9 Movies Like Expend4bles (2023) On Cineplex Canada

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Fire of Love is a documentary that follows Maurice and Katia Krafft, a scientist couple who’ve dedicated their entire professional lives to studying (and marveling at) volcanoes. The two met at university and have been inseparable ever since, chasing explosions around the world until their death at the Mount Unzen eruption in 1991. 

The fiery passion the title refers to is as much about Maurice and Katia as it is about their dedication to volcanoes. Like any love story, it tracks how they were first wonderstruck by the formation and how that awe shaped their lives and led them to each other, as well as how they came to discover hard truths about it and dealt with the heartbreak that soon followed. 

Combining the breathtaking footage the couple left behind with lovely writing and artful animation, director Sara Dosa creates a moving documentary about passion, adventure, and the world itself. 

Genre: Documentary, Drama

Actor: Alka Balbir, Guillaume Tremblay, Katia Krafft, Maurice Krafft, Miranda July

Director: Sara Dosa

Rating: PG

Martin Scorsese’s Killers of the Flower Moon isn’t a whodunnit; in fact, it’s closer to a who-didn’t-do-it. We know from the very beginning who is responsible for committing the brutal serial murders of wealthy Osage Native Americans in 1920s Oklahoma that the film chronicles: pretty much every single one of their white neighbors, spearheaded by William Hale (a skin-crawling Robert De Niro). Scorsese, most often associated with mafia stories, stealthily suggests here that the most dangerous gang of all is the one into which all these perpetrators have been born. That’s an idea he investigates through the confused loyalties of Leonardo DiCaprio’s Ernest Burkhart, the Judas-like husband of Mollie (movie-stealer Lily Gladstone), an Osage woman who owns lucrative oil headrights that William wants to fatten his own pockets with. This searing epic — based on a harrowing chapter of real American history — is an unsparing and self-implicating look at complicity and greed in the eye, a monumental movie that cements its maker as one of the greatest to ever do it.

Genre: Crime, Drama, History

Actor: Adam Washington, Addie Roanhorse, Alexandria Toineeta, Alexis Ann, Alexis Waller, Barry Corbin, Beau Smith, Ben Hall, Bravery Nowlin, Brendan Fraser, Brent Langdon, Brian Shoop, Bronson Redeagle, Candice Costello, Cara Jade Myers, Carl Palmer, Chance Rush, Charisse Satepauhoodle, Charlie Musselwhite, Chase Parker, Christopher Cote, Clint Rohr, Dana Daylight, Danny Frost, David Born, David Fields, Delani Chambers, DJ Whited, Dolan Wilson, Ed Yellowfish, Elden Henson, Elisha Pratt, Elizabeth Waller, Eric Parkinson, Everett Waller, Gabriel Casdorph, Garrison Panzer, Gary Basaraba, Gene Jones, Gregory Fallis, Harrison Shackelford, J. C. MacKenzie, Jack White, Jackie Wyatt, Jacob Johnson, Jacob Lux, James Carroll, James Healy Jr., JaNae Collins, Jarad Looper, Jason Isbell, Jay Paulson, Jeffrey Stevenson, Jennifer Moses, Jennifer Rader, Jeremy Goodvoice, Jerry Logsdon, Jerry Wolf, Jesse Plemons, Jessica Harjo, Jezy Gray, Jillian Dion, Jo Harvey Allen, Joe Chrest, Joey Oglesby, John Gibbs, John Lithgow, Johnny Baier, Joseph Spinelli, Joshua Close, Julia Lookout, Justin France, Karen Garlitz, Katherine Willis, Kristin Keith, Kyle Dillingham, Larry Fessenden, Larry Jack Dotson, Larry Sellers, Lee Eddy, Leland Prater, Leonardo DiCaprio, Lily Gladstone, Louis Cancelmi, Lucas Ross, Lynette Satepauhoodle, Mahada Sanders, Mamie Cozad, Marc Phaneuf, Margaret Gray, Mark Landon Smith, Mark Lopeman, Marko Costanzo, Martin Scorsese, Mary Buss, Mason Bighorse, Mason Cunningham, Matt Tolentino, Melissa Tiger, Michael Abbott Jr., Mike Cook, Moe Headrick, Moira Redcorn, Nathalie Standingcloud, Nathaniel Arcand, Nicholas White, Nick W. Nicholson, Nokosee Fields, Norma Jean, Norris Bighorse, Pat Healy, Patrick Bubert, Paul Woodiel, Penny Potts, Pete Yorn, Peter Yarin, Randy Houser, Rayna Gellert, Reignen Yellowfish, River Rhoades, Robert De Niro, Ron McMahan, Sam Bardfeld, Samuel French, Samuel Gray, Sarah Spurger, Scott George, Scott Shepherd, Seth Buckminster, Shonagh Smith, Silas Satepauhoodle, Stephen Berkman, Steve Eastin, Steve Routman, Steve Witting, Sturgill Simpson, Tahlee Redcorn, Tanner Brantley, Tantoo Cardinal, Tatanka Means, Ted Welch, Terry Allen, Tom Ashmore, Tommy Schultz, Ty Mitchell, Vann Bighorse, Victor McCay, Vince Giordano, Vinny Raniolo, Wally Welch, Welker White, William Belleau, Xavier Toehay, Zachary Hokeah

