Chasing the feel of watching Burning ? Here are the movies we recommend you watch after Burning (2018).
Vague statement alert: Burning is not a movie that you “get”; it’s a movie you experience. Based on a short story by Murakami, it’s dark and bleak in a way that comes out more in the atmosphere of the movie rather than what happens in the story. Working in the capital Seoul, a young guy from a poor town near the North Korean border runs into a girl from his village. As he starts falling for her, she makes an unlikely acquaintance with one of Seoul’s wealthy youth (played by Korean-American actor Steven Yeun, pictured above.) This new character is mysterious in a way that’s all-too-common in South Korea: young people who have access to money no one knows where it came from, and who are difficult to predict or go against. Two worlds clash, poor and rich, in a movie that’s really three movies combined into one - a character-study, a romance, and a revenge thriller.
Poetry is a masterpiece from one of South Korea's most cherished movie directors, Lee Chang-dong. The simple story follows the everyday life of a grandmother, Mija, who works as a caretaker for a living. To fill her inner emptiness, she decides to join a poetry club with other grandmothers in her neighborhood. Meanwhile, as Mija deals with her own financial and health problems, she struggles to connect with her teenage grandson — only to find out that he is keeping a dark secret. If you are familiar with Lee Chang-dong works, then you know that the movie will tug at your heartstrings. But if you aren't, prepare to be moved.
When asked about starring in First Reformed, Ethan Hawke said it’s the kind of role he would have never dared to audition for 10 years ago. This is coming from the same goatee icon who did Gattaca 22 years ago, and Training Day 18 years ago.
Needless to say that his performance in this movie is exceptional, and we hope that it will be rewarded with an Oscar. The film centers around his character, a reverend of a church in New York, who is trying to help a couple with marital issues (deciding the fate of a pregnancy). Instead, he uncovers a deeper story and becomes unexpectedly involved.
Religion intersects with ethical questions on activism, abortion, and environmental issues. I know that sounds like a lot, but First Reformed delivers on everything. The writing by Paul Schrader is delicate yet ensures that the movie keeps a gripping pace.
Leave No Trace is the amazing new movie from the director of Winter's Bone, Debra Granik. It's the story of a father and his daughter who live completely off the grid in a national park in Portland, and their quiet quest to not be separated and remain off the grid. It's not the sensational, tear-jerker story that you'd expect something with this premise to be. Rather, and like Winter's Bone, it chooses a humane and realistic approach to the subject matter. The decision to live outside society is almost irrelevant to this movie. More so, its inevitability for certain people with certain mindsets is what is interesting. A stunningly quiet movie, really well-acted too.
This unique romance is set during a time when a man would be sent the painting of the woman he was to marry before the wedding could take place. Héloïse, secluded with her mother and a maid on a remote island, doesn't approve of her upcoming wedding and refuses to be painted. Her mother sends for a new painter, Marianne, to try to paint her without her noticing. Marianne has to take on this near-impossible task when she starts having feelings for Héloïse. This makes for a riveting romance where Marianne has to choose between her heart and her art while keeping a huge secret from her love interest.
A powerful but quiet movie directed by Paul Dano and based on a novel of the same name by Richard Ford. It stars Carey Mulligan and Jake Gyllenhaal as a couple who move to a new town with their only child during the 1960s. Their relationship transforms after Gyllenhaal's character loses his job as a butler and chooses to leave for a more dangerous profession, firefighting. This movie is about his wife's response to this event and the implications of both parents' behavior on their kid. There are no twists or turns, exciting action or plot; but Wildlife doesn't need any of that. This moving story about a decaying family unit is portrayed in the sadness that comes with such events. The only joy comes from watching the outstanding (but expected) performances of the cast.
This mortifying stop-motion fairy-tale is inspired by the very real horrors of Chile’s Colonia Dignidad: a cult colony turned torture camp under the Pinochet regime. Presented as colony propaganda, the tale tells the story of Maria, a girl who runs away from the safety of the colony into the forest and takes refuge in a house with two pigs. What transpires is a gut-wrenching allegory for the rise of fascism, colonialism, and white supremacy.
