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As in his previous films, Director Andrew Haigh explores the delicate nature of loneliness, grief, and love in All of Us Strangers, except this time he does so through a supernatural lens. The result is mesmerizing: amid the tenderness the film draws from its characters, there’s a swirl of mystery too: how is it possible […]

You would expect a courtroom drama to be built around damning pieces of evidence, passionate speeches, or certain social issues lending weight to the investigation. But what makes Justine Triet’s Palme d’Or-winning Anatomy of a Fall so remarkable is how direct it is. Triet doesn’t treat this case like a puzzle for the audience to […]

How do you make a film about the Holocaust feel new? How do you make the terrors feel fresh, like it was just in the news, without sounding redundant or without giving into the sensationalized and emotionally manipulative? For Director Jonathan Glazer, the answer lies in not what you show but what you don’t show. […]

Of all the Christmas-set films to have come out over the last couple of months that were, inexplicably, about grief and regret (you’d be surprised by how many there are), The Holdovers easily outdoes its contemporaries by being confident enough to just sit with its characters. Like the best of director Alexander Payne’s other films, […]

The story of the Von Erich family is excruciatingly sad, but Iron Claw doesn’t dive right into the tragedy. Instead, it takes care to paint a picture of a close-knit family that’s filled with just as much warmth, jealousy, affection, and resentment as the next bunch. Durkin masterfully draws you into their circle so that […]

The concepts of roads not taken and domino effects have received plenty of cinematic attention in their showier forms by way of multiverse comic book movies and dimension-hopping films like Everything Everywhere All At Once. But, though there’s no hint of sci-fi in Past Lives, Celine Song’s gentle film can count itself as one of […]

We’re familiar with dick jokes from stand-up comedians, especially male stand-up, but Jacqueline Novak’s 90-minute show about the blow job feels completely new. Get on Your Knees feels like casual storytelling from someone experienced yet distant enough to be a cool authority on it (say, your best friend’s older sister’s best friend), but funnier. It’s […]

Martin Scorsese’s Killers of the Flower Moon isn’t a whodunnit; in fact, it’s closer to a who-didn’t-do-it. We know from the very beginning who is responsible for committing the brutal serial murders of wealthy Osage Native Americans in 1920s Oklahoma that the film chronicles: pretty much every single one of their white neighbors, spearheaded by […]

For public toilet cleaner Hirayama, “enjoy the little things in life” is more than just an adage: it’s a philosophy. Every day, he follows a strict routine of watering his plants, going to work, taking a break at a nearby shrine, and having dinner at his favorite stalls. It seems unexceptional, and yet Hirayama manages […]

When it comes to ghosts, plenty of films are centered around personal, unresolved business in the living world, but rarely do films examine how the spirit world would be, unless it’s for fantastical fights or horrific terror. The Parades instead focuses on a world of lost, but ordinary, and thankfully kind, souls. And as the […]

Biographical documentaries tend to depict exceptional people– people who are so great that everyone wants to know about them, and people who are so terrible that they serve as a warning. Great Photo, Lovely Life depicts a serial sexual abuser in photojournalist Amanda Mustard’s family, able to get away with nearly all his crimes each […]

It makes sense that a documentary about Faye Dunaway doubles as a documentary about the best of late 20th-century cinema. Dunaway, after all, has starred in many defining films, including Bonnie & Clyde, Chinatown, and Network, the latter of which won her an Oscar. But there are times when it feels like the documentary equates […]

The sooner you accept that Bottoms is not, in fact, rooted in reality in any way, the easier it should become to get on its wavelength for its uniquely absurd brand of comedy. This is ostensibly a satire, though it isn’t totally clear what exactly the film is trying to comment on. And its loosely […]

Sophie Compton and Reubyn Hamlyn’s British-American documentary about the harm of deepfakes won the SXSW Special Jury Award for its innovative storytelling and deservingly so. The two filmmakers use a clever and considerate way to let a young woman fictitiously named Taylor share her story of how she found deepfake pornography of herself online. With […]

Based on a true story, Darin J. Sallam’s controversial debut feature Farha is, at heart, a brutal coming-of-age film. Set in 1948, the film is about a girl who gets locked into her family’s storeroom at the start of the Nakba, the Palestinian Catastrophe. Sallam’s choice to limit most of the film’s perspective to that […]

The colloquial phrase “May-December” refers to romantic partners with a large age gap, but leave it to Todd Haynes to craft a poetic and unsettling world out of this (slightly troubling) banality of life. His new film is loosely based on the real case of Mary Kay Letourneau, who in 1997 was convicted as a […]

In many ways, the 1998 film The Truman Show forecasted how we’d interact with media today. Parasocial relationships are a thing, as is the feeling of entitlement we get when prying into other people’s lives. But before all that, Japanese TV producers were already testing the ethical limits of voyeurism through the reality show Denpa […]

The big ideas swirling at the center of The Creator are about human heartlessness versus AI compassion, man’s coldness versus robot warmth. Unfortunately, the movie winds up being an unwitting example of the former: visual effects take precedence over emotion here, meaning you rarely feel any of the intended poignancy of this story about a […]

The new stand-up special from Pete Davidson won’t win over any skeptics, but there’s something to admire in how the comedian heads straight towards edgy material, tells us he’s going to go there, and still manages to surprise when he follows through. Which is to say Davidson’s audacity might be more impressive than any of […]

Known best for his horror films, writer-director Christopher Smith’s latest stint in the genre has dropped on Hulu. Consecration is one of many supernatural horror films set in convents and churches, as the Catholic Church’s notorious silence is easy fodder for potential fears. There’s some of that here, as Grace, portrayed by the excellent Jena […]

It’s a pretty nifty idea to expand on just one section of Bram Stoker’s Dracula that’s essentially just a footnote but implies something much more violent and horrific. And to its credit, The Last Voyage of the Demeter takes this sliver of the source material very seriously—with strong, period-specific production design and a cast that […]

Beat for beat, word for word, Love is in the Air moves just like any other romantic comedy. Within that genre, it slots easily into the category of romcoms that follow a city guy who falls in love with a country girl, eventually learning and preferring the ways of small-town living. But Love in Air […]

It’s not that being similar to another, successful, animated franchise is a bad thing, but The Tiger’s Apprentice hurries to practically every plot point without properly establishing its setting, its characters, or their relationships. It all means well, and once you get used to its lower production values, it becomes clear that the film has […]

A special forces team conducts a raid at a multi-story ghetto building where a criminal boss runs his business. Things quickly go wrong and chaos ensues. Full of pure action, with no overblown Hollywood-type CGI nonsense. It is made the way action movies should be made, full of realistic fight scenes. It is exciting, brutal and […]