49 Movies Like Once Upon a Time… in Hollywood (2019) On Kanopy

Staff & contributors

Chasing the feel of watching Once Upon a Time… in Hollywood ? Here are the movies we recommend you watch right after.

Many things clash in this beautifully layered, semi-autobiographical film of American director Lulu Wang: cultures, morals, and emotions. The result is a type of comedy that is complex and bittersweet⁠—and based on a true lie: this is the story of a Chinese grandma whose family won't tell her that she is fatally ill. Instead, they organize a fake wedding in China, where everyone gets together to bid a farewell to the unwitting matriarch (played by Zhao Shuzhen). The fake wedding is, in fact, a premature funeral for a person unaware that she is going to die. Played by rapper and comedian Awkwafina, Billi, a New-York-based Chinese-American with a complicated relationship to China, embodies the cultural and moral question at the heart of this story: is it right or wrong not tell grandma? It is thanks to Wang's deft writing and Awkwafina's outstanding performance that The Farewell homes in on answers without ever being melodramatic. Warm, honest, and beautiful.

Genre: Comedy, Drama

Actor: Aoi Mizuhara, Awkwafina, Chen Han, Diana Lin, Gil Perez-Abraham, Hong Lu, Ines Laimins, Jiang Yongbo, Jim Liu, Lu Hong, Shuzhen Zhao, Tzi Ma, X Mayo, Yang Xuejian, Zhang Jing, Zhao Shuzhen

Director: Lulu Wang

Rating: PG

Poland's nomination for Best Foreign Language Film at the 2020 Academy Awards may have lost to Parasite, but director Jan Komasa's film is still utterly compelling. The crazy sounding premise is inspired by true events: after having had a transformative experience in jail, an ex-convict, played by the wiry, blue-eyed Bartosz Bielenia, decides he wants to become a priest. When he is told that his criminal history prohibits it, he goes down the path that got him into trouble in the first place and just pretends he is. Apparently, he does so quite convincingly—and serves the community well, which is collectively grieving for the victims of a tragic accident. For all his charisma, there's no way not to root for the crooked clergyman conning his way to the top. The complex character at the heart of Corpus Christi is refreshing and three-dimensional, and the smart writing of the film excels at exploring they grey areas of truth and religion. The ending, too, circumvents the soppy and the melodramatic. Thought-provoking European drama.

Genre: Drama

Actor: Łukasz Simlat, Aleksandra Konieczna, Anna Biernacik, Barbara Jonak, Barbara Kurzaj, Bartosz Bielenia, Eliza Rycembel, Jakub Sierenberg, Juliusz Chrząstowski, Leszek Lichota, Lidia Bogacz, Lidia Bogaczówna, Łukasz Simlat, Tomasz Ziętek, Tomasz Ziętek, Zdzisław Wardejn, Zdzisław Wardejn, Томаш Зитек

Director: Jan Komasa

When asked about starring in First Reformed, Ethan Hawke said it’s the kind of role he would have never dared to audition for 10 years ago. This is coming from the same goatee icon who did Gattaca 22 years ago, and Training Day 18 years ago. 

Needless to say that his performance in this movie is exceptional, and we hope that it will be rewarded with an Oscar. The film centers around his character, a reverend of a church in New York, who is trying to help a couple with marital issues (deciding the fate of a pregnancy). Instead, he uncovers a deeper story and becomes unexpectedly involved. 

Religion intersects with ethical questions on activism, abortion, and environmental issues. I know that sounds like a lot, but First Reformed delivers on everything. The writing by Paul Schrader is delicate yet ensures that the movie keeps a gripping pace.

Genre: Drama

Actor: Amanda Seyfried, Bill Hoag, Cedric the Entertainer, Christopher Dylan White, Elanna White, Eric Lockley, Erica Fae, Ethan Hawke, Frank Rodriguez, Gary Lee Mahmoud, Ingrid Kullberg-Bendz, Jon Rua, Ken Forman, Kristin Villanueva, Krystina Alabado, Mark Havlis, Miah Issabella Velasquez, Michael Gaston, Natalie Woolams-Torres, Philip Ettinger, Prudence Wright Holmes, Ramon Nuñez, Ronald Peet, Sue Jean Kim, Tyler Bourke, Van Hansis, Victoria Hill

Director: Paul Schrader

Georgian dance has cut-throat competition: the art form is dying even within Gerogia, and to make it, dancers compete to join the one duo that represents the country. The chance finally comes and the spot opens up, igniting the hopes of performers from around the country. Mervan is one of them, a young dancer from a poor background who takes food from his restaurant job to feed his family. His main competition is a newcomer, Irakli, who also comes from a difficult background and hopes to secure the spot to provide for his ill father.

