agoodmovietowatch's Top Good Movies

Phenomenal and heartbreaking, Wind River is a true masterpiece by Taylor Sheridan, the man behind Sicario and Hell or High Water. In a Native American Reservation, a local girl is found dead and a young detective (Elizabeth Olsen) tries to uncover the mystery. She is accompanied by a tracker (Jeremy Renner) with his own dark history in the community. It’s not a very rewarding movie at first, so don’t expect an incredibly fast-paced story from the get-go. However, when everything unfolds, it’s not only action-packed, its reflections on indigenous communities are deep and poignant. How this remains a relatively known movie is shocking, it has to be one of the best mysteries of the past 20 years.

Written and directed by Kenneth Lonergan (Manchester by the Sea) and featuring the ever-reliable Mark Ruffalo as well as a fantastic performance from Laura Linney, You Can Count on Me is a beautiful and beautifully told story of siblings growing apart and later finding each other again. Sammy (Linney) helped raise her younger brother Terry (Ruffalo) after they were orphaned at an early age. Now a single mother, her life turns around when Terry comes back after a long time of being absent, with the two having become almost completely different people in between. Such an honest, genuine exploration of unconditional love, think of it as much more hopeful The Skeleton Twins.

The first movie to be nominated to both the Documentary and Foreign-Language Oscar categories, Honeyland is a portrayal of one of the last wild beekeepers in Europe shot over three years. Her life consists of taking care of her ailing mother and harvesting honey according to rules her ancestors taught her, such as only taking half of the produced honey at any one time. These rules are broken when a nomad family arrives. The father, anxious about securing for his children, threatens the beekeeper's way of life.There is so much incredible footage in this difficult documentary, from hazardous mountain climbs to a kid helping a cow give birth. But throughout, the question of "how am I watching this?" often comes up, since the footage the filmmakers gained feels unobstructed by anything: it doesn't feel like there is a camera around.

Two strangers in Germany deal with their Turkish identity in separate ways but are joined together when they agree to a fake marriage in order to help each other break free. This is a dirty, gritty and heart-wrenching story about culture, love and the violence that unites them. Winner of a Golden Bear and "Best Film" as well as "Audience Award" at the European Film Awards.

Darren Aronofsky delivers yet another unforgettable allegory, starring Mickey Rourke as Randy "The Ram" Robinson, an aging professional wrestler long past his prime. He is struggling to retain a sense of identity, purpose and dignity. The audience can see in Rourke the story of all men, that we will one day grow old, regret mistakes that it's too late to fix, and mourn the end of our successes.

A cynical, gripping and unconventional French film that combines prison drama with the Goodfellas-styled narrative of the rise to criminal power. A Prophet takes age-old cliches and turns them upside down, resulting in a movie that manages to be completely original while remaining truthful to its influences. It's not often that a film leaves me giddy with enthusiasm and has me constantly thinking back to it, but A Prophet achieves it. Incredible acting, fantastic pacing, great narrative arc, with a brutal, cynical and uncompromising take on morality, self-realization and life on the fringes of society. There are only two "action" sequences in this movie and they are as brutal and realistic as they are unexpected. Look past the subtitles, do yourself a favor and watch it.

This movie so heartbreaking. Wiesler, an officer of the Stasi, is designated to spy on a playwright and his girlfriend because the State Security has doubts about their loyalty. However after a while Wiesler becomes absorbed in Dreyman and his girlfriend's lives and that's when the empathy and the human component surge to be confronted with orders, and the realities of the time. Florian Henckel von Donnersmarck's film is a melodrama , quietly affecting, quietly chilling, quietly quiet. It captures the drab architecture of totalitarianism, the soul-dead buildings of a soul-dead state and the haunted freedom in that time.

There is a unique emotional approach to Danish films rarely matched by anything else, that has to be seen to be understood. Oscar-nominated After The Wedding perfectly embodies that. Jacob Peterson (played by Mads Mikkelsen) is an idealist who runs a financially struggling orphanage in India. He returns to Copenhagen to seek a large donation when he discovers that in order to get the money he will be unveiling dark secrets about his own personal past. Scenes are stretched, and feel incredibly realistic. But because of the great plot and premise as well as the fantastic cast, they're never boring -- on the contrary, After the Wedding is thrilling and at all times interesting.

The impossibly true story of a mysterious Frenchman who claims to be the 16 year old son of a family from Texas that went missing three years prior. This movie is shot so well with a story so unbelievable that I had to look it up to believe that it was a real documentary instead of a fiction film played as true. Expect twists and turns at every corner, with brilliant storytelling from the real life people that lived through the whole thing. If Christopher Nolan created a 48 hour story, it would pale in comparison to this film.