The staggering animation which seamlessly shifts mediums from paper mâché to painted walls is a bewildering sight to witness. But it’s the synthesis of this boundary-pushing art and the underlying horrors it depicts, that make this stand as an unmissable cinematic event.
Like Someone in Love is a Japanese drama about identity and finding comfort. It tells the story of a young woman, Akiko, who leads two different lives, one she shares with her family and another which few know about. The movie opens in a restaurant where Akiko is hanging out with her friend, just as a man is trying to get her to leave, insisting that there is a really important “customer” she has to meet. Long taxi rides and Tokyo neon lights will accompany you as the story unfolds. One of the movie’s most evocative sequences involves Akiko seated in the backseat of a cab, listening to her grandmother's voicemails. Using very little dialogue, Like Someone in Love is a simple movie that captures loneliness, regret, and sorrow brilliantly as it depicts a woman and a man who are only trying to give and receive comfort from each other.
A man returns to a town chasing the memory of a woman he loved years ago.
Poet turned filmmaker Bi Gan coats his idiosyncratic filmmaking with a thick layer of neo-noir in this sumptuous follow up to his remarkable debut Kaili Blues. This time around, Kaili City is a neon-drenched dreamscape dripping in style and calling to mind the work of Tarkovsky and Wong Kar-wai.
He may wear his influences on his sleeve, but Bi Gan keeps his trademark moves like the bravado long takes and a poetic disregard for past and present, reality and dreams. This leads to an explosive and unforgettable sequence in the second half that while originally intended for 3D loses little of its mind-bending power when watched at home.
Thunder Road is both a single-shot 13 minute short and a 91-minute feature-film expanding the story. Both are excellent and award-winning, but I really recommend the full experience!
Jim Cummings (above) is the director, writer, and main actor of this dark comedy. He plays a police officer having the worst day of his life as he tries to sing Bruce Springsteen’s Thunder Road at his mother’s funeral.
This sight is funny, and so is most of the story. But it’s also cringe-inducing, and because the main character is so sincere in his decline, will make you feel guilty about laughing so much.
This heartbreaking Russian drama takes place in Leningrad six months after the end of the war. A boy is asked to do an impression of an animal, any animal, but the boy stands still. "Just do a dog then", one person says, to which another remarks "he's never seen one, they've all been eaten."
In this bleak context, two friends meet again and try to restart their lives. Masha is a soldier who has just come back from the war in Berlin, and Iya, a tall woman nicknamed "Beanpole", is a nurse who suffers from PTSD episodes that freeze her body. Both characters, so brilliantly acted, personify the thin line between desperation and hopefulness in this difficult but incredibly well-made drama.
Jia Zhangke (who NPR critic John Powers once called “perhaps the most important filmmaker working in the world today"), directed this movie based on the story of a gangster he knew while growing up.
And he is far from being the only noticeable talent here. Actress Tao Zhao shines as a character called Qiao, a dancer who infiltrates the crime scene in Northern China by way of her boyfriend (the gangster). When a boss leader is assassinated, Qiao finds herself in jail after she refuses to incriminate her boyfriend.
This is a gangster movie but it’s also about how Qiao processes her time in jail and what she does once she gets out. It serves more as a character study and a picture of modern-day China.
British filmmaker extraordinaire Andrea Arnold (Fish Tank) draws the perfect portrait of two young American drifters who fall in love.
Star (Sasha Lane) runs away with Jake (Shia Laboeuf), a traveling magazine salesman with more experience on the road. The freedom is tempting at first, especially given her difficult situation at home, but Star is quickly confronted with the risks that come with running away.
American Honey is shot in a succession of moments that take place almost entirely during golden hour, as if to say that the best part of the day comes right before dark.
A cynical down-on-his-luck Seoul taxi driver is hired by a German journalist to go to another town called Gwangju. What seemed like an easy and overcompensated journey at first takes him into the heart of a city under siege by the military. This is in fact the student uprising that will be a very important event in South Korean history, known as 1980 Guangju Democratic Uprising. Both the journalist and the taxi driver confront life-threatening situations as they find themselves at the center of the movement. A true-story-based movie, it's a heartfelt and entertaining political drama about one of the bleakest chapters of modern Korean history. In 2018 it was the country's official submission to the Oscars.