When their lives hang on them competing against one another, Mervan and Irakli fall for each other.

And Then We Danced is full of incredible dance sequences that add to the beauty of the romance at its center; but it's also a heartbreaking exploration of unfulfilled ambition.

Genre: Drama, Romance

Actor: Aleko Begalishvili, Ana Javakishvili, Bachi Valishvili, Giorgi Tsereteli, Mate Khidasheli, Ninutsa Gabisonia, Tamar Bukhnikashvili

Director: Levan Akin

Rating: 12

German writer-director Christian Petzold tells a story of a fateful encounter trapped in a love triangle. Thomas, Laura, and her husband Ali quickly become enmeshed in a three-way relationship rich with desire, pressure, and betrayal. Another Hitchcockian tribute by Petzold, Jerichow has all the elements of a neo-noir, but it's set in broad daylight. The plotting, the secret love affairs, the femme fatale with no back up plan: all the necessary ingredients for a chaotic tale, wrangled by desirous tensions, to say the least.  A film whose mystique is rather haunting, but far from spectral, Jerichow doesn't conceal its clear references to "The Postman Always Rings Twice".

Genre: Drama

Actor: Andre Hennicke, Benno Fürmann, Claudia Geisler-Bading, Hilmi Sözer, Knut Berger, Marie Gruber, Nina Hoss

Director: Christian Petzold

Everything about This Is Not a Film revolves around state censorship. Documentarian Mojtaba Mirtahmasb records Iranian cinema giant Jafar Panahi’s life under house arrest, maneuvering through the legal loopholes on Panahi’s 20-year ban on filmmaking and screenwriting. Here Panahi describes one of his unmade films that was rejected by the Iranian ministry, creating makeshift sets out of tape and his apartment’s living room, further emphasizing the ridiculousness of the state-imposed limitations on his artistic freedom. The result is a quasi-documentary that functions paradoxically, its un-cinematic quality essential for aesthetics as well as narrative. That this film had to be smuggled from Iran to Cannes on a flash drive hidden inside a birthday cake is a testament to political cinema’s power to be a vessel of pro-democracy sentiments, a fist raised proudly against state censors.

Genre: Documentary, Drama

Actor: Jafar Panahi

Director: Jafar Panahi, Mojtaba Mirtahmasb

Exploring morality, conscience, and the death penalty, There Is No Evil tells four interconnected stories about men tasked with carrying out executions. The film excels at creating a sense of unease and tension as their reality contends with their beliefs about capital punishment and loyalty to the state. Director Mohammad Rasoulof (known for his films that explore social and political issues in Iran) allows each narrative to center both the subject and the institution, maintaining suspense but never straying from its argument. The sum - and its part - are undeniably profound.

Genre: Drama

Actor: Mahtab Servati

Director: Mohammad Rasoulof

A road trip movie with an unknown destination, Hit the Road plays with our expectations by avoiding any obvious questions we might have, and making us focus on the real important things. Informed by the censorship and persecution faced by critics of Iran's government—including director Panah Panahi's own filmmaker father, Jafar—the film places more focus on the very act of escape and what that can take from a family. And most importantly, through Panahi's skillful direction of rural Iran's varied, beautiful landscapes, he creates a conflicted relationship between character and setting, with entire emotional crescendos playing out just through a single shot of the environment. It's one of the most underappreciated movies of the year.

Genre: Comedy, Drama

Actor: Amin Simiar, Hasan Ma'juni, Pantea Panahiha, Rayan Sarlak

Director: Panah Panahi

Even a straightforward documentary on the New York East Village visual artist David Wonjarowicz (pronounced VOY-nuh-ROH-vitch) would be thrilling, given the energy and the irreverence of his artworks especially during the AIDS epidemic from the 1980s to the 1990s. But director Chris McKim goes above and beyond, essentially imagining how Wojnarowicz would have directed his own film. McKim treats the movie like a collage in itself, expertly blending footage and sound together not just to capture the artist's fury, but to remember how deeply he loved, transcending space and sickness. As an account of the underground New York art scene at the time, a profile on a supposed enfant terrible, and a tribute to all those who lost their lives to a disease accelerated by discrimination, Wojnarowicz is a beautiful, complex tapestry.

