Chasing the feel of watching 1917 ? Here are the movies we recommend you watch after 1917 (2019).
Asif Kapadia, the genius of biopics who gave us Senna, is back with this documentary on an even bigger sports personality: Argentinian soccer player Diego Armando Maradona. Considered as possibly the best soccer player of all time, Maradona's footage on the pitch is pure wizardry, and you'll feel that way whether you are a soccer fan or not. But that's not the focus of this documentary. What happens outside the pitch is more interesting: from Maradona's modest beginnings to the passionate hatred (and love) that entire countries develop of him. And it doesn't make his story less interesting that during his time in Naples he was affiliated with the mafia.
This is an excellent documentary that distills 500 hours of footage into 2, giving you all you need to know about a character who captured the imagination of a big part of the world for decades.
This historical drama opens with one of the most thrilling chase scenes in recent memory, as Higinio Blanco, the man at the center of the story, escapes government forces during the Spanish Civil War.
He goes into hiding that, without him realizing, would last 33 years. He would only emerge in a government amnesty in 1969, as would many like him across Spain.
Themes of love (Higinio was confined with his newlywed wife), solitude and fear are at the center of a story that remains thrilling even when it goes through the isolation years.
This Eddie Murphy comedy had all the ingredients to be both a famous movie and an award-winner, but neither happened. It tells the true story of Rudy Ray Moore, a comedian who became famous for creating a character called Dolemite, a pimp, and who later attempted to make his own movie based on the same character. Murphy plays Rudy, but there are also other recognizable faces in supporting roles: Chris Rock, Wesley Snipes, Keegan-Michael Key, Snoop Dogg, and many others. It's above all a funny movie, but being Eddie Murphy's first R-rated movie since 1999, it's also a realistic portrayal of both 1970s L.A. and the struggles of being a black filmmaker at the time.
A quiet movie about an unpredictable convict who gets enrolled in a wild mustang taming program. These initiatives, common around the country, offer fascinating parallels: both the horses and the inmates are emprisoned, both innately fight against their condition but are actively being made to comply. The central performance by Matthias Schoenaerts is nothing short of a masterpiece. He doesn't speak much and you almost don't want him to: everything else he does communicates so much more than words. Watching this movie just for him is reason enough.
The Platform is the closest thing to Parasite released so far. This interesting Spanish movie is about 90% a science-fiction drama and 10% a horror movie. It’s an allegory set in a future where prisoners live in vertical cells, and each cell has to wait for the cell above it to eat to get food. Depending on the floor where prisoners wake up, they might not get any food at all. This creates for disturbing situations that are hard to see as not representative of our modern societies.
At the age of 17, Héctor runs away from a juvenile detention center and embarks on a journey to find a shelter dog he had befriended in a rescue center whom he has found out has just been adopted. Along his quest, he is joined by his ailing grandmother and older brother.
Featuring beautiful landscapes of northern Spain, wonderful chemistry between the two central actors, and a simple yet dynamic story, Seventeen proves that what makes a movie great is the quality of its ingredients, not the quantity.
A poetic and peculiar movie from Senegal about a girl who is forced to marry a wealthy businessman instead of her love interest. The latter, a poor construction worker, embarks on a risky journey across the sea to Europe. The story takes a supernatural turn thereafter, one that is unlike anything seen before in stories around immigration, but one which makes sense. Still, the excellent acting and the long takes that immerse you in what life is like in Senegal, both in and out of the margins of society, are the reasons to watch here. Atlantics' characters are believable and will capture your interest throughout the usual and unusual parts of the movie. They provide rare insight into narratives that most of us have never been exposed to.