9 Best Horror Movies On Netflix Australia

Staff & contributors

Ready to unleash your dark side? Whether you’re craving the shock of a jump scare, zombies and vampires or want to get sucked into a psychological thriller, here are the best horror-themed movies and shows to stream now.

A zombie virus breaks out and catches up with a father as he is taking his daughter from Seoul to Busan, South Korea’s second-largest city. Watch them trying to survive to reach their destination, a purported safe zone.

The acting is spot-on; the set pieces are particularly well choreographed. You’ll care about the characters. You’ll feel for the father as he struggles to keep his humanity in the bleakest of scenarios.

It’s a refreshingly thrilling disaster movie, a perfect specimen of the genre.

Horror movies have always been creepier to me when they play on our fear of the “unknown” rather than gore. Under The Shadow does exactly that. The story is based around the relationship of a woman, Shideh, and her daughter, Dorsa, under the backdrop of the Iran-Iraq war. As widespread bombings shake the ground beneath their feet, the two grapple with a more insidious evil that is faceless and traceless, coming and going only with the wind. The movie’s dread-effect plays strongly on feelings of isolation and helplessness. The scares are slow and it’s obvious the director takes great care in making every single second count and in raising the unpredictableness of the action. Like the bombs, the audience never knows when or how the next apparition will materialize. The former is always on the edge of fear, wondering what is no doubt there, but is yet to be shown on the frame. In terms of significance, Under The Shadow features too many symbolisms to count and will most likely resonate with each person differently. But one thing remains relatively unarguable: this is a wonderful movie.

Robert Pattinson and Willem Dafoe are the only two actors starring in this eccentric movie, and they deliver such grand performances that it feels like another actor would have been one too many.

They star as lighthouse keepers in the 19th century, left on an island to interact only with each other and their rock. It's a fascinating premise of how these men, left on their own, deal with boredom, loneliness, and being annoyed with one another.

Incredible performances, an interesting aspect ratio, and perhaps excessive weirdness, make this movie unforgettable.

In an age where recent horror films mostly use the jump-scare as a crutch to make their CGI-spawned (not to mention generic) creatures seem scary, The Babadook portrays real scares, relatable characters and a moving story. Jennifer Kent (director and writer) sets this on the backdrop of heavily Lars von Trier-inspired cinematography, elevating The Babadook from a shot at an amazing horror to a resemblance of an art house film. The unease felt during this film only increases as it creeps towards its conclusion. Whenever the Babadook (the monster of the film) is seen lurking in the peripherals of the camera, appearing in television sets and the shadows to create a sense of omnipresence that disturbs the viewer on a deeper, more primal level than that of so many recent horror films could even hope to reach. It leaves the audience with the sensation that they are being lowered onto a lit candle, spine-first. In short; the seamless acting, the beautiful shots, the slow-burning terror together creates a masterpiece that strides past any horror film of the past decade (maybe even further) and stands toe-to-toe with the greats without even breaking a sweat.
The Platform is the closest thing to Parasite released so far. This interesting Spanish movie is about 90% a science-fiction drama and 10% a horror movie. It’s an allegory set in a future where prisoners live in vertical cells, and each cell has to wait for the cell above it to eat to get food. Depending on the floor where prisoners wake up, they might not get any food at all. This creates for disturbing situations that are hard to see as not representative of our modern societies.

Toni Collette, Jessie Buckley, and Jesse Plemons star in this mind-bending drama from Charlie Kaufman, the writer of Being John Malkovich.

The Young Woman, as she is known in the movie, takes a day trip with her boyfriend to his family’s secluded farm in Oklahoma. On the way, she thinks about breaking up with him.

But once there, she meets her boyfriend’s unusual mom (Colette) and everything gets progressively weirder for The Young Woman. The dialogue of the movie is complex and so reference-heavy that it begs either a second viewing or a handful of explanation articles online.

A peculiar Western that might not please everyone if it wasn't for its main star, Kurt Russel. It's a mix between classic western material, a horror flick, and a fantasy movie. Yes, it's a lot. And not only that, it can be slow at times. However, in those perks it also finds a lot of originality in a saturated genre, and one more time: Kurt Russel. He's amazing as can be expected, playing the sheriff of a quiet town that gets struck by sudden disappearances. The suspect is a faraway tribe known for its cannibalism practices, the movie follows the sheriff as he leads an expedition to save a disappearing woman.