Chasing the feel of watching Us ? Here are the movies we recommend you watch after Us (2019).
It wouldn't be too far of a reach to evoke Kids (1995) while diving into Mid90s. But instead of taking on the HIV crisis, Mid90s is a much more tender, poignant reflection on coming of age in 90's skate culture. Jonah Hill, writer and director, examines the complexities of trying to fit in and the difficult choices one has to embrace individualism. From an opening of physical abuse to scenes of drug usage and traumatic experiences, Mid90s is a meditation not only on culture, but also a subtle examination of what it means to be human, to reach emotional and physical limitations, and to seek acceptance. Filmed in a 4:3 aspect ratio, Mid90s doesn't concern itself with grandiose filmography, but instead the aspect ratio almost reflects the tonal and metaphorical aspects played out on screen. With a smaller dynamic range of color and the familiar dust/scratches, the 16mm film compliments gritty and emotional moments of Mid90s. The emotional range of the film will take the audience from the depths of empathy to laughing out loud, but there is no compromise to the weight of each moment. Jonah Hill's directorial debut is beautiful in every sense of the word.
Robert Pattinson and Willem Dafoe are the only two actors starring in this eccentric movie, and they deliver such grand performances that it feels like another actor would have been one too many.
They star as lighthouse keepers in the 19th century, left on an island to interact only with each other and their rock. It's a fascinating premise of how these men, left on their own, deal with boredom, loneliness, and being annoyed with one another.
Incredible performances, an interesting aspect ratio, and perhaps excessive weirdness, make this movie unforgettable.
You may have heard about this 2019 critic-favorite from clips like this one of a kid running to flee the movie theater during a screening. “little billy ran the f**k out the door”, the caption reads.
You will want to do the same. Recovering from losing her sister and her parents in a single incident, a young girl goes on a trip to Sweden to observe a ritual within a bizarre commune that occurs every 90 years. This cult’s idea of death and their traditions intersect with the girl’s grief to create unthinkable monstrosities.
Note: while some readers praise the movie for its depiction of anxiety, I highly recommend against watching Midsommar if you suffer from panic attacks.
Like a Wes Anderson movie, The Last Black Man in San Francisco takes artistic risks and nails every one of them. There are many quirky, aesthetically well-studied, and even funny aspects to this moving story.
Jimmie has been maintaining a typical San Francisco Victorian house, regularly painting the windows and watering the plants. One small problem: other people live there and they don’t want him around. It turns out this was once Jimmie’s family house, having been built by his grandfather in 1948, and he misses it deeply.
This story is based on writer Jimmie Fails’ life, as he tried to reclaim his family home in SF. However, it’s not a movie that limits itself to gentrification. It transcends that to being about the universal yearning to find a place to call home.
There are far too many things that are worse in life than being on a journey with Danish super talent Mads Mikkelsen (Hannibal, The Hunt).
And that is what this 98-minute movie is: an almost one-actor movie set in the arctic. Mikkelsen plays a man trying to survive a plane crash, which at some point becomes about deciding whether to embark on a dangerous journey or stay in the plane rubble and risk a slow death.
It’s an extremely well-acted movie with nail-biting suspense. Bonus fact: it received a 10-minute standing ovation when it premiered at the Cannes film festival this year.
A simple movie about a Scottish country singer with a dream to go to Nashville, U.S.A and reach stardom. It starts with her leaving prison to return to her mom's house, where her kid was being raised in her absence. Heavy stuff, but this girl is determined to let nothing get in the way of realizing her dreams. Will she make it? At what cost? Wild Rose answers those questions with a warm script that's designed to make you feel good without completely misleading you. Think of it as a more grounded A Star is Born.
From The Babadook director Jennifer Kent comes another horror, although this one is more about the horrors of humanity. Set in 1825 Tasmania, The Nightingale follows Irish settler Clare as she seeks bloody revenge on the monsters who wronged her and her family. She teams up with an Aboriginal guide named Billy to accomplish her goal.
Because of its often violent and disturbing tone (the film is rated R for its potentially triggering scenes), The Nightingale understandably polarized audiences upon its release. But it's also an excellent conversation piece, best watched with friends or anyone up for a discussion-filled movie night.
A quiet movie about an unpredictable convict who gets enrolled in a wild mustang taming program. These initiatives, common around the country, offer fascinating parallels: both the horses and the inmates are emprisoned, both innately fight against their condition but are actively being made to comply. The central performance by Matthias Schoenaerts is nothing short of a masterpiece. He doesn't speak much and you almost don't want him to: everything else he does communicates so much more than words. Watching this movie just for him is reason enough.
This twisted movie is actually two movies, the credits even roll in between. The first half is gorgeous: talented dancers get together for a party and perform beautiful contemporary dance sequences. They introduce themselves through their audition tapes to join the dance group, but also through conversations at the party. The second half is less fun. It turns out someone had laced the sangria they've been drinking with a psychedelic drug. Not for the faint of heart or anyone who didn't like director Gaspar Noé's past movies (Enter the Void, I Stand Alone, etc).