5 Movies Like The Truman Show (1998) On Amazon Germany

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Chasing the feel of watching The Truman Show ? Here are the movies we recommend you watch after The Truman Show (1998).

A wealthy paraplegic needs a new caretaker. His choice is surprising -- an ex-con down on his luck. Both of their lives are changed forever. Based on a true story, it is funny, touching, and very surprising.  It will have you rolling on the floor laughing one minute and reaching for your hankie the next. Intouchables is one of those perfect movies, that will easily and instantly make anyone's all-time top 10 list.

The movie starts with Professor John Oldman packing his things to leave and start a new life. He invites his friends to say goodbye and decides to reveal the reason for his departure. The starting point of the narration is a simple question asked by Oldman to his friends: what would a man from the upper paleolithic look like if he had survived until the present day? As scientists, the protagonists play his game and investigate the question, not knowing whether the story is a bad joke or a genuine narration. One of the best movies I've watched and definitely one of the most under-rated.

An intriguing, funny and rather bizarre movie which serves as a fantastic introduction to 'new-wave' German cinema. Featuring a cast of young talented actors and excellent direction, this movie takes place around the time the Berlin wall fell and East and West Berlin were still united. Christiane, a devout socialist activist in East Berlin suffers an accident which leaves her in a coma, during which time the Berlin wall comes down and Western capitalism encroaches on her beloved East Berlin. Fearing that she may relapse into a coma after waking up, her doctors warn that she must remain calm and not endure any shocks. Despite the somewhat contrived premise, the film really takes off from this point as her son Alex and his friend aim to hide this fact from her, by faking news reports on the television, coming up with excuses for a giant Coca Cola banner and a whole host of other amusing exploits to prevent her from knowing. While categorised as a comedy, it is also a moving portrayal of a loving family enduring great, historic change.

The Fountain is a highly compelling science-fiction/fantasy film told in three interwoven parts related to the mythical concept of the Tree of Life. Hugh Jackman and Rachel Weisz star in a triad of roles that alternate along the film’s narrative: 1) an ancient conquistador assigned by the Queen of Spain to locate the legendary tree within the jungles of South American, 2) a modern medical doctor desperately striving to find a cure for his wife’s terminal brain cancer, and 3) a futuristic space traveler transporting the sacred tree across the cosmos with spectral images of his wife as his companion. In this, his 3rd feature feature-length film, writer/director Darren Aronofsky has crafted a strikingly ambitious depiction of the search for, manifestation of and preservation of the oft-fabled key to eternity. It’s highly philosophical and at times strikingly abstract visual storytelling, aided immeasurably by Jackman’s and Weisz’s heartfelt, aggrieved performances. The passion and the earnestness they deliver helps to buoy a complicated plot that isn’t always entirely cohesive, but comes together as a wonderfully compelling amalgamation of sights and sounds bound to inspire the viewer. Kudos to Aronofsky for eschewing simple fantasy in lieu of something so dynamic, original and emotionally commanding.

Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. There is a subplot involving a growing rift between Wadjda’s parents; while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. It wouldn’t work without a strong central performance from first-time actor Waad Mohammed though -- she is never less than believable as a clever, determined and joyful 10-year-old, and her journey towards adulthood is both heartbreaking and inspiring.