Find the best movies rated TV-14, as per MPAA rating standards. These recommendations are at the same time acclaimed by critics and highly-rated by users.
The 400 billion (!) dollar industry of medical devices is director Kirby Dick’s latest fascination (Oscar winner Twist of Faith, Oscar nominated The Invisible War). This is one of those documentaries that will raise your awareness about a topic from 0 to I-should-do-something, as the number of victims and the negative impacts these devices are having are astounding. Of course, just like with any other careless American industries, greed, money, and lobbying are the culprits. This is an important watch that will probably come in very handy when you or a close one needs a medical device.
This high-production-value German series is about a junior investment banker who finds herself at the center of events that will cause a big financial crash. The show starts with the crash then goes back a year to tell the story of how the young Jana Liekam got caught in the middle of it.
Bad Banks functions sometimes as a cautionary tale on the dangers of investment banking but it's mostly just a simple, good, and enjoyable corporate thriller. It's also a great introduction to quality German TV, if you're ever looking for one.
This is an easy and funny Canadian TV show about a Korean store owner in Toronto.
He completely lacks awareness of modern gender, sexual orientation, and race issues - yet his good nature redeems him. In the first episode he is confronted for saying something homophobic, but replies by pretending he has an ongoing 15% “gay discount” (except he decides who’s gay or not by looking at them).
There are many other interesting themes, such as his daughter being pressured to find a “cool Christian Korean boyfriend” and her insisting that those words don’t go together.
Kim's Convenience is about the Korean-Canadian experience, but it also feels geared towards a Korean-Canadian audience. It’s authentic, refreshing, and most importantly, funny.
An eccentric billionaire. A freakishly strong character who is ashamed of his strength. A Captain America-esque leader. An old mentor in the form of a wise talking monkey. You guessed it; The Umbrella Academy is about superheroes.
One fateful day in 1989 many women across the globe give birth at the same time, but at the start of that day, none of them were pregnant. The eccentric billionaire adopts a number of these children to form The Umbrella Academy, a collective similar to X-Men or The Avengers. Except, because they are all kind of related, this show is about their family dynamic as much as it is about their superpowers.
The Umbrella Academy is an entertaining story of superheroes that is rarely original but always enjoyable. Ellen Page plays one of the kids (the black sheep of the family who has no superpowers), and she’s a joy to watch.
And substantial bonus: Mary J. Blige (!) plays a hitman.
In the early 1990s, Singaporean teens Sandi, Jasmine, and Sophie set out to make the country’s first indie movie. Incredibly, in between college, day jobs, and very limited funding, they manage to do just that with the help of their wise but mysterious mentor, Georges. Shirkers, as the project came to be called, seemed primed to revolutionize the burgeoning Singaporean film industry. It was ambitious and bonkers, unlike anything the country has seen before, and it lovingly contained tributes to the makers' cinematic heroes (among them Wim Wenders and David Lynch). But before it could see the light of the day, before it could even be viewed and edited by the girls who conceptualized it, Shirkers’ raw footage was whisked away by Georges, who fled the country without a trace.
The potentially pioneering film was never to be seen again—that is, until 20 years later when it resurfaces in near-mint condition (sadly, the audio could not be recovered). Fascinated by the journey of the lost film and mystified by Georges’ motives, Sandi decides to remake Shirkers as a documentary. The result is an artistic and personal interrogation into what made their small beloved film possible, how its loss affected the people behind it, and how this all led to Shirkers, the documentary, which is a testament to how art always prevails in the end.
This comedy is about a girl whose family moves to the U.S. on September 2001. She grows up to excel academically but, as she asks from the shrine in her room on her first day of sophomore year, she has yet to be cool. “I want to be invited to a party with hard drugs,” she prays, “not to do them, but just to say: no cocaine for me, thanks. I’m good.”
The show is narrated by tennis legend John McEnroe who was known for his explosive temper (played recently by Shia Laboeuf in Borg vs McEnroe). It’s a genius arc because Devi is a “hothead”, exactly like McEnroe. Instead of recoiling, Devi keeps boiling over, making for a fresh and original high-school comedy.
Iceland is a country of vast lands but limited population - only about 300,000 people can call themselves Icelandic. On the other hand, 8 million people have connecting flights through Iceland every year.
In this setting of mass movement, a single mother dealing with poverty is offered a chance to turn things around - a job as a border agent. One of her first days, she comes across an asylum seeker on a connecting flight from Guinea Bissau to Canada, trying to cross with a fake passport.
Their stories don’t only intertwine as border agent and asylum seeker, but as two mothers. And Breathe Normally is about struggling with poverty both in Europe and coming from a place like Guinea Bissau. It’s a beautiful, plot-heavy statement on the importance of solidarity and of seeing the human behind the country of origin or race.
A thrilling French movie about a nuclear submarine division that is confronted with a world-ending scenario.
One sonar agent is at the center of the story, his exceptional hearing capabilities are the main resource of the submarine commanders he works for (one of whom is played by the masterful Reda Kateb).
Wolf’s Call tries very hard to be a Hollywood movie, but even if it serves as a reminder that countries like France don’t have to always make arthouse films to be noticed, the visual effects and the writing fall short of that big-budget feel.
Still, if you’re looking for a fun movie that’s full of surprises, solid acting, and a great heroism tale, you’ll love this.
This movie is a complete no-brainer.
It follows two assistants in busy New York City, both of them overworked and underpaid. They come up with a plan to set up their bosses (Set it Up) so that when their bosses finally take some personal time together, they could too. In a lot of ways, it’s the perfect argument to anyone who says that the rom-com genre is dead. It’s light, it’s easy, and it’s entertaining.
At the same time, there is a heartwarming vibe that’s not too cliché, and a couple of well-known actors — Lucy Liu and Taye Diggs — that help carry the plot. Don’t expect to be mind-blown but this film will leave you feeling content.