Shot in black and white to be the best dialogue-driven, character-study film it can be; Blue Jay stars Sarah Paulson and Mark Duplass in a cozy, slow-burning film. Their characters, respectively Amanda and Jim, are former high-school sweethearts who run into each other in their hometown 20 years later. They talk, they get coffee, and then beer and jelly beans, until they find themselves to Jim’s mother’s house. As they familiarize themselves again, and the movie moves forward, it abandons its romantic chops to become a truly heartfelt and real film. A revelation of a movie.
The Fundamentals of Caring is an offbeat comedy/drama starring Paul Rudd as a man attempting to overcome his looming divorce by becoming the caretaker for a teenager with muscular dystrophy (Craig Roberts, Submarine). The two develop an unconventional relationship based largely on sarcasm and profanity, delivering many laugh-out-loud moments, while also slowly exposing the pain each is carrying inside.Together, at Ben’s urging, they embark on a road trip across the western United States for Craig to see the world. It’s somewhat formulaic but fun and touching road movie that covers much familiar ground, but also offers a fine illustration of caregiving, personal growth, and emotional healing. Paul Rudd is as good ever, and Roberts is utterly superb. One of the best movies on the Netflix Originals catalog, and an undeniable winner, all-in-all.
A couple decides to raise their six children in the wilderness of the Pacific Northwest, far from modern culture. They teach them how to raise and kill their own food, how to live in nature, but also give them classes on literature, politics, and music. The family drills boot camp-like workouts and climbs rock faces to create physical endurance. Then the wilderness adventure comes to an abrupt halt with a telephone call, and the family enters the world -- with hilarious and sorrowful results. Emotionally raw and honest, with terrific performances by Viggo Mortensen, George MacKay and the entire cast of "children."
This is the perfect dark TV show.It’s no surprise that Julia Roberts’ performance is amazing here. She is the former director of a mysterious program for rehabilitating war veterans.She perfectly blends into her first ever TV show and the world created by the show’s director Sam Esmail (Mr. Robot). That is a world of dark colors and seemingly twisted motivations.Her supporting cast is nothing short of amazing. Shea Whigham is BRILLIANT as the sad but honest detective trying to get to the bottom of things. Bobby Cannavale is also great as Julia Roberts’s old boss, a busy and eager man. This show’s surprise star is newcomer Stephan James, who plays one of the war veterans.At around 30 minutes per episode, time goes by quickly and your hunger to figure out what’s happening increases with every episode.
Refreshing, classy, and absolutely hilarious — The Marvelous Mrs. Maisel is a real triumph. Set in the 1950s, this is the story of a housewife and mother who, to everyone but herself, seems to fit very well into the patriarchal ideas of a woman of that era. In reality, she is a witty, funny, and strong woman — and someone who is willing to act on those attributes. After a series of events involving her mediocre cheating husband, she decides to become a stand-up comedian.The costumes and the mastery with which 50s New York is portrayed are what really did it for me. Everything is so beautiful, so much fun, yet so gim. It’s the most satisfying to watch Ms. Maisel navigate all of it, with a few serious laughs here and there, and riveting dialogue.
Every once in a while there are movies that expand the definition of quality film-making. This is one of those movies.Here is an incredible, yet delicate film that follows three children from poor families who are stuck living in subpar motels. Their lives and friendships are portrayed with honesty and precise aesthetics. It’s a story that at first seems as plot-free as life itself.It succeeds in capturing an innocence that is usually reserved to a child’s imagination: a precarious living condition full of adventures and fun. It’s hard to describe it beyond that; it’s the kind of film that must be seen to be fully understood.And it ends on a very high note.
In the mood for an impeccably crafted real-life thriller? This movie is for you. On the way out of a nightclub, Victoria runs into four raucous German men who convince her to hang out with them. She is from Spain and has been temporarily living in Berlin. Her German isn’t great, but her English is passable. She shares some drinks with her new friends and strikes up a flirtation with one of them. But what starts out as light-hearted hijinks at 4:30 am eventually swerves into darker and more dangerous territory, as Victoria is coerced into participating in her German companions’ dangerous plans. While the plot may sound like your standard-issue crime drama, Victoria turns out to be something a little different, due to the thrilling and unusual way it was filmed – in a single shot. The “one take” filming process could be viewed as a stunt, but in this case, it works wonders to serve the story. The tension built from the tightrope walk of the actors and filming crew adds to the ratcheting tension of the storyline. Laia Costa gives an astounding lead performance. There is not a single scene in Victoria where she is not present, and the movie would simply not work without her. A crazy, awesome movie.
Taika Waititi’s follow-up to the (also great) What We Do in the Shadows, is a pure delight and the perfect antidote after a bad day or a steady diet of too many sad movies. "Bad egg" Ricky Baker has been bounced out of more foster care situations than he cares to remember until he's given his last chance with a couple living on a rural New Zealand farm. After tragedy strikes early in the film Ricky and his foster uncle (Hec) find themselves on the run in the bush while a nationwide manhunt is initiated on their behalf. Hip-hop enthusiast Ricky and crusty, cantankerous Hec make quite the inspired pairing; this is a very funny film full of the deadpan humor that has become emblematic of Waititi's work (Flight of the Conchords, Boy) but it is also oddly touching and full of heart.