Movies Like Doctor Sleep (2019)

This searing allegation of sexual abuse against Def Jam Recordings’ Russell Simmons unfolds with the intelligence and tenacity of a world-class prosecution. But more importantly, On the Record remembers to fight for a justice that’s restorative, too—paying proper tribute to Drew Dixon and many other equally creative and talented women behind the scenes in the American hip hop industry. With every new argument it introduces, this documentary encourages us not only to be open to new information, but to rewire our very way of thinking about race, intersectional feminism, and the music business. It may be a bit of a cliché, but On the Record really does leave you smarter than when you started, with a heightened awareness of how the present moment is inseparable from our history.

The Innocents is a Norweigan thriller that follows four kids who discover they have supernatural powers over the summer. They play around and experiment in the woods nearby, but what begins as harmless fun quickly develops into something much more disturbing and sinister.

This unnerving film, a blend of fantasy and horror, doesn’t waste time explaining the origins of its mysticism. Instead, it goes straight into action—bending, twisting, and splitting open anything and anyone that gets in its way. This kind of rawness is shocking given the age range of the characters, but it also works to subvert what we’ve come to expect from kids, youth, and goodness. The Innocents isn’t for the faint of heart, but if you can manage some bloody and unhindged scenes, then it’s sure worth checking out. Directed by Eskil Vogt, co-writer of critically-acclaimed films like Thelma and The Worst Person in the World.

Unlike in other films that only seem to evoke a previous era to make a target demographic feel warm and fuzzy inside, there’s something vaguely artificial about Death of Nintendo’s air of nostalgia—which is exactly what helps it tell its story. There isn’t anything particularly novel about this movie’s plot or characters, but Raya Martin’s direction has us consider various themes between all the stuff you’d expect to see in a young adult movie. In moments of quiet unease that seem to punctuate every other sequence, we’re drawn towards the absence of father figures, the inability of the women to get through to their sons (already embedded in patriarchal customs), and the idea that one’s childhood in a Catholic country seems to be marked by physical pain. Beyond the film’s feathery lighting and colorful production design, there’s a surprising amount to think about.

In the years since Fan Girl’s original release in the Philippines, its ultimate message and execution has become polarizing: is it enough that the film shows the corruption of a parasocial relationship into an abusive one, without offering much hope? Is its vision of justice actually constructive or disappointingly limited? No matter where you fall, it’s exciting that a movie can stir up these kinds of questions through a bizarre dynamic between characters, in a place that’s clearly set somewhere between reality and delusion. The narrative is circular and frustrating for a reason—a constant push and pull as the titular fan girl keeps getting drawn back into the celebrity’s orbit—and the film only grows more disturbing with each repetition.

This 140-minute Brazilian drama is an epic and touching tale of two sisters torn apart. In 1950s Rio de Janeiro, Eurídice, 18, and Guida, 20, are inseparable, but their dreams soon take them away from each other, from their conservative family, and from Brazil.

After they are separated, each one of them believes the other is achieving her dreams when often the opposite was happening. Family betrayal, silence, and a suffocating social climate shatter the aspiration of the sisters but also highlight their strength.

If you’ve seen his stand-up, you’ll know that Pete Davidson likes to make fun of himself. But it’s also true that Davidson is honest. He speaks openly about his childhood traumas and mental health struggles, and this film about his life is no different than his live performances. It’s darkly funny and deeply personal, this time plumbing new depths of his life with the help of director (and patron saint of comedians) Judd Apatow. 

Here, Apatow allows Davidson to hell his story in his own irreverent flavor, all while boosting him with directorial flair and his trademark balance of humor and humanity. A triumphant collaboration between Apatow and Davidson, King of Staten Island is rich with nuanced performances and relatable insights into the life of someone slowly but surely healing from pain and coming into his own. 

A young lawyer has to defend a murderer after passing the bar only three months prior in this satisfying German drama. To make matters worse, the victim happens to be his mentor, a wealthy and seemingly kind-hearted business man. As for the perpetrator, he refuses to say a single word. Caspar, the lawyer, is from a German-Turkish background, which is a hint to where the complexity of this legal drama lies: in Germany’s history and racial legacy. The Collini Case is satisfying to a fault, but if you’re looking for substance-filled entertainment, this is some of the best you’ll get.