Director: Martin Scorsese

Rating: R

Alejandro González Iñárritu's cleverly layered directorial feature film debut follows three persons whose lives are connected by a car crash in Mexico City. It directly involves two of them: a young man who enters the world of dogfighting to earn enough to elope with his sister-in-law, and a supermodel whose life is changed for the worse after she is fatally injured. The third segment of the film centers on a mysterious homeless man on the street who witnesses the crash.

The title, Amores Perros, refers to the characters’ love of dogs as well as love being a source of misery, and it’s a hint of the chaotic, unforeseen circumstances they each face. Iñárritu’s film shows his brilliance in direction. Despite the film being an early work, his ingenuity shines through and the compelling performances propel all three stories to gritty heights.

Cut-throat editing, handheld cinematography, and Guillermo Arriaga’s intricate screenplay flesh out each character. The viewers are pushed to the edge of their seats as we navigate the gripping miseries of life along with the rest of the cast. The tightly woven film is a painful must-watch, a brutal and uncompromising look at despair and animalistic aggression among humans that is also mirrored in the cruelty their dogs suffer.

Genre: Drama, Thriller

Actor: Adriana Barraza, Alvaro Guerrero, Dagoberto Gama, Dunia Saldívar, Emilio Echevarría, Gael García Bernal, Gerardo Campbell, Goya Toledo, Gustavo Muñoz, Gustavo Sánchez Parra, Humberto Busto, Jorge Salinas, José Sefami, Laura Almela, Marco Perez, Mauricio Martínez, Patricio Castillo, Ricardo Dalmacci, Roberto Medina, Rodrigo Murray, Rodrigo Ostap, Rosa María Bianchi, Vanessa Bauche

Director: Alejandro González Iñárritu

Rating: R

Kenneth Branagh’s third Hercule Poirot movie does everything it can to divorce itself from the quaintness of a typical Agatha Christie adaptation. Loosely based on the novel Hallowe’en Party, this outing swaps exotic locales for the claustrophobic confines of a gothic Venetian palazzo and flirts outright with horror. The film, shot through more Dutch angles than an Amsterdam maths class has ever seen, uses the genre's visual language to credibly suggest that this mystery might actually have paranormal undertones. Forcing Poirot to reconsider his die-hard loyalty to rational explanations is an interesting twist — it punctures the idea of him as a mystery-solving god and gives the film bigger questions to chew on than whodunnit.

What that does, however, is sap the satisfaction of watching him expertly crack the puzzle, because the movie spends so much time centering Poirot’s crisis of confidence. A Haunting in Venice’s tone switch to serious horror is also at odds with the campily bad accents and mostly overwrought acting from the (much less starry than usual) cast. It’s not the same kind of reliable guilty pleasure we expect these vehicles to be, then, but this outing of Branagh’s Poirot is at least an interesting experiment in expanding these stories' usual limits.

