A gritty and realistic thriller set in France’s notorious capital city of crime - Marseille. Zachary is released from Juvenile prison to learn that his mother has abandoned him. He finds kinship in an underage sex worker by the name of Shéhérazade. This seems like the set-up for a tough watch, but Shéhérazade plays like a romance when it’s slow, and a crime thriller when it’s fast (it’s mostly fast). Everything about the story and two leads’ relationship rings true. Added to the fact that it has no interest in emotionally manipulating you, the movie is more gripping and thought-provoking than sad.A great story, fantastic acting from the cast of first-timers, and outstanding direction give the feeling that Shéhérazade is bound to become a modern classic. If you liked City of God, you will love this.
When I learned about Street Food the first time, I was reluctant to sit through yet another Netflix cooking show. They’ve made so many that when I want to bring up an episode with a friend I forget if I saw it in Ugly Delicious, Chef’s Table, Salt Fat Acid Heat or others.I can’t say that Street Food is a different format. It uses the same slow-motion takes of food, the same close-ups on chefs and the same style of interviews.Here is the thing though. Street Food might be similar to other Netflix cooking shows, but it’s also better than them in almost every way. Much better.It’s only 30 minutes long per episode, so it doesn’t indulge in egos or stray into unrelated stories. It doesn’t showcase kitchens where only the rich eat, like Chef’s Table often does, but stalls that are accessible to everyone. And in the best way, it connects the story of the food makers to the food.The show is mostly about middle-aged to senior women, and people who do not make that much money. It’s not about glamorous young chefs. It’s about food stripped away from any marketing or showbiz.Real cooking, real chefs, real diners. In its unpretentious nature, Street Food feels euphoric.
Vague statement alert: Burning is not a movie that you “get”; it’s a movie you experience.Based on a short story by Murakami, it’s dark and bleak in a way that comes out more in the atmosphere of the movie rather than what happens in the story.Working in the capital Seoul, a young guy from a poor town near the North Korean border runs into a girl from his village. As he starts falling for her, she makes an unlikely acquaintance with one of Seoul’s wealthy youth (played by Korean-American actor Steven Yeun, pictured above.)This new character is mysterious in a way that’s all-too-common in South Korea: young people who have access to money no one knows where it came from, and who are difficult to predict or go against.Two worlds clash, poor and rich, in a movie that’s really three movies combined into one - a character-study, a romance, and a revenge thriller.
This movie’s energy is completely intoxicating.It’s the directorial debut of renown British/Nigerian actor Chiwetel Ejiofor, but it feels like the work of a veteran.In a true story told in English and Chichewa (a language from Malawi), a young boy is expelled from school because his parents couldn’t afford tuition. At the same time, his village is struck by a variety of natural circumstances that bring them the threat of drought and famine.The young boy sneaks into the library in the hopes of making a windmill and saving his village, and you can guess what follows from the title.The triumph of engineering and a boy with a dream; mix in an incredibly interesting culture, full of unique family dynamics and a thought-provoking intersection between religion, tradition, and technology. The result is a delicate but uplifting movie, not to be missed.
In After Life, Ricky Gervais plays a kind-hearted journalist who turns dark after his wife passes away.Her parting gift to him is a video manual on how to deal with life. But his pessimism and annoyance with people keep delaying him from watching it. Worst of all, a new recruit at the newspaper is assigned to work with him. Her determined personality not only further delays him from dealing with his sadness, but gives him the platform to be even darker and more pessimistic.After Life is a mix of dark humor, straightforward drama, and tragedy. It’s a difficult story packaged in the easiest and most digestible TV form. The episodes are quick, have clear arcs and plot; and yet, you won’t be able to shake the feeling that you’re watching something much deeper than a Ricky Gervais comedy.
As the name indicates, Losers tells stories of failure in sport - an unconventional way to look at competitive personalities. The first episode is on boxing, the second is on soccer, and so on. But if you stick around, you’ll make it to episode five - my favorite (full disclosure: it is set in Morocco, where I’m from).Every episode is about a different story, so you can watch one or two not in any particular order, then keep the rest for later. It is the perfect documentary style with enough of a narrative to keep plot-addicted people like me captivated.A bonus is that this show is created and directed by renown animator Mickey Duzyj - prepare for stunning yet purpose-driven animations.
There are two ways to sum up this documentary. One will make you decide against watching it. Here’s that pitch: This is the story of a homeless woman who was found dead.Here’s the better pitch: That woman was highly educated and generally lived a happy life. But she also left behind a detailed journal that recounts her final days in one of the coldest winters on record. She lived on apples and rainwater and fought off insanity.Her heartbreaking story is one of disappointment and betrayal by society at a time when she was most vulnerable. A haunting and compelling documentary that is sure to stay with you for a long time and, in a way, might help you take on adversity.