9 Movies Like Bone Tomahawk (2015)

Movies to watch after Bone Tomahawk (2015).

Deadpan comedy styled as a mockumentary, following four flatmates who happen to be vampires. They range in ages from 183 to 8000, and spend their nights trying to adapt to modern day living, eating,   reminiscing about old times, and solving the problems that come with every shared flat. It is filmed in a fake documentary style similar to The Office, with one-on-one interviews interspersed into the film. From the creators of Flight Of The Conchords and Boy, it is a truly great, hilarious comedy that you will not want to miss!

A zombie virus breaks out and catches up with a father as he is taking his daughter from Seoul to Busan, South Korea’s second-largest city. Watch them trying to survive to reach their destination, a purported safe zone.The acting is spot-on; the set pieces are particularly well choreographed. You’ll care about the characters. You’ll feel for the father as he struggles to keep his humanity in the bleakest of scenarios.It’s a refreshingly thrilling disaster movie, a perfect specimen of the genre.

This is the first film directed by actor Macon Blair (so good in both Blue Ruin and Green Room), and while it is shaggy and tonally all over the place, there is a lot to recommend here. First off, I’m a huge fan of the (underrated) Melanie Lynskey, so I was primed to like this movie from the get-go. After Ruth’s (Lynskey) home is broken into, she seeks revenge against the perpetrators with help from her martial arts obsessed neighbor Tony (Elijah Wood, sporting an impressive rat-tail). What starts out as an empowering journey for Ruth & Tony quickly teeters into dangerous and increasingly violent territory. This movie is probably not for everyone, but if you’re a fan of 90s indie films and don’t mind some violence mixed in with your dark humor, then you will enjoy this small, well-acted film.

An instant classic, Beast of No Nation is a unique and uniquely-paced war drama which ranges in patterns from explosive visual storytelling to calm character studies. A child joins a rebel group consisting almost entirely of children and led by a charismatic leader credited as Commandant. As you get to witness the conflict through the child’s eyes, his own development and his commander’s, the film unfolds as an exploration of the never ending state of war in Africa. It takes you to varying conclusions, most of which you will have trouble admitting you’ve reached. As Commandant, Idris Elba is transfixing, and the whole cast of almost entirely non-actors, as well as the deeply authentic staging by True Detective and Sin Nombre director Cary Fukunaga, are enthralling.

This is the follow-up film by the director of the (also) excellent and intense Blue Ruin. Like that film, Green Room often subverts genre expectations. The basic premise: a lefty punk band winds up taking a show at a skinhead club because they are desperate for cash. The show goes well, but afterward the band accidentally witnesses something they shouldn’t have and are trapped in the club’s green room. This film is brutal and intense, especially because you actually care about what happens to the characters. Bonus: Sir Patrick Stewart plays the leader of the skinhead organization, and gives a subtle yet effectively sinister performance. While some truly horrific acts of violence occur (especially in the back-half of the film) they really do serve the story. Still, there are a handful of scenes that may require more sensitive viewers to cover their eyes. You have been warned.

Kilo Two Bravo (Originally named Kajaki) is a must-watch for anyone who likes war dramas. It tells the true story of British soldiers in the Afghanistan war who find themselves trapped in a minefield during a mission, with their rescue team coming in a helicopter that might set off mines if it lands. It's a slow, dialogue driven film that is interested in taking you to the war zone more than it cares about entertaining you. Ultimately, it becomes an essay on the horrors of war, and an anti-war war film. Because of this and given the blood and gore, this movie is definitely not for those who would feel nauseated at sight of blood. Great setting, good cinematography, realistic acting and script all do justice to the true story. It's a film that will grip your senses and keep you at the edge of the seat throughout.

Slow West is a modern western about a young Scotsman (Kodi Smit-McPhee) trekking across America in search of Rose, the young woman he loves, while accompanied by a wayward outlaw named Silas (Michael Fassbender). Jay soon realizes that he is unwittingly leading a pack of nefarious bounty hunters toward Rose and her father as well, as a sizable reward rests on their heads for the accidental killing of a nobleman. It’s a melancholy yet clever and enjoyable film with a distinct Coen Brothers-esque sense of dark humor and quirky violence. In his debut feature, John Maclean gives the western a fresh spin and a nice creative twist, marking his territory as a promising new name in the film world.

Pawn Sacrifice is a period drama about famed chess player Bobby Fischer (Tobey Maguire), following Fischer’s rise from his childhood in Brooklyn through to his famed matchup with Soviet Grandmaster Boris Spassky (Liev Schreiber) at the 1972 World Chess Championship. The film captures Fischer’s adolescence as a time of burgeoning mastery of the game, while struggling in a fatherless home and beset by early signs of mental illness. Set during the height of the Cold War, tensions between the United States and Russia play a critical role in the story, as they fuel many of Fischer’s fears and anxieties over perceived Russian spying and surveillance. His paranoia reaches a fever pitch in Reykjavik, Iceland, the site of his famous duel with Spassky for the world championship, leading to a remarkably compelling finale. Writer director Steven Knight and director Edward Zwick have crafted a striking depiction of a real-life genius grappling with fraying sanity, and Maguire is stunningly evocative as the abrasive and acerbic Fischer. For the viewer, no advanced knowledge of chess is necessary to enjoy this vivid depiction of one man’s historical achievement in the face of profound mental disturbance.

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