18 Movies Like Killers of the Flower Moon (2023) On Netflix

Staff & contributors

Chasing the feel of watching Killers of the Flower Moon ? Here are the movies we recommend you watch right after.

Martin Scorsese’s Killers of the Flower Moon isn’t a whodunnit; in fact, it’s closer to a who-didn’t-do-it. We know from the very beginning who is responsible for committing the brutal serial murders of wealthy Osage Native Americans in 1920s Oklahoma that the film chronicles: pretty much every single one of their white neighbors, spearheaded by William Hale (a skin-crawling Robert De Niro). Scorsese, most often associated with mafia stories, stealthily suggests here that the most dangerous gang of all is the one into which all these perpetrators have been born. That’s an idea he investigates through the confused loyalties of Leonardo DiCaprio’s Ernest Burkhart, the Judas-like husband of Mollie (movie-stealer Lily Gladstone), an Osage woman who owns lucrative oil headrights that William wants to fatten his own pockets with. This searing epic — based on a harrowing chapter of real American history — is an unsparing and self-implicating look at complicity and greed in the eye, a monumental movie that cements its maker as one of the greatest to ever do it.

David Fincher's return to form almost ten years after Gone Girl turns the eponymous French graphic novel series into a stone-cold stunner. The Killer can be described as a crime thriller and a neo noir, but it's perfectly Fincherian in the ways it withholds information from the viewer, building up suspense in a masterful rhythm. The film opens on the inside of a construction site—a WeWork office to-be—where our Killer stalks his pray across the street. A rather static beginning, where nothing much happens: one may question the thriller qualities of the film during its first act for similar reasons, but just give it time; that's exactly what The Killer would say. But little does he know that time is something he doesn't have much of...

Genre: Crime, Thriller

Actor: Arliss Howard, Bernard Bygott, Brandon Morales, Charles Parnell, Daran Norris, Emiliano Pernia, Endre Hules, Erik Hellman, Gabriel Polanco, Jack Kesy, Jérôme Keen, Julia Rowley, Kellan Rhude, Kerry O'Malley, Michael Fassbender, Monique Ganderton, Nikki Dixon, Sala Baker, Sophie Charlotte, Tilda Swinton

Director: David Fincher

Rating: R

Real life tragedies, especially one that's as sensationalized as the Miracle in the Andes, can be tough to depict on screen. On one hand, the film has to keep true to the story but also maintain some form of spectacle to keep people watching. Past depictions of the 1972 crash are preoccupied with the cannibalism portrayed by big name actors, but Society of the Snow takes a different route. The actors are newcomers, the threats to their lives don't require daring action stunts, and the cannibalism is limited to small chunks indistinguishable from animal meat. Instead, the spectacle of Society of the Snow is the human spirit– the vulnerability, the respect, and the generosity they've given each other in order to survive. It’s still an uncomfortable watch, especially since we get to know some of the survivors before the crash, but it’s definitely a transcendent addition to the genre dedicated to the miracle of existence.

Genre: Drama, History

Actor: Agustín Berruti, Agustín Della Corte, Agustín Lain, Agustín Pardella, Alfonsina Carrocio, Andy Pruss, Benjamín Segura, Blas Polidori, Carlos Miguel Páez Rodríguez, Daniel Patricio Antivilio Acuña, Diego Vegezzi, Emanuel Parga, Emanuel Sobré, Enzo Vogrincic, Esteban Bigliardi, Esteban Kukuriczka, Esteban Pico, Facundo Roure, Fede Aznárez, Felipe González Otaño, Felipe Otaño, Felipe Ramusio, Felipe Ramusio Mora, Fernando Contigiani García, Francisco Bereny, Francisco Burghi, Francisco Romero, Gustavo Zerbino Stajano, Jerónimo Bosia, Juan Caruso, Julian Bedino, Lautaro Bakir, Louta, Lucas Mascarena, Luciano Chattón, Mariano Rochman, Matías Recalt, Pablo Tate, Paula Baldini, Rafael Federman, Roberto Suárez, Rocco Posca, Santiago Vaca Narvaja, Simon Hempe, Sofía Lara, Tea Alberti, Tomas Wolf, Toto Rovito, Valentino Alonso, Virgínia Kauffmann

Director: J.A. Bayona

Rating: R

As a crime thriller, Holy Spider is taut and terrifying, a modern noir that manages to unnerve despite the familiar moves it employs. The cat and mouse chase between serial killer and investigative reporter, for instance, is a classic tale, but that doesn’t make Holy Spider any less gripping. The film benefits from artful camerawork, considered acting (as the daring journalist Rahimi, Zar Amir Ebrahimi nabbed the Best Actress award at Cannes), and most of all a nuanced take on the situation in Iran. 

