33 Movies Like Aftersun (2022)

A hot summer night, around 2 a.m. You're outside talking with a close friend about life, happiness, and the human condition. That quality and depth of conversation, which you reach at best a couple of times a year is present throughout the 106 minutes of The End of the Tour.

In the case of this movie, you become the witness of five days of conversation spent between two fine writers: the once-in-a-generation American author David Foster Wallace and best-selling Rolling Stone journalist David Lipsky, as they travel the US during the 1996 publicity tour for the former's magnum opus, Infinite Jest. Twelve years later Wallace will commit suicide.

Like a good podcast, the James-Ponsoldt-directed road movie makes you feel being part of a deeply personal conversation of the kind you would have with a long-time friend. At times, it can feel like eavesdropping on a genius at work. This effect is helped along by a flawless Jason Segal, who delivers an award-worthy performance as DFW. The fierce intelligence exuded by Jesse Eisenberg as David Lipsky is also nothing short of amazing. As they stuff their faces with junk food, their conversation is insightful, immediate, and unpretentiously relevant, making The End of the Tour a rare and important film.

There’s a lot of good to be found in the charming, poignant, and endlessly quotable Marcel the Shell With Shoes On. It follows a documentarian named Dean, who has as his subject the one-inch talking shell that is Marcel. Marcel looks after an empty house along with his grandma Connie, and together they run a delightfully intricate system subsisting on electric mixers, tennis balls, and the occasional human hair.

Despite his small size, Marcel unwittingly makes big observations about life and the world around him, often moving Dean (and this writer) close to tears. It’s a simple film with a grand message, with lots to say about the importance of participating in life as opposed to merely observing it. But ultimately this is a movie with a precocious talking shell at the heart of it all, so really, what’s not to like?

Abbas Kiarostami delivers a tale of towering simplicity. A young boy mistakenly takes his friend’s notebook home and, knowing the friend faces expulsion without it, goes on a journey to bring it back. He visits the neighboring town but without a clue where his friend lives must rely on the kindness of strangers and overcome the stubbornness of adults who get in his way.

This adventure is both a loose moral parable as well as a striking portrait of life in rural Iran. More than this, it’s a testament to the capacity of children’s films to communicate depth when the filmmaker respects a child’s intelligence. The earnest young actors at its heart add an emotional immediacy that underscores Kiarostami’s empathetic direction.

A road trip movie with an unknown destination, Hit the Road plays with our expectations by avoiding any obvious questions we might have, and making us focus on the real important things. Informed by the censorship and persecution faced by critics of Iran's government—including director Panah Panahi's own filmmaker father, Jafar—the film places more focus on the very act of escape and what that can take from a family. And most importantly, through Panahi's skillful direction of rural Iran's varied, beautiful landscapes, he creates a conflicted relationship between character and setting, with entire emotional crescendos playing out just through a single shot of the environment. It's one of the most underappreciated movies of the year.

Not much happens in Women Talking, but what it lacks in action it more than makes up for in message. As the wronged women of an insular Christian colony decide whether they should leave or stay in their community, valuable points on each side are raised and debated fiercely. Are the men at fault or is there a bigger problem at hand? Is it sacrilegious to refuse forgiveness? Will leaving really solve anything? 

The women of this ultraconservative and anti-modern community may not know how to read or write, but years of toiling away on land, family, and faith have made them wise beyond their years, which makes their discussion all the more captivating and powerful. Relevant themes, coupled with director Sarah Polley’s poetic shots and the cast’s all-around stellar performances, make Women Talking a uniquely compelling and timeless watch.

Forget everything you know about the music biopic. One-on-one interviews, chronological storytelling, silent moments with the subjects—Moonage Daydream isn’t that kind of movie. Just as David Bowie isn’t your typical pop star, this documentary about him, directed by Brett Morgen, forgoes the usual beats for something extraordinary and fun.

Moonage Daydream is a concert, a light show, and a masterclass in collage editing. It's a feast for the senses, a fantastic neon fever dream that paints a picture of Bowie in his own words, drawn from archival footage, interviews, and concerts past.

The Fabelmans is often described as director Steven Spielberg’s semi-autobiographical movie about his inauguration into filmmaking, and while it certainly is that, I’d venture to say that it also functions as a universal coming-of-age tale, with protagonist and Spielberg stand-in Sammy Fabelman (Gabriel LaBelle) learning harsh truths about identity, family, and passion for the first time.

Here, we see how so much of filmmaking is intertwined with his life, and how the movies inspire his personality (and vice versa). Whether you’re a fan of Spielberg or not, this movie will surely win you over with its beautiful imagery, impressive technique, and big, big heart.

What starts as an unsettling drama quickly morphs into a searing psychological thriller. The film, based on a play of the same title, tells the story of Tom, a young man who while attending his boyfriend’s funeral, stays with the grieving family unaware of his relationship with their son. During his stay, Tom becomes subject to the violent whims of his boyfriend’s brother. 

The intense psychosexual dynamic that develops becomes a piercing examination of homophobia, masculinity, and violence. Dolan’s expert direction keeps a level of intensity that grips and never let’s go until the gorgeous closing sequence. At times brutal and cruel, Tom at the Farm may be a tough watch, but its portrait of simmering regressive violence speaks vividly and directly to our current moment.