Our take
Wes Anderson’s amazing visuals, dry characterizations, and yarn-spinning story-telling all add up to a delightful flick. Jude Law, staying at the decrepit but once plush Grand Budapest Hotel in the fictional Republic of Zubrowka, encounters the mysterious Zero Moustafa (F. Murray Abraham), the hotel’s owner. Over a bottle of wine, he discovers the charmed history of the hotel which includes among its roster of characters Gustave H (Ralph Fiennes) and a star-studded assortment of cameos by the likes of Bill Murray, Harvey Keitel, Willem Defoe, Jeff Goldblum, and Adrien Brody. This is a whimsical tale told with great style and a dark comedy which is not really that much dark. It explores the viewer’s nostalgic senses in a very subtle way and has a very engaging script with many layers to it. I loved it as it took me to a totally different world created by the director and away from my daily routine, which is something very few films manage to do.
What it won
Oscars
4 wins · 5 noms
Berlin
1 nom
Golden Globes
4 noms
The story
The Grand Budapest Hotel tells of a legendary concierge at a famous European hotel between the wars and his friendship with a young employee who becomes his trusted protégé. The story involves the theft and recovery of a priceless Renaissance painting, the battle for an enormous family fortune and the slow and then sudden upheavals that transformed Europe during the first half of the 20th century.
Elsewhere
"The opéra-bouffe plot serves as a strand of bright golden wire on which Anderson hangs innumerable encounters, scampering chases, and an archly decorative style of commentary."
— David Denby
Who picked it
The Staff is the editorial team at A Good Movie to Watch, contributing reviews, recommendations, and streaming guides across film and television. Based in Las Vegas, Nevada, we track over 100 streaming services in the US. Founded in 2014 by Bilal Zouheir, the team is built around human curation rather than algorithmic recommendations.
"It is a film that maintains its illusion with grace-and ruefully unmasks that illusion every bit as gracefully."
— Jonathan Romney