Ordinary People (1980) | agoodmovietowatch
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Ordinary People 1980

This Best Picture Oscar-winner captures one family at a breaking point

Our Take (by Renee Cuisia)

Based on the 1976 novel of the same name, Ordinary People is an emotionally wrought film about a family on the brink of collapse. Upon the tragic death of eldest son Buck, the youngest and now only son Conrad (Hutton) reluctantly enters psychiatric care while his mother, Beth (Mary Tyler Moore), tries to force things back to the way they were with overwhelming positivity. Keeping things together as best he can is the father Calvin (Donald Sutherland), who is battling demons of his own. Before films like Good Will Hunting and shows like 13 Reasons Why made tropes like “caring therapist” and “angsty teen” into the cliches they are now, it was films like Ordinary People that broke barriers and dared to put up a mirror to our stark realities. Things like grief and depression, as well as strained parenthood and unhappy families, were taboo back day in the day, so it was somewhat of a miracle that Ordinary People didn’t just talk about them openly, but started a discourse surrounding them that continues to this day.

Notable Critics

"A powerfully intimate domestic drama."

— Todd McCarthy

Synopsis

Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.

More about it

What happens

Eighteen-year-old Conrad (Timothy Hutton) is a mess after the death of his brother in a sailing accident, but despite his efforts to get better, suicidal thoughts and a difficult relationship with his parents prevent him from moving on.

What sets it apart

Mary Tyler Moore. Moore gave her character new depths with the simplest gestures. What was simply described as “unpredictable” in the book, Moore turned into nuanced and meaningful acts.

TL;DR

It’s best known for being *the* movie that won against Raging Bull back in ‘80, when it should be known as *the* movie that predated classics like Good Will Hunting and Dead Poets Society.

Awards

Oscars

4 wins, 2 nominations

Won: Best Actor in a Supporting RoleWon: Best DirectorWon: Best PictureWon: Best Writing, Screenplay Based on Material from Another MediumNominated: Best Actor in a Supporting RoleNominated: Best Actress in a Leading Role

Golden Globes

8 nominations

Nominated: Best Actor in a Supporting RoleNominated: Best Actress in a Motion PictureNominated: Best DirectorNominated: Best Motion PictureNominated: New Star of the Year in a Motion PictureNominated: Best Actor in a Motion PictureNominated: Best Actor in a Supporting RoleNominated: Best Screenplay

BAFTA

2 nominations

Nominated: Best ActressNominated: Most Outstanding Newcomer to Leading Film Roles

DGA

1 win

Won: Outstanding Directorial Achievement in Motion Pictures

WGA

1 win

Won: Best Drama Adapted from Another Medium (Screen)

Nat. Board of Review

3 wins

Won: Best DirectorWon: Best FilmWon: Top Ten Films

NYFCC

1 win, 3 nominations

Won: Best FilmNominated: Best ActressNominated: Best DirectorNominated: Best Supporting Actor

LAFCA

1 win

Won: Best Supporting Actor

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About the author

Renee Cuisia

Renee Cuisia

Renee Cuisia is the lead curator at A Good Movie to Watch. In her spare time, she likes to watch K-dramas and analyze them to death. She's also seen You've Got Mail one too many times but is still convinced it's one of the greatest films out there.