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This movie tells the story of the 2017 Fyre Music Festival scandal. An event where party-goers, who paid thousands of dollars for luxury hotel accommodation on a Bahamian island, found themselves sleeping in hazard tents left over from the last hurricane disaster, with wonderbread and processed cheese sandwiches. “We were promised arugula!” The documentary focuses heavily on the person behind the operation, Billy McFarland. A rival movie, titled Fyre Fraud, was also released on Hulu around the same time. They’re both excellent, but if, like me, you didn’t know about the scandal before hearing about the movie, I wouldn’t suggest bothering with watching both.
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It wouldn't be too far of a reach to evoke Kids (1995) while diving into Mid90s. But instead of taking on the HIV crisis, Mid90s is a much more tender, poignant reflection on coming of age in 90's skate culture. Jonah Hill, writer and director, examines the complexities of trying to fit in and the difficult choices one has to embrace individualism. From an opening of physical abuse to scenes of drug usage and traumatic experiences, Mid90s is a meditation not only on culture, but also a subtle examination of what it means to be human, to reach emotional and physical limitations, and to seek acceptance. Filmed in a 4:3 aspect ratio, Mid90s doesn't concern itself with grandiose filmography, but instead the aspect ratio almost reflects the tonal and metaphorical aspects played out on screen. With a smaller dynamic range of color and the familiar dust/scratches, the 16mm film compliments gritty and emotional moments of Mid90s. The emotional range of the film will take the audience from the depths of empathy to laughing out loud, but there is no compromise to the weight of each moment. Jonah Hill's directorial debut is beautiful in every sense of the word.
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