Genre: Crime, Mystery, Thriller

Actor: Ali Khan, Amir El-Masry, Camille Cottin, David Menkin, Emma Laird, Jamie Dornan, Jude Hill, Kelly Reilly, Kenneth Branagh, Kyle Allen, Lorenzo Acquaviva, Michelle Yeoh, Riccardo Scamarcio, Tina Fey, Vanessa Ifediora

Director: Kenneth Branagh

Rating: PG-13

What seems like The Good Mother's biggest asset is actually its downfall. Yes, the three main actors (Swank, Cooke, and Jack Reynor as the civil servant son, Toby) are all good at what they do, but they're incapable of resuscitating a script that's never truly come to life. These casting choices, obviously made to give some clout to a very mediocre project, feel even more disappointing because the disconnect between actor and character is way too big. For example, Swank is not the alcoholic, fed-up mother we need her to be in this case, and its hard to see this as something else than a derogatory take on her previous more tender and glam roles. Director Miles Joris-Peyrafitte's Sundance-winning As You Are carried a whiff of fresh air, The Good Mother is drained out of all its energy, avoiding reflective depth at all costs, not to mention skirting around the ambivalences of motherhood. 

Genre: Crime, Drama, Mystery, Thriller

Actor: Dilone, Hilary Swank, Hopper Penn, Jack Reynor, Karen Aldridge, Larry Fessenden, Laurent Rejto, Norm Lewis, Olivia Cooke

Director: Miles Joris-Peyrafitte

Rating: R

, 2023

Set in the quaint city of Burlington, Vermont, Paint is a cute and folksy comedy that has a Wes Anderson-esque charm to it. The characters are dressed in blocked pastels and wooly sweaters, while the protagonist Carl seems stuck in the ‘70s, and not just sartorially, too. He drives a “Vantastic” custom van, swears off cell phones, and manages to incorporate phrases like “far out” in his daily lingo. It all makes for whimsical viewing, but underneath the flair, there’s very little substance holding this picture up. It tells the tale of an aging narcissist who learns the error of his ways when a younger version of himself is hired to aid and eventually replace him. Narratively, it’s familiar and forgettable, and it becomes immediately clear that style is a crutch that the film leans on. It’s funny, at times, thanks to a very likable Wilson and a strong supporting cast (there are occasional laugh-out-loud moments too, like when Carl does the big reveal about his portrait). But ultimately, it’s just too flat to be as special as the art it admires. 

Genre: Comedy, Drama, Romance

Actor: Aidan T.K. Baker, Brit McAdams, Ciara Renée, Colin J. Sweeney, Crystal Tweed, Denny Dillon, Elisabeth Henry-Macari, Elizabeth Loyacano, Evander Duck Jr., Jen Smedley, Joel Leffert, Kristin Hensley, Lucy Freyer, Lusia Strus, Lynda Suarez, Michael Pemberton, Michaela Watkins, Noa Graham, Owen Wilson, Paul Kosopod, Rob Figueroa, Ryan Czerwonko, Ryan Gaul, Sarah Baker, Scott Beehner, Stephen Root, Vin Craig, Wendi McLendon-Covey

Director: Brit McAdams

The big ideas swirling at the center of The Creator are about human heartlessness versus AI compassion, man’s coldness versus robot warmth. Unfortunately, the movie winds up being an unwitting example of the former: visual effects take precedence over emotion here, meaning you rarely feel any of the intended poignancy of this story about a soldier driven between warring sides by love.

Part of that effect might be because the premise is an iffy one to swallow, as The Creator drops during a time when the once-theoretical threats posed by AI start to become disconcertingly real. But mostly, the sterile feeling of the film is a product of the writing, as a shallow script prevents most of the cast from ever making their characters compelling. Though its lifelike effects are something to marvel at, The Creator never quite convinces us that any of its humans are real — a pretty gaping flaw for a movie that wants to sell us on the idea that robots might one day be sentient.

