their car doesn't fit them. But to her children, relatives, and school officials, Rosie keeps up appearances and doesn't compromise on her overwhelming child care tasks.
This movie narrated by Nicolas Cage is the incredible story of actor Anton Yelchin (Star Trek, Like Crazy): from being born to a Jewish Russian family in Leningrad to moving to the U.S. and ending with his sudden death at age 27. Anton, or Antosha as his loved ones called him, was a gifted kid: he was making his own movies at seven years old, taking highly sophisticated notes on Fellini movies, and picking up playing guitar in a short time. He took photographs that still show in exhibitions around the world. He led an extraordinary life, portrayed here, one that was cut way too short.
An award-winning American independent Fantasy, Ink has become a sleeper hit worldwide. The film portrays a struggle between the forces of good and evil over the soul of a man and a little girl caught in between. The film's deliriously realized dream sequences make clear that no matter what life throws at you, in the end the path you take is yours to choose, leaving the viewer with the simple message that, yes, there is hope.
Remember the name Rufus Norris. "Broken" is his directorial debut and he handles it like a seasoned pro. Also keep an eye out in the future for its young star, Eloise Laurence, who shows all the natural ability of a young Natalie Portman or Jodie Foster. Laurence plays "Skunk", a twelve year old trying to make sense of life - and whose task isn't made any easier by her own family's internal struggles, or the other families living in the peaceful-looking cul-de-sac where much of the action takes place. We're informed from the get-go that some sort of tragedy will befall the girl, but we don't know what shape it will take, or what the outcome of it will be. The tension builds from there, with a little relief along the way, thanks to her often-amusing performance as she witnesses the confusing actions of her elders. Tim Roth and Cillian Murphy are also in good form, both of whom seem happy to complement Laurence's presence rather than try to upstage her. "Broken" is equal parts cute, frightening, and brutally tense. It's well worth checking out.
This mortifying stop-motion fairy-tale is inspired by the very real horrors of Chile’s Colonia Dignidad: a cult colony turned torture camp under the Pinochet regime. Presented as colony propaganda, the tale tells the story of Maria, a girl who runs away from the safety of the colony into the forest and takes refuge in a house with two pigs. What transpires is a gut-wrenching allegory for the rise of fascism, colonialism, and white supremacy.
The staggering animation which seamlessly shifts mediums from paper mâché to painted walls is a bewildering sight to witness. But it’s the synthesis of this boundary-pushing art and the underlying horrors it depicts, that make this stand as an unmissable cinematic event.
A man is struggling to mourn his passing wife in this slow-burning Icelandic drama. The story starts with him converting an abandoned electricity station into a house, in an effort to find peace. Soon, however, questions about a possible extramarital affair that his wife disturb this peace and make it seem unattainable.
The way A White, White Day's brilliant story unfolds might catch you off-guard a couple of times. Still, it's slow and requires a little bit of patience. Make sure you're in the mood for that to be rewarded with unmatched insight on how differently people process grief.
The story that Whale Rider tells is a familiar one: that of a young girl challenging the expectations of a patriarchal community in order to claim her rightful place in a position of authority. But this isn't a superficial girl-power movie; writer/director Niki Caro maintains the utmost reverence for this Māori community, even if its customs might not appear fair to an outsider's point of view. It's a film full of realistically flawed people, whose struggles are all borne from a common love for their culture in their little corner of the world. What could have been generic and simplistic is made beautiful—especially thanks to a truly moving performance from Keisha Castle-Hughes, who at the time became the youngest nominee for the Best Actress Oscar.
A quiet documentary that was released to celebrate the British Royal Air Force's centenary, Spitfire tells the story of the famous plane that younger audiences might only recognize from movies like Dunkirk or Darkest Hour. It features gorgeous footage of the last remaining planes in service flying over the British coast, testimonies from pilots who are still alive and a reminder of the key role that this plane once served. It feels like an attempt to capture and archive the importance of the plane, but also of its pilots, who for the most part were young kids with little training, but who, with time, learned valuable lessons from warfare. A must for aviation fans and a great option for anyone looking for a quiet movie to watch with their family (grandparents included).
Never has evil been so darn fun to watch. Bridget (Linda Fiorentino) is such a captivating villainess, you'll actually find yourself rooting for her at times in this noirish take on..., I don't know what, but it involves drug money, double-crosses, lots of witty repartee and cat-and-mouse manipulation that will make your stomach hurt. The script is tight, the acting is all testosterone driven and crisp and you'll hear some choice words come from nice guy Bill Pullman (as Bridget's husband Clay) that you never imagined he could say. Peter Berg (Mike) is fantastic as the guy's guy determined to earn his Alpha-dog badge by subduing the fierce and wickedly intelligent heroine, Bridget. Fiorentino won a BAFTA award for her performance and was nominated, along with Director John Dahl, for several others. The movie did not qualify under Academy rules for the Oscars, but it would have been a strong contender.
Logan Lerman (The Perks of Being a Wallflower) and John Hawkes (The Sessions) star in this easy road drama about a father who tries to rekindle with his son. After the mother passes away, they try to execute her dying wishes of spreading her ashes in her home country of Ireland. The son, Lerman's character, is freshly released from jail and accepts to take the trip on the one condition that he never sees his father again. This premise makes for a fun mix between a family drama and an adventure movie. Both characters have a lot to discover in Ireland: about the country, each other, and themselves.
This original comedy-drama is about a young man on the autism spectrum called Luke. Propelled by a scandalous grandpa with no filters, Luke decides that what he needs in his life is to lose his virginity.
His dysfunctional family setting, which includes a mother who left him and a neurotic step-mother, makes his search more difficult but more also pressing. Luke decides he first has to get a job, and with a world that doesn’t expect much from him, his unbreakable determination is a joy to watch.
This documentary is about the life of New York rapper Nas around the time of the release of his first album, Illmatic.
It spans a quick and summarized 74 minutes and, while embellished by the direction of street artist One9, it remains a great snippet of recent American history. Nas’s album was a reflection of many realities that characterized his upbringing, while the movie serves to further explore those very realities.