Despite having a clear stance against violence and corruption, nothing in Holy Spider is black and white. Contradictions abound, and even when presented with brief moments of justice, we’re left scratching our heads looking for more. Such is the case when the system, and not just an individual, is the true pest. 

Genre: Crime, Drama, Horror, Thriller

Actor: Ariane Naziri, Majd Eid, Mehdi Bajestani, Nima Akbarpour, Sara Fazilat, Sina Parvaneh, Zar Amir Ebrahimi

Director: Ali Abbasi

An all-female action comedy that doesn’t get self-serious about the way it’s subverting the genre — Wingwomen feels like a breath of fresh air. It wisely grasps that plot isn’t paramount for a movie like this, and so it joyously dunks on cerebral scenarios with its unabashedly silly story convolutions, like when its professional thieves take a brief pause from their momentous One Last Job™️ to sail to Italy and exact bloody, flamenco-delivered revenge on the gangsters who killed their beloved rabbit. Exotic Mediterranean location-hopping isn’t the only way Wingwomen milks Netflix’s finance department for all it can get, either: director-star Mélanie Laurent also packs in all manner of stunts, from spectacular base-jumping sequences to dramatic drone shootouts. 

For all its breezy style, though, there is real heart here, and not the kind that feels crafted by an algorithm. It’s true that a late twist unwisely uses the movie’s embrace of implausibility for emotional ends, but otherwise, the relationship between its professional thieves — ostensibly platonic but very much coded otherwise (a la Bend It Like Beckham) — has surprisingly sincere warmth. Thanks to the cast’s natural chemistry and characters that feel human despite the ridiculous plot, Wingwomen is much more moving than you might believe possible for a Netflix action-comedy.

Genre: Action, Comedy, Drama

Actor: Adèle Exarchopoulos, Annick Roux, Aurélien Gabrielli, Camille Verschuere, Felix Moati, Foued Nabba, Isabelle Adjani, Jean-François Perrone, Jean-Philippe Ricci, Leona D'Huy, Manon Bresch, Mélanie Laurent, Meriem Serbah, Myriam Azencot, Philippe Katerine

Director: Mélanie Laurent

Rating: R

We Are the World is a charity single created for African famine relief. It was a smash success– it inspired plenty of other charity singles and already has a TV documentary about it. But The Greatest Night in Pop reveals new behind-the-scenes footage with a home video flair, intercut with interviews from those who were in the booth on that fateful day. The anecdotes about that night might have already been said elsewhere, but director Bao Nguyen manages to capture the energy in the room, peeking into the emotions of the various personalities that helped shape the song. It’s an intriguing, if straightforward documentary, and it’s certainly a treat watching the decade’s best voices collaborate to make this one track.

Genre: Documentary, Music

Actor: Al Jarreau, Anita Pointer, Bette Midler, Billy Joel, Bob Dylan, Bob Geldof, Bonnie Pointer, Bruce Springsteen, Cyndi Lauper, Dan Aykroyd, Daryl Hall, Diana Ross, Dionne Warwick, Harry Belafonte, Huey Lewis, Jackie Jackson, James Ingram, Jeffrey Osborne, Jermaine Jackson, John Oates, Kenny Loggins, Kenny Rogers, Kim Carnes, La Toya Jackson, Lindsey Buckingham, Lionel Richie, Madonna, Marlon Jackson, Michael Jackson, Paul Simon, Prince, Quincy Jones, Randy Jackson, Ray Charles, Ruth Pointer, Sheila E., Smokey Robinson, Steve Perry, STEVEN IVORY, Stevie Wonder, Tina Turner, Tito Jackson, Tom Bähler, Tom Myers, Waylon Jennings, Wendy Garfield-Ferris Rees, Willie Nelson

