183 Movies Like Fight Club (1999) (Page 3)

“They called me uppity. Uppity n*****. And I loved it”. That’s how this excellent documentary, about the first professional black racing driver Willy T. Ribbs, starts. It summarizes the strong personality of a champion who excelled in tracks that were filled with confederate flags.

The documentary explains the details of the difficulties that Ribbs went through in the 70s and 80s, but also the people who supported him and recognized his talent. It’s by no way a sad movie, on the contrary, even when Ribbs is talking about people spitting wherever he walks or about the death threats escalating, his unharmed determination is at the center of the story.

This is an inspiring documentary about a character who never got his worth in the history books. I was full of shivers by the first half-hour mark.

This incredible documentary is about the elusive Iranian artist Bahman Mohassess, whose work has the uniqueness of a Picasso or a Salvador Dalí.

But unlike his European counterparts, most of Mohassess’ work has been destroyed. Some in the aftermath of the Islamic Revolution in Iran but most, interestingly, by the artist himself.

After the revolution, he went into exile. For 40 years his whereabouts remained unknown — until an Iranian filmmaker based in Paris tracked him in a hotel in Rome.

Very early in the film, director Mitra Farahani points out that Mohassess died half an hour after one of their filming sessions.

The urgency of their conversations, the genius of Mohassess and his relationship to his art, and the uniqueness of the untold story of his life, all make this more than just another documentary. It’s a work of immeasurable historic value.

The movie starts with Luke (Ryan Gosling) as a stunt driver who learns he has a newborn child. Luke wants to properly provide for him, so he turns to robbing banks. That causes conflict with the mother (Eva Mendes) and a police officer (Bradley Cooper), which ends up spanning two generations. The Place Beyond the Pines is gritty and emotional, and at the heart of it, a good take on father-son relationships and long-term consequences.

Director Gianni Di Gregorio’s gorgeous debut is an understated masterpiece about a bachelor who is his mother's caregiver. The movie takes place almost entirely in Di Gregorio's family home in central Rome, a beautiful, big, and well-furnished apartment that his character can't afford any longer. 

To catch a break from rent, he agrees to host the landlord’s mother while the landlord goes on holiday. The same for his and his mother’s medical bills, and the doctor shows up with yet another elderly woman.  

Di Gregorio finds himself running an impromptu elderly home, with conflicts rising about who gets to watch TV and whose dietary restrictions should be respected. But his calm demeanor, love for cooking, and a lot of white wine make him the perfect man for the job.

Grounded by Lesley Manville and Timothy Spall’s powerhouse performances, this gut-wrenching family drama from Mike Leigh is an acting juggernaut. Penny and Phil are a working-class couple whose marriage is rapidly deteriorating and pushed to the brink when their son, played by a young James Corden, is hospitalized. 

While Manville and Spall are centered as the leads, Leigh draws a staggering amount of depth from Corden as well as a young Sally Hawkins who plays a neighbor. Despite being one of Leigh’s grimmest films, there is still a profound sweetness lingering at the edges as the story teeters between despondency and hope.

An old friend shows up on the doorstep of a happy family home and brings a whirlwind of trouble with him. Charles Burnett’s startling parable is tinged with magic and creeping danger. It digs into the tensions between African American folklore of the rural South and the assimilated middle-class lifestyle out West. 

This rift takes the form of Harry, whose disquieting presence throws his old friend Gideon’s Los Angeles home into disarray. Danny Glover is captivating as the devilish visitor, delivering each line with playful ease and simmering menace. Burnett’s sly narrative doesn’t boil down to good and evil but instead offers a layered and enigmatic exploration of identity.

Strictly Ballroom is an energetic, fun and hilarious movie. Baz Lurhman does an incredible job telling the story of a rebellious young dancer who just wants to dance his own steps in the face of conformity. When he finds an inexperienced yet determined dance partner it's the beginning of an unexpected love story like no other. This movie isn't like the usual rom-com, it has colour, vitality and passion. It's a Moulin Rouge but with even more character, and the work that put Lurhman on the map for everyone.

This slow-burning drama is set in an Indigenous reservation in South Dakota, where Johnny is a teenager who dreams of moving to L.A. with his girlfriend. He would have to leave behind his little sister, who is just grappling with the recent loss of their father. 

Director Chloé Zhao (The Rider, Nomadland) worked with amateur actors whose lives mirror the characters, often adapting the script to the actors' stories. She filmed 100 hours of footage that she then distilled into an hour and a half. 

The result is a film shot from the outside but which is grounded in local stories. And these stories are rough, sad, complex - but so important to listen to and understand. It's an incredible feat to make an observational film that's so grounded in reality - only a genius could: that's Chloé Zhao, and this mature work is -somehow- her first feature film.

This small-scale but incredibly fun 88-minute drama from 2003 is about a group of Latino teenagers who grow up in New York’s Lower East Side.

Victor lives with his eccentric grandmother, which sometimes gets in the way of him pursuing Judy, his dream girl.

The actor who plays Victor is called Victor Rasuk, the one who plays Judy is called Judy Marte. This is a film so personal that both main characters needed to be named after the actors who play them.

This immersive documentary is about a beloved independent record store that opened in front of a major music chain in Manhattan in 1995. Its founders called it Other Music, a jab at the chain and a reference to the music it would carry.

Other Music would go on to become a mecca that welcomes music fanatics from around the world. Its clerks would become legendary for their shaman-like knowledge, many famous bands would have their start at shows in the store, and Other Music would even re-issue artists who were forgotten.

But in today’s hostile world towards independent cultural institutions, can anything, however influential or successful it may be, live?

This movie narrated by Nicolas Cage is the incredible story of actor Anton Yelchin (Star Trek, Like Crazy): from being born to a Jewish Russian family in Leningrad to moving to the U.S. and ending with his sudden death at age 27. Anton, or Antosha as his loved ones called him, was a gifted kid: he was making his own movies at seven years old, taking highly sophisticated notes on Fellini movies, and picking up playing guitar in a short time. He took photographs that still show in exhibitions around the world. He led an extraordinary life, portrayed here, one that was cut way too short.