Beautiful story-telling and powerful acting boost the story of an Iranian man returning to France to finalize his divorce. He finds that his wife has a new lover. A lot more happens that I wouldn't want to spoil for you, the film is in fact directed by Iranian legend Asghar Farhadi, so expect twists and subtleties you're probably familiar with from A Separation or About Elly. That said, The Past remains to some extent different from his previous work since it focuses on romantic relationships, failed ones, and the toll they take on the humans involved. Learning about the characters is a lot like meeting them in real life and hearing their stories: it's hard to take sides or tell who's wrong - you'd rather stay silent and try to make sense of it all.
The main reason to watch Love & Mercy could be that it's about the life of Beach Boys leader Bryan Wilson, but it shouldn't. That wouldn't do the film any justice. Yes it is a great rock biopic, but its reach goes way beyond that: it's a compelling and beautiful character study performed in unparalleled perfection by Paul Dano and John Cusack. It gives an inside look into the mind of a genius in all its glory and obscurity. And so much of it rings true because, yes, it is about the life Beach Boys leader Bryan Wilson. Such a unique and beautiful film.
An exploration of the complex and loving relationship between a mother and her son that will take you through a variety of extremely perceived emotions: it's uplifting, disturbing, provocative, sad, and hopeful among many other things. We don't get many of these middle-class-budget films anymore, and this one might be its category's best. A kidnapped girl (Brie Larson) has a son (Jacob Tremblay in an electrifying performance) with her abductor and tries to provide a "normal" environment for the kid in the room where they're being held captive, until they attempt to escape. Brie Larson won an Oscar for Best Actress in Room, so make sure to also check out Short Term 12, an equally impressive performance by her in an equally amazing movie.
Five orphaned sisters are put under house arrest by their uncle and grandmother after they are seen horsing around with local boys from school. While their actions were purely innocent, their behavior is viewed as scandalous and shameful by the conservative elders in their small Turkish village. After this incident, their grandmother turns her attention towards marrying off her granddaughters. Each of the five sisters rebel in their own way, but it is the youngest and rowdiest sister, Lale, who is the central protagonist of the film. She watches helplessly as each of her older sisters is married off with an increasing sense of dread and desperation. While this may sound hopelessly depressing, the movie is equal parts beautiful and tragic and floats across the screen in a dreamlike manner. Not all of the sisters escape their oppressive surroundings or their assigned fate, but the message is clear: it’s crucial to try.
This is the story of an almost unknown musician of the 60’s and early 70’s, known as Rodriguez. He was shunned in his native U.S., but beloved in the most unlikely of countries, Apartheid-era South Africa. His bootleg albums circulated widely among his fans there, propelling him to extreme levels of fame. But he had no idea. This is a feel-good production that can also be sharp-witted when it needs to be.
Things We Lost in the Fire is a touching drama about Audrey (Hall Berry), a married mother-of-two, whose husband Brian (David Duchovny) is killed tragically in a random act of violence. Amidst her grief she comes to connect with Jerry (Benicio Del Toro), Brian’s childhood friend who is living an isolated life as a junkie, and ultimately invites him to live with her and her children. What may sound like a formulaic set-up, with broken souls coming together to find mutual reconciliation, is elevated immeasurably by Susanne Bier’s deft directorial hand. The celebrated director of After the Wedding and In A Better World weaves a poignant narrative about loss and human connectivity, featuring stunningly good performances by both Berry and Del Toro. It’s a film that’s likely to surprise you with its heartfelt tenderness and compassion.
Enough Said is a realistically sweet movie that handles serious emotions without compromising its comedic chops. It portrays the difficulties and doubts that come with post-divorce relations in a somewhat goofy and original way. James Gandolfini is impeccably wonderful in his last lead role, and joined by Julia Louis-Dreyfus they generate exquisite chemistry right from their first scene together all the way until the movie ends. Like many other beautiful movies such as Your Sister’s Sister, Enough Said is hilarious, romantic, but to that it adds being smart and realistic. You'll love it.
Atonement is a tribute to cinematography, an epic film that might just remind you why you fell in love with movies to begin with. A young girl and aspiring writer has a crush on the man her older sister loves, so the young sister indulges her imagination to accuse the man of a crime he didn't commit. The two are separated and the latter is then sent away to prison and after joins the army. As the young girl grows up and realizes the true consequences of her actions, what can she do, what can anyone do, to remedy such a wrong? Winner of two Golden Globes and nominated to 6 Academy Awards.
Directed by celebrated artist-turned-filmmaker Julian Schnabel, The Diving Bell and the Butterfly is the true story of French journalist and fashion editor Jean-Dominique Bauby (Mathieu Amalric), who suffered a devastating stroke at the age of 43. Almost completely paralyzed by what is termed “Locked-in Syndrome”, Bauby was left with only the operation of his left eye intact, leaving him forced to communicate via partner-assisted scanning (selection of each letter of the alphabet via blinking). Ultimately, Bauby employed this painstaking procedure to dictate his own memoir “Le Scaphandre et le Papillon”, which became a number one bestseller in Europe. The film alternates between Bauby’s interaction with his visitors and caretakers (including the dictation of his book) and his own dream-like fantasies and memories of his life prior to paralysis. With the title, Bauby uses the diving bell to represent his self-perceived state of isolation, akin to a deep-sea diver encased in an oxygenated chamber, and the corresponding butterfly to represent the freedom he enjoys as he often journeys quite magically through his own mind’s eye. It’s a somber yet engaging film full of heart and vision, featuring wonderful performances by the entire cast across the board.
A fish out of water coming-of-age story with an abundance of charm. Greg Gaines, a kid with few to zero close people finds himself obliged to befriend a girl recently diagnosed with cancer. She enters his seemingly balanced social life and he tries to adjust to her new predicament, and the story goes from there. There is excellent cinematography and really funny sequences, but to me what is most amazing is that with three perfectly played and perfectly written characters, you are sure to see parts of yourself in either Greg, Earl, or Rachel - if not some parts in each one.
Her is a movie with plenty of heart, in all its variations: love, sadness, hope and confusion. Through perfectly crafted production, the futuristic surroundings where the movie takes place will feel familiar only few minutes after it begins. This added to the amazing performance by Joaquin Phoenix delivers an unprecedented study of moving on from relationships that once seemed to last forever on one hand, and of the pursuit of intellectual love on the other. Her is thought-provoking in the most beautiful way possible, it narrates a relatable human being's story. It is one of those movies you will keep remembering every once and a while in different contexts of your life.
In many ways, The Perks of Being a Wallflower is a modern masterpiece. It's a psychological experience - one that is sincere to its premise and the troubled nature of the human beings in it. You will be surprised by the depth of its many layers and the extents to which a similar movie can go (on paper it's a coming-of-age story). Its character-driven chemistry will catch you even more as it reaches its perfect mix between comedy, warmth, tragedy, and honest depiction of depression.