Director: Bao Nguyen

Rating: PG-13

Inspired by the Spiniak case, Blanquita reimagines the infamous scandal through mirrored interrogations and disorienting viewpoints. Blanquita rewrites the original witness, whose fictional variant, in turn, rewrites the abuse faced by victims as her own. She is transformed from a clueless liar, into someone still a liar, but one that did so when every other possible witness has been discarded for being unreliable, for being too traumatized to go through the judicial process unflinchingly. The film takes on a provocative subject matter, at a time when real life sexual abuse allegations are treated with the same scrutiny Blanca faces. However, Blanquita does so in a way that gives its complexities the weight it deserves. It’s a fascinating thriller, a quandary that tests the idea of ends justifying the means… But it’s one that’s disturbing, given the consequences to each crime.

Genre: Drama

Actor: Alejandro Goic, Alex Quevedo, Amparo Noguera, Claudio Troncoso, Daniela Ramírez, Hernán Lacalle, Jaime Vadell, José Luis Aguilera, Karen Bejarano, Laura López Campbell, Marcelo Alonso, Nelson Polanco, Nicolás Durán, Roberto Farías

Director: Fernando Guzzoni

The colloquial phrase "May-December" refers to romantic partners with a large age gap, but leave it to Todd Haynes to craft a poetic and unsettling world out of this (slightly troubling) banality of life. His new film is loosely based on the real case of Mary Kay Letourneau, who in 1997 was convicted as a sex offender after being caught having a relationship with a minor, a student of hers, 12 years old (22 years her junior). May December begins twenty years after the tabloid scandal surrounding the marriage of Joe and Gracie has died down. Elizabeth, an actress, is conducting research in preparation to play Gracie in a film production, but she doesn't know what to expect. Alongside her, we are welcomed into the family home, meet their teenage children, sit through their family dinners, marvelling at the levity and nonchalant atmosphere in the air. Something is missing, or at least that's what Elizabeth suspects. A psychological drama-thriller-black comedy, May December is impossible to pin down. A profound film on human confusion, identities, and past traumas, it unites two of the best Hollywood stars, Julianne Moore and Natalie Portman, in a delightfully eerie play of doubling and revelations.

Genre: Comedy, Drama

Actor: Allie McCulloch, Andrea Frankle, Charles Green, Charles Melton, Chris Tenzis, Cory Michael Smith, D.W. Moffett, Drew Scheid, Elizabeth Yu, Gabriel Chung, Hailey Wist, Hans Obma, Joan Reilly, Jocelyn Shelfo, Julianne Moore, Julie Ivey, Kelvin Han Yee, Lawrence Arancio, Natalie Portman, Piper Curda, Zachary Branch

Director: Todd Haynes

Rating: R

Making a good erotic thriller out on Wall Street is no easy feat, but Fair Play has just the right ratio of wit, sex, and sleaze to spice up a Friday night viewing. There's also undeniable pleasure in watching a fairytale love story corrode, especially under the influence of money and power—here's one for the romantic capitalists! And even if the script feels a bit uneven and Emily's character a bit too silent until the film's third act, it's a heightened yet realistic depiction of exactly how solidified heteronormative standards still are: in bed, at home, at the workplace. Who would have guessed that's where the true horror lies? 

Genre: Drama, Romance, Thriller

Actor: Alden Ehrenreich, Brandon Bassir, Buck Braithwaite, Eddie Marsan, Filip Todorovic, Geraldine Somerville, Greg De Cuir, Ivona Kustudić, Jamie Wilkes, Jelena Stupljanin, Jim Sturgeon, Katarina Gojković, Laurel Lefkow, Leopold Hughes, Linda Ljoka, Patrick Fischler, Phoebe Dynevor, Rich Sommer, Sebastian de Souza, Sia Alipour

Director: Chloe Domont

, 2023

War makes animals of men, and Filip is no exception. The film portrays a lone Jewish survivor who walks the streets of Frankfurt as if he doesn’t have anything to lose. He’s able to get away with it, with his work at a luxury hotel, but he’s unable to escape his trauma. He relieves this through trysts with the local women, treating them cruelly, the same way they would treat his people. It’s a uniquely stunning take on the ugly side of war, with its country club glamor and Filip’s lust for life. But it’s also a grim character study of an unlikeable, yet understandable protagonist, whose moral ambiguity comes purely from his own survival.