Genre: Documentary

Actor: David Wojnarowicz, Fran Lebowitz, Nan Goldin

Director: Chris McKim

I’m Not There is an unusual biopic in that it never refers to its subject, Bob Dylan, by name. Instead, Todd Haynes’ portrait of the singer mimics his constant reinvention by casting six separate actors to play as many reincarnations of the same soul. It’s an ingenious spin on a usually stale genre, one that liberates the film from the humdrum restrictions of a literal retelling of Dylan's life.

If there’s anyone who warrants such an inventive approach to biography, it’s Dylan, whose public and private personas are so numerous that it’s only by angling six different mirrors at him that Haynes can hope to catch some of his essence. Impressionistic editing toggles freely between these vignettes, each visually distinct: from the 11-year-old Woody Guthrie-obsessive (Marcus Carl Franklin) and the black-and-white Super 16mm-shot poet (Ben Whishaw) to the aging cowboy outlaw (Richard Gere), all by way of Christian Bale, Heath Ledger, and Cate Blanchett’s incarnations. To be sure, this is a somewhat challenging film, reflecting, in places, the enigmatic surrealism of Dylan’s lyrics and his refusal to be pinned down to one thing. But, as Blanchett’s embodiment says, “Mystery is a traditional fact,” and that’s no more true than of Dylan, making Haynes’ film a fascinatingly fitting spiritual biopic.

Genre: Drama, Music

Actor: Alison Folland, Andrew Shaver, Andrew Simms, Angela Galuppo, Arthur Holden, Ben Whishaw, Benz Antoine, Bill Croft, Bob Dylan, Brett Watson, Bruce Greenwood, Cate Blanchett, Catherine Colvey, Charlotte Gainsbourg, Christian Bale, Craig Thomas, Danny Blanco Hall, David Cross, David Gow, Dennis St John, Dominic James, Don Francks, Emmanuel Schwartz, Eric Newsome, Eugene Brotto, Fanny La Croix, Garth Gilker, Gordon Masten, Graham Cuthbertson, Greg Kramer, Heath Ledger, Holly Uloth, Ivan Freud, Jane Gilchrist, Jane Wheeler, Jason Cavalier, Jennifer Rae Westley, Jesse Todd, Jessica Kardos, Jim James, Jodie Resther, Joe Cobden, John Koensgen, Julianne Moore, Kathleen Fee, Kim Gordon, Kim Roberts, Kris Kristofferson, Kristen Hager, Kyle Gatehouse, Kyle Switzer, Larry Day, Leif Anderson, Leigh Ann Taylor, Lina Roessler, Lisa Bronwyn Moore, Lorne Brass, Maggie Castle, Marcus Carl Franklin, Marie-Julie Rivest, Mark Camacho, Matt Holland, Matthew Boylan, Matthew Harbour, Melantha Blackthorne, Michelle Williams, Nathalie Girard, Noel Burton, Patrick Costello, Paul Cagelet, Paul Johnston, Paul Spence, Pauline Little, Peter Friedman, Phyllis Gooden, Pier Paquette, Pierre Leblanc, Pierre-Alexandre Fortin, Richard Gere, Richard Jutras, Richard Robitaille, Richie Havens, Rob Burns, Roc LaFortune, Sharlene Royer, Shawn Baichoo, Steve Godin, Susan Glover, Terry Haig, Thiéry Dubé, Tim Post, Trevor Hayes, Tyrone Benskin, Vito DeFilippo, Wyatt Bowen, Yolonda Ross

Director: Todd Haynes

Rating: R

Barbara (Petzold regular Nina Hoss) has fallen from grace, at least by the standards of 1980s Germany. A renowned doctor at a prestigious East Berlin hospital, she has been demoted to a paediatrician at a tiny town on the Baltic coast: a punishment for daring to try and leave the DDR. The Stasi spy on her, threaten her, and on occasion, abuse her. But Barbara does not give up in her attempts to establish a better life for herself, if only she could cross the sea and dock in Denmark. With such a politically-conscious premise, Christian Petzold's sixth film became a hit on the European scene and transformed his relatively modest career into something more transnational. Even if Barbara feels very local—the way in which Germany's divide conditions every movement and gesture of its characters—the tropes of a spy thriller come to the fore and make a legible, rewarding viewing out of something one may deem too particular. The film owes a lot to its lead, Hoss, who has become a staple of Petzold's career, with her stoicism and towering presence as Barbara – a symbol of obstructed mobility.