This historical drama opens with one of the most thrilling chase scenes in recent memory, as Higinio Blanco, the man at the center of the story, escapes government forces during the Spanish Civil War.

He goes into hiding that, without him realizing, would last 33 years. He would only emerge in a government amnesty in 1969, as would many like him across Spain.

Themes of love (Higinio was confined with his newlywed wife), solitude and fear are at the center of a story that remains thrilling even when it goes through the isolation years.

A biopic is only as big as the personality at its center, and what a personality Pavarotti had. The Opera singer that crossed into the mainstream from his humble upbringings in Modena, Italy, exuded happiness and had a great outlook on life. And even as the attention he would eventually attract takes its tole, he’s able to maintain his positivity and his dedication to his art. This documentary on his life and his work will be even more interesting to you if like me you didn’t know who Pavarotti was, or the impact he’s had.

At the age of 17, Héctor runs away from a juvenile detention center and embarks on a journey to find a shelter dog he had befriended in a rescue center whom he has found out has just been adopted. Along his quest, he is joined by his ailing grandmother and older brother. 

Featuring beautiful landscapes of northern Spain, wonderful chemistry between the two central actors, and a simple yet dynamic story, Seventeen proves that what makes a movie great is the quality of its ingredients, not the quantity.

This Swedish movie is the story of Astrid Lindgren, one of the most translated children book writers of all time. Her work of over 100 books includes Pippi Longstocking and The Brothers Lionheart.

Away from the quiet existence of the characters she would later create, Astrid had a turbulent life. Her troubles start when she falls for the editor of the paper she worked at when she was young, a man 30 years her senior. This results in an unwanted pregnancy and Astrid is pushed to immigrate.

This Eddie Murphy comedy had all the ingredients to be both a famous movie and an award-winner, but neither happened. It tells the true story of Rudy Ray Moore, a comedian who became famous for creating a character called Dolemite, a pimp, and who later attempted to make his own movie based on the same character. Murphy plays Rudy, but there are also other recognizable faces in supporting roles: Chris Rock, Wesley Snipes, Keegan-Michael Key, Snoop Dogg, and many others. It’s above all a funny movie, but being Eddie Murphy’s first R-rated movie since 1999, it’s also a realistic portrayal of both 1970s L.A. and the struggles of being a black filmmaker at the time.

This Canadian drama produced by Clint Eastwood is based on the true story of Saul Indian Horse, a famous indigenous hockey player who survived Canada’s residential school system. As recently as 1996, indigenous children were taken away from their families to attend brutal assimilation boarding schools.

Indian Horse, by virtue of being based on true events, is not an against-all-odds story. The main character goes through a series of ups and downs between the 70s and 90s, when the movie is set, which reflect the recent history of abuse that Indigenous communities suffered in Canada.

From The Babadook director Jennifer Kent comes another horror, although this one is more about the horrors of humanity. Set in 1825 Tasmania, The Nightingale follows Irish settler Clare as she seeks bloody revenge on the monsters who wronged her and her family. She teams up with an Aboriginal guide named Billy to accomplish her goal.

Because of its often violent and disturbing tone (the film is rated R for its potentially triggering scenes), The Nightingale understandably polarized audiences upon its release. But it’s also an excellent conversation piece, best watched with friends or anyone up for a discussion-filled movie night.

Generally, most people would like foreigners to like their country, but most people can’t control what their fellow countrymen have done abroad, good or otherwise. And while now these opinions are relegated to most only on online spaces, there are some incidents when this actually affects real world crises. California Dreamin’ is based on the real life delay of NATO forces during the Kosovo War, but it’s less concerned with the actual war, and more concerned about the village itself, and their perspective on the NATO troops intruding in their way of life. Co-writer and director Cristian Nemescu depicts this event with a slice-of-life approach, with the culture clash between American soldiers and Romanian village folk forming most of the comedy, but it never forgets the way American aid was once requested but denied in black-and-white memories of World War II. While the length and editing wasn’t completed due to the death of Nemescu, Nesfârșit still keeps its edge, slicing through satire the difficult dynamic between the two countries.