Genre: Drama, History, War

Actor: Caroline Hartig, Eryk Kulm, Eryk Kulm jr, Gabriel Raab, Julian Świeżewski, Jürg Plüss, Karol Biskup, Kinga Jasik, Mateusz Rzeźniczak, Nicolas Przygoda, Nicolo Pasetti, Robert Więckiewicz, Sandra Drzymalska, Victor Meutelet, Zoë Straub

Director: Michał Kwieciński

Rating: R

While not having world-ending stakes or large-scale operations, Sixty Minutes just works as an action movie. Sure, the plot is familiar and a little far fetched, but the film maximizes the potential of its premise, with excellently choreographed fight sequences working in tandem with the cinematography to reflect the MMA fighter leading the movie. Each moment isn’t wasted, with the action escalating each time Octa finds out about the hidden information kept from him about the match he’s planned to skip, and the film easily keeps track of his journey through neon-lit stopwatch faces and maps. And when we (and Octa) feel tired from all the fighting, the film ends right on time after sixty (and twenty nine) minutes.

Genre: Action, Drama

Actor: Alain Blazevic, Aristo Luis, Balázs Megyeri, Bettina Hoppe, Bruno Salgueiro, Dennis Mojen, Emilio Sakraya, Eniko Fulop, Florian Schmidtke, Georg Blumreiter, Harry Szovik, Janna Striebeck, José Barros, Laurent Winkler, Livia Matthes, Ludger Bökelmann, Marie Mouroum, Mehmet Ateşçi, Morik Heydo, Nyamandi Adrian, Paul Wollin, Philipp Droste, Steffen Jung, Tatjana Šojić, Tayssir Khalfallah, Vassilis Koukalani

Director: Oliver Kienle

Rating: R

You could take away a lot of parts in Reptile, and it would still make sense. It’s the kind of film that leans on sound and style to justify overlong takes and teeth-grittingly predictable scenes. But all is forgiven when del Toro, who also co-writes and co-produces the film, appears on screen. He has a simmering, captivating presence that demands you keep your eyes on him even when little, if anything at all, happens. Silverstone, Eric Bogosian, and Ato Essandoh are likewise enthralling, but Justin Timberlake unfortunately does not hold the same staying power. The film is at its weakest when it tries to convince us that he plays a complex, layered man when, in fact, Timberlake relays nothing but surface-level thrills. But Reptile is at its strongest when it gives us del Toro in all his forceful glory. 

Genre: Crime, Drama, Mystery, Thriller

Actor: Africa Miranda, Alicia Silverstone, Allison Smith, Amy Parrish, Ato Essandoh, Benicio Del Toro, Catherine Dyer, Dani Deetté, Deena Beasley, Domenick Lombardozzi, Elena Varela, Eric Bogosian, Frances Fisher, Gilbert Glenn Brown, Gregory Albrecht, James Devoti, Jesse C. Boyd, Jp Lambert, Justin Timberlake, Karl Glusman, Kurt Yue, Lee Perkins, Matilda Lutz, Matt Medrano, Matthew Cornwell, Michael Beasley, Michael Pitt, Michael Rene Walton, Mike Pniewski, Monique Yvette Grant, Owen Teague, Sky Ferreira, Thad Luckinbill, Tiffany Fallon, Victor Rasuk

Director: Grant Singer

Rating: R

After the critical and commercial success of Concrete Utopia, it makes sense for Lotte Entertainment to turn it into a franchise. Badland Hunters is a more action-focused spinoff, with that dystopian world looking like a wild, wild Seoul and Ma Dong-seok as its lone ranger. Compared to its predecessor, the commentary is scant, the plot is thin, and the only thing that connects it is the apartment. But even with the B-movie mad scientist plot, long-time stunt coordinator Heo Myung-haeng makes his directorial debut wildly entertaining, with solid action that doesn’t depend too much on CGI. Human reptiles aside, Badland Hunters is just so fun to watch.