Genre: Action, Adventure, Drama, Science Fiction

Actor: Allison Janney, Amar Chadha-Patel, Anjana Ghogar, Brett Bartholomew, Brett Parks, Chananticha Chaipa, Charlie McElveen, Dana Blouin, Eoin O'Brien, Gemma Chan, Ian Verdun, Jeb Kreager, John David Washington, Karen Aldridge, Ken Watanabe, Leanna Chea, Mackenzie Lansing, Madeleine Yuna Voyles, Marc Menchaca, Mariam Khummaung, Mav Kang, Michael Esper, Monthatip Suksopha, Natthaphong Chaiyawong, Niko Rusakov, Pat Skelton, Pongsanart Vinsiri, Rad Pereira, Ralph Ineson, Robbie Tann, Sahatchai Chumrum, Sawanee Utoomma, Scott Thomas, Sturgill Simpson, Syd Skidmore, Teerawat Mulvilai, Veronica Ngo

Director: Gareth Edwards

Rating: PG-13

Surrounded has the bones of a revenge-style Western. It turns the table on the white cowboy hero and gives us (on paper, at least) complex leads in Mo and Tommy. Mo is a young Black woman whose experience as a Buffalo Solider lends her not only the skills of an expert gunslinger but also the anger and motivation to push through any obstacle, while Tommy is the enigmatic thief who Mo reluctantly relies on in her quest for freedom. With all this pent-up tension, the film should work, and it does occasionally thanks to Wright and Bell’s deft performances (Bell is especially exceptional), the stunning mountainous terrains, and the worthy attempts at race and class commentary. But for the most part, the film's ambitions fall flat. The monologues are overlong and too evocative of modern speech to be historically believable. The action scenes, while exciting, only sputter here and there and never gain the momentum the film needs to genuinely thrill. And the thin backstories of Mo and Tommy raise more questions than answers. More often than not, Surrounded looks like a couple of good scenes strewn together on a lousy string; the foundations are off but there’s some enjoyment to be found.

Genre: Action, Drama, Western

Actor: Austin Rising, Brett Gelman, David Manzanares, Jamie Bell, Jeffrey Donovan, Keith Jardine, Kevin Wiggins, Letitia Wright, Luce Rains, Lyle Sandoval, Mark Dalton, Michael Kenneth Williams, Nathaniel Augustson, Peter Diseth, Tatanka Means

Director: Anthony Mandler

Rating: R

While at first it seems like this third installment in Antoine Fuqua's series of Denzel Washington star vehicles is setting itself up to be a more serious and thoughtful story of personal absolution, it gradually becomes clear that The Equalizer 3 has no story to tell. Very, very little happens in this movie, and all the time we spend with Washington (still somehow compelling, even when he's on autopilot) drinking tea and chatting with locals doesn't lead to any character relationships worth caring for. Fuqua and screenwriter Richard Wenk seem to want to create a sense of familiarity with this Italian town, through which we should ideally see the things Robert McCall grows to value in his violent life. But even the prettiest landscapes (shot by Robert Richardson) can't make up for how empty and misjudged the writing is.

There are approximately two short action scenes in The Equalizer 3, neither of which has the clockwork precision of the fights in the first film, or the environmental inventiveness of the climax of the second film. And while an action movie can aspire to something beyond its action, the fact that this installment has abandoned it completely is a genuinely perplexing choice.

Genre: Action, Crime, Thriller

Actor: Adolfo Margiotta, Agostino Chiummariello, Andrea Dodero, Andrea Scarduzio, Arcangelo Iannace, Beatrice Aiello, Bruno Bilotta, Dakota Fanning, Daniele Ornatelli, Daniele Perrone, Danilo Capuzi, David Denman, Dea Lanzaro, Denzel Washington, Diego Riace, Eugenio Mastrandrea, Gaia Scodellaro, Gianluigi Scilla, Giovanni Scotti, Lucia Zotti, Luigi Catani, Marco Giuliani, Mariarosaria Mingione, Marta Zoffoli, Mauro Cremonini, Melissa Leo, Niccolò Senni, Remo Girone, Salvatore Ruocco, Simona Distefano, Sonia Ammar, Valerio Da Silva, Zakaria Hamza

Director: Antoine Fuqua

Rating: R