It’s rare now to hear the phrase “girl power” without being immediately suspicious of its intentions, reduced as it were to cheesy adspeak and empty platitudes. But in the case of Rocks—a movie helmed by a predominantly female crew and co-written by the teenage cast themselves—the slogan fits. There is power in this type of girlhood: open, collaborative, and supportive, and that’s just what happens off-screen. 

On-screen, what unfolds is even more complex and beautiful. As Rocks struggles to take care of her younger brother all on her own, as she’s forced to grow up and face ethical dilemmas normally reserved for adults, she is backed unwaveringly by her friends Sumaya, Agnes, Yawa, Khadijah, and Sabina. It’s their specific bond, unsentimental but deeply considerate and loyal, that keeps the film as solid and grounded as the title suggests.

This buddies-on-the-road drama was the highest-grossing independent film of 2019, which tells you everything you need to know about it: it’s familiar, but it’s not overblown.

A fisherman (Shia LaBeouf) has to flee after vandalizing the property of a rival fishing group who bully him. On the way, he meets a man with Down syndrome, who, unexpectedly, is on a journey to become a pro wrestler.

Another indie zombie movie? Far from it. One Cut of the Dead, written and directed by Shin’ichirô Ueda, became a global sensation following its small theatrical run in Japan for its creative and original screenplay. A hack director and film crew are shooting a low-budget zombie movie in an abandoned WWII Japanese facility when they are attacked by real zombies. That’s all you need to know about the plot, as the film is full of surprises that will catch you off guard. Wondering how an independent film with a budget of just $25,000 was able to gross over $30 million worldwide? The answer lies in the film itself. 

The Platform is the closest thing to Parasite released so far. This interesting Spanish movie is about 90% a science-fiction drama and 10% a horror movie. It’s an allegory set in a future where prisoners live in vertical cells, and each cell has to wait for the cell above it to eat to get food. Depending on the floor where prisoners wake up, they might not get any food at all. This creates for disturbing situations that are hard to see as not representative of our modern societies.

Robert Pattinson and Willem Dafoe are the only two actors starring in this eccentric movie, and they deliver such grand performances that it feels like another actor would have been one too many.

They star as lighthouse keepers in the 19th century, left on an island to interact only with each other and their rock. It’s a fascinating premise of how these men, left on their own, deal with boredom, loneliness, and being annoyed with one another.

Incredible performances, an interesting aspect ratio, and perhaps excessive weirdness, make this movie unforgettable.

You may have heard about this 2019 critic-favorite from clips like this one of a kid running to flee the movie theater during a screening. “little billy ran the f**k out the door”, the caption reads.

You will want to do the same. Recovering from losing her sister and her parents in a single incident, a young girl goes on a trip to Sweden to observe a ritual within a bizarre commune that occurs every 90 years. This cult’s idea of death and their traditions intersect with the girl’s grief to create unthinkable monstrosities.

Note: while some readers praise the movie for its depiction of anxiety, I highly recommend against watching Midsommar if you suffer from panic attacks.

Ijogbon is a straightforward thriller centered on a pouch of uncut diamonds, which bring chaos to the four teenagers that find it. With the film’s young cast, the ensemble, understandably, makes poor decisions when given a stack of cash. The way they and their families handle difficulties, like deciding who to get the gun, or deciding what to do when they find random dead bodies, actually feel humorous – there’s something to be said about how, given the right circumstances, both kids and adults make the same mistakes. Thematically, there’s also something here about how natural resources in Nigeria are made for high end technology they can’t afford. However, the film doesn’t really delve into its themes, or play up the comedic potential it has shown, deciding instead to play out the same way similar stories do.

A chilling and dark movie to be especially appreciated by true suspense lovers. At the funeral of the family’s matriarch, no one is emotional except the granddaughter, whose grieving is disturbing, to say the least. When both grieving and not grieving are unsettling, you can tell what kind of family (and movie) this will be.