Genre: Drama

Actor: Alicia von Rittberg, Christina Hecke, Christoph Krix, Claudia Geisler-Bading, Irene Rindje, Jannik Schümann, Jasna Fritzi Bauer, Jens Okking, Kirsten Block, Mark Waschke, Nina Hoss, Peter Benedict, Rainer Bock, Ronald Zehrfeld, Rosa Enskat, Susanne Bormann, Thomas Bading, Thomas Neumann

Director: Christian Petzold

, 2019

This emotional and moving story is about a mother of four who is forced into homelessness in Dublin. With her husband working in a demanding restaurant job, Rosie is left to take care of the children while trying to find anything resembling accommodation. She starts by seeking the help of the city council, but every facility she calls is full or refuses to welcome them.

As a viewer, the heartbreaking reality of the situation sinks in quickly: Rosie and her husband are priced out and there are too many people in their condition. Their car doesn't fit them. But to her children, relatives, and school officials, Rosie keeps up appearances and doesn't compromise on her overwhelming child care tasks. 

Genre: Drama

Actor: Clare Monnelly, Eva-Jane Gaffney, Johanna O'Brien, Killian Coyle, Lochlann O'Mearáin, Moe Dunford, Molly McCann, Natalia Kostrzewa, Pom Boyd, Sarah Greene, Toni O'Rourke

Director: Paddy Breathnach

This unique romance is set during a time when a man would be sent the painting of the woman he was to marry before the wedding could take place. Héloïse, secluded with her mother and a maid on a remote island, doesn't approve of her upcoming wedding and refuses to be painted. Her mother sends for a new painter, Marianne, to try to paint her without her noticing. Marianne has to take on this near-impossible task when she starts having feelings for Héloïse. This makes for a riveting romance where Marianne has to choose between her heart and her art while keeping a huge secret from her love interest.

Genre: Drama, History, Romance

Actor: Adèle Haenel, Adèle Haenel, Armande Boulanger, Christel Baras, Clément Bouyssou, Clément Bouyssou, Guy Delamarche, Luàna Bajrami, Luàna Bajrami, Michèle Clément, Noémie Merlant, Noémie Merlant, Valeria Golino

Director: Céline Sciamma, Céline Sciamma

Rating: R

A powerful but quiet movie directed by Paul Dano and based on a novel of the same name by Richard Ford. It stars Carey Mulligan and Jake Gyllenhaal as a couple who move to a new town with their only child during the 1960s. Their relationship transforms after Gyllenhaal's character loses his job as a butler and chooses to leave for a more dangerous profession, firefighting. This movie is about his wife's response to this event and the implications of both parents' behavior on their kid. There are no twists or turns, exciting action or plot; but Wildlife doesn't need any of that. This moving story about a decaying family unit is portrayed in the sadness that comes with such events. The only joy comes from watching the outstanding (but expected) performances of the cast.

Genre: Drama

Actor: Avery Bagenstos, Bill Camp, Blaine Maye, Carey Mulligan, Darryl Cox, Ed Oxenbould, Ginger Gilmartin, J. Alan Davidson, Jake Gyllenhaal, Jay Dee, John Walpole, JR Hatchett, Kaye Brownlee-France, Laurie Cummings, Lexi Anastasia, Marshall Virden, Michael Gibbons, Mollie Milligan, Paul Dano, Richard L. Olsen, Tom Huston Orr, Travis W Bruyer, Zoe Colletti

Director: Paul Dano

Rating: PG-13

Wendy (Michelle Williams) is a drifter driving up to Alaska in hopes of finding work. When her car breaks down, she and her dog Lucy are stranded and forced to scrounge for food and repairs, hitting one roadblock after another on her path to an uncertain dream. This sympathetic and solemn look at poverty from director Kelly Reichardt serves as a reminder of how easy it is to fall through the fragile American safety net.   

Reichardt’s uncompromising approach paired with Williams’s restrained performance makes the experience authentic and intense, recalling the work of Ken Loach. This natural sharpness makes for an engrossing watch that builds in power until the emotional release of the film’s heartbreaking conclusion. 

Genre: Drama

Actor: Ayanna Berkshire, David Koppell, Deirdre OConnell, Gabe Nevins, Jeanine Jackson, John Breen, John Robinson, Larry Fessenden, M. Blash, Marilyn Faith Hickey, Michelle Williams, Wally Dalton, Will Oldham, Will Patton

Director: Kelly Reichardt

Rating: R