Genre: Action, Drama, Science Fiction

Actor: Ahn Ji-hye, Ahn Seong-bong, Hong Yi-joo, Jang Young-nam, Jeong Gi-seop, Jung Young-ju, Kim Young-sun, Lee Han-joo, Lee Hee-jun, Lee Jun-young, Ma Dong-seok, Park Hyo-joon, Park Ji-hoon, Roh Jeong-eui, Seong Byeong-suk

Director: Heo Myeong-haeng

Rating: R

Just like with its predecessor, it can be surprising how sober Street Flow 2 is. You expect stories about street gang life to be of a certain tone, but these films are more interested in the emotional and philosophical struggle to respond to violence and poverty in a just and proper way. This sequel continues this conversation from a more stable (but therefore less interesting) position: youngest sibling Noumouké is no longer torn between the influence of his older brothers, as all three try to move forward as a united front. But without a more distinct dilemma driving the action forward, the film ends up spinning its wheels—and rushes to an incomplete ending  that doesn't say enough about survival, lawfulness, or the African immigrant experience in France.

Genre: Crime, Drama

Actor: Alessandra Sublet, Alix Mathurin, Bakary Diombera, Cherine Ghemri, Foued Nabba, Georgina Elizabeth Okon, Jammeh Diangana, Kadi Diarra, Kery James, Krystel Roche, Mahamadou Coulibaly, Sana Sri

Director: Alix Mathurin, Kery James, Leïla Sy

Rating: R

Pain Hustlers is based on a 2018 New York Times article of the same name exposing a drug company that marketed a fentanyl-based drug. Zanna, the on-screen pharmaceutical start-up, is modelled after Insys: the actual company who pushed a fentanyl-based spray for pain management with the help of sales reps who particularly appeal to a certain male gaze. A DIY scheme of bribing doctors through "speaker programs"—or recurring, debaucherous parties—gets Zanna off the ground, catapulting stripper-turned-manager Liza Drake (Emily Blunt) to a much-yearned financial stability. Together with the coked-up COO (magnificently played by Chris Evans), Liza puts her street smart potential to work; she goes all in, until it all crashes and burns. It's cynical how predictable the plot of such a film can be, mainly because the only character development we see is in Liza's sudden moral spark at the sight of drug abuses and overdoses. Pain Hustlers tries really hard to build a hero, tear her down, and then rehabilitate her status, but to what end? The film ends up using the fentanyl crisis as a narrative drive, a highly dubious move when you're supposed to be spreading awareness. 

 

Genre: Crime, Drama

Actor: Adrian Eppley, Alex Klein, Amit Shah, Andy Garcia, Aubrey Dollar, Avis-Marie Barnes, Becca Breitfeller, Brian d'Arcy James, Britt Rentschler, Catherine O'Hara, Chloe Coleman, Chris Evans, Emily Blunt, Erin Ownbey, Greyson Chadwick, Jay Duplass, Josh Ventura, Mandi Christine Kerr, Mary Ann Hagan, Michael Kosta, Michael Lowry, Nicholas Christopher McNeil, Omer Mughal, Pat Dortch, Quinn Bozza, Rowan Joseph, Samantha Kacho, Selena Anduze, Sharon Conley, Tris Marie, Valerie LeBlanc, Willie Raysor

Director: David Yates

Rating: R

The messy, non-linear process of grieving is always tough to capture meaningfully on screen—and there are definitely parts of Good Grief that trail off without much feeling or go on for too long without making new points. But the good still outweighs the bad in Dan Levy's directorial debut, with the inherent impracticality of death taking center stage. At a certain age when one has too much going on in life, grief can become just another responsibility that needs to be managed, that often clashes with the priorities of one's friends. The film just falls short of making truly astute insights into loss or crafting complete characters, but it's reassuring all the same in how ordinarily it views something so tragic.

Genre: Comedy, Drama, Romance

Actor: Arnaud Valois, Celia Imrie, Cyrielle Debreuil, Dan Levy, David Bradley, Emma Corrin, Himesh Patel, Jamael Westman, Kaitlyn Dever, Luke Evans, Mehdi Baki, Nigel Lilley, Ruth Negga, Yoli Fuller, Zoé Bruneau

Director: Dan Levy

Rating: R