14 Best Movies & Shows Released in 2013 On Tubitv Canada

Understated in budget but lavished with praise, this semi-autobiographical drama by Daniel Destin Cretton flings its audience into the chaotic lives and personal crises of at-risk youths and the passionate social workers that aid them. In his first feature film, the young director draws the viewers into the storm of events and the emotional ups-and-downs of social work in America, going from uplifting to depressing and back – and every emotion in-between.

Set in the real-life and eponymous group home Short Term 12, devoted but troubled foster-care worker Grace is played by Brie Larson, whose shining performance in her first leading role was lauded by critics. Fans will also recognize the supporting actors Lakeith Stanfield and Rami Malek, who broke out in this movie. Short Term 12 is now considered one of the most important movies of 2013 – some say of the decade – owing to its immaculate writing, intimate camerawork, and gripping performances.

More simply called La Vie d'Adèle in its native language, this French coming-of-age movie was hugely successful when it came out and was probably one of the most talked-about films of the time. On the one hand, the usual puritans came to the fore, criticizing the lengthy and graphic sex scenes. On the other hand, Julie Maroh, who wrote the source material that inspired the script, denounced Franco-Tunisian filmmaker Abdellatif Kechiche for directing with his d*ck, if you don't mind me saying so, while also being an on-set tyrant. Whatever you make of this in hindsight, the only way to know is to watch this powerfully acted drama about the titular Adèle (Adèle Exarchopoulos), and her infatuation with Emma, a free-spirited girl with blue hair, played by Léa Seydoux. The film beautifully and realistically portrays Adele's evolution from a teenage high-school girl to a grown, confident woman. As their relationship matures, so does Adèle, and she slowly begins to outgrow her sexual and philosophical mentor. Whatever your final verdict on the controversial sex scene, Blue Is the Warmest Color is without doubt an outstanding film as are the performances from Exarchopoulos and Séydoux.

Jim Jarmusch’s latest film is the story of a pair of vampires, Adam and Eve (Tom Hiddleston and Tilda Swinton), married for thousand of years and living thousands of miles apart, subsequently reunited in modern-day Detroit to find Hiddleston in state of disrepair and depression. Their lives are shaken up by the sudden appearance of Swinton’s wayward young vampire sister Ava (Mia Wasikowska) that sets their lives into tumult. It's the type of evenly-paced and wryly amusing dramedy that only Jarmusch could craft. I loved the atmosphere and sensibility of this film, not to mention the various literary allusions along with the dark, somber soundtrack. Less of a narrative and more of a modern-day-vampire-slice-of-life, this is one of those films that gets under skin and stays awhile (and not in a bad way).

Inside Llewyn Davis tells the interesting and captivating story of a young, struggling singer navigating through the Greenwich Village folk scene in 1961. The movie conveys all sorts of emotions, thanks to Coen brothers’ stroke of genius: it is strange, funny, dramatic and satisfying at the same time. Not to mention, the ensemble cast is superb, and the music is absolutely great. It is the kind of movie that will put an unfamiliar yet wondrous feeling into you as you live through Llewyn Davis' eyes and feel his pain.

A Ken Loach type of vibe drives The Selfish Giant  to be an interesting mix between anger,  desperation, and the beauty and humor often found in tough circumstances (think I, Daniel Blake but with kids as main characters). This sort of contemporary fable tells the story of two friends who skip school and hustle for work from a local scrap-dealer.  As they get more and more involved with him and his entourage, the grim realities of what once seemed a way out start to cast a shadow over their lives. The script is based on a short story by Oscar Wilde, it's a beautiful, ultimately sad portrayal of the British underclass.

We Are the Best! is one movie that may be overlooked largely by viewers, though it perfectly captures counterculture, and relates to the misfit young and old. The movie is an adaptation of Moodysson's wife Coco's graphic novel "Never Goodnight". Set in Stockholm, Sweden in 1982, Klara (Mira Grosin) and her best friend Bobo (Mira Barkhammar) are junior high teenage girls who believe in their heart that punk rock is alive and well. With both of their home lives not so pleasant, the girls spend their time at the local youth center while taking up the time slot in the band room to get revenge on the local metal band. That's when they find themselves starting a punk band without even knowing how to play an instrument. We Are the Best! is a fun and deeply sincere exploration of adventure, friendship, love, and betrayal in adolescence.

This original comedy-drama is about a young man on the autism spectrum called Luke. Propelled by a scandalous grandpa with no filters, Luke decides that what he needs in his life is to lose his virginity.

His dysfunctional family setting, which includes a mother who left him and a neurotic step-mother, makes his search more difficult but more also pressing. Luke decides he first has to get a job, and with a world that doesn’t expect much from him, his unbreakable determination is a joy to watch.

Sometimes it's hard to relate to foreign movies because of the different cultures, languages and actors. But Miracle in Cell No. 7 transcended the language barriers for me and delivered one of the most touching stories I have ever seen. It's a Korean film about the intricate yet simple love story between a mentally challenged father and his daughter. When the father is wrongly accused of a crime he did not commit and is sent to prison, his personable character eventually causes the prisoners around him to help reunite him with his daughter in prison. Warning: many tissues will be needed.