6 Movies Like The Mother (2023) On Netflix Canada

Staff & contributors

An all-female action comedy that doesn’t get self-serious about the way it’s subverting the genre — Wingwomen feels like a breath of fresh air. It wisely grasps that plot isn’t paramount for a movie like this, and so it joyously dunks on cerebral scenarios with its unabashedly silly story convolutions, like when its professional thieves take a brief pause from their momentous One Last Job™️ to sail to Italy and exact bloody, flamenco-delivered revenge on the gangsters who killed their beloved rabbit. Exotic Mediterranean location-hopping isn’t the only way Wingwomen milks Netflix’s finance department for all it can get, either: director-star Mélanie Laurent also packs in all manner of stunts, from spectacular base-jumping sequences to dramatic drone shootouts. 

For all its breezy style, though, there is real heart here, and not the kind that feels crafted by an algorithm. It’s true that a late twist unwisely uses the movie’s embrace of implausibility for emotional ends, but otherwise, the relationship between its professional thieves — ostensibly platonic but very much coded otherwise (a la Bend It Like Beckham) — has surprisingly sincere warmth. Thanks to the cast’s natural chemistry and characters that feel human despite the ridiculous plot, Wingwomen is much more moving than you might believe possible for a Netflix action-comedy.

Genre: Action, Comedy, Drama

Actor: Adèle Exarchopoulos, Annick Roux, Aurélien Gabrielli, Camille Verschuere, Felix Moati, Foued Nabba, Isabelle Adjani, Jean-François Perrone, Jean-Philippe Ricci, Leona D'Huy, Manon Bresch, Mélanie Laurent, Meriem Serbah, Myriam Azencot, Philippe Katerine

Director: Mélanie Laurent

Rating: R

In Baby J, SNL-writer-turned-stand-up-star John Mulaney brutally embraces his messy past and turns it into relatable material and hilarious anecdotes. Confronting his controversial stint at rehab, his struggle with addiction, and his experiences with fatherhood and the resulting reinvention, Mulaney proves himself to be a compelling storyteller, a master at set-ups and pay-offs. He grabs your attention from start to end, with no time to let your mind wander. Before you know it, it’s been an hour of you watching and laughing at this tiny man commanding a sold-out hall. 

There are many Netflix comedy specials out there, but only a handful are as purely enthralling and unskippable as this.

Genre: Comedy, Drama

Actor: John Mulaney

Director: Alex Timbers

Inspired by the real-life Hepta Group, Phenomena is an entertaining, though familiar supernatural horror comedy. As the three women in the Hepta Group take on a case that took down their leader, Sagrario, Paz, and Gloria can’t help but bite and snap at each other affectionately, even just before conducting a seance. But it’s their chemistry that keeps the predictable plot entertaining. It’s a bit old school, and at times, inconsistent, but the technical aspects are decently executed. Big horror fans and viewers looking for a creepier thrill might not enjoy this lighthearted seance, but it might be a fun watch for viewers new to the genre.

Genre: Comedy, Horror, Thriller

Actor: Andrea Gara, Antonio Pagudo, Belén Rueda, Carlos Cañas, Emilio Gutiérrez Caba, Fran Cantos, Gracia Olayo, Ivan Massagué, Jesús Puente, Lorena López, Manuel Regueiro, Miren Ibarguren, Óscar Ortuño, Pedro Casablanc, Roberto Chapu, Toni Acosta

Director: Carlos Therón

Ambitious and sincere, Where the Tracks End is a sweet coming of age centered on a tender community and mutual aid in the face of worker exploitation. Alternating between the young son of a traveling worker adjusting to a new town and an inspector tasked with informing small schools of an initiative that will force their doors closed, the film loses the chance to be impactful with either. This love letter to teaching and the importance of education is admirable as it holds together the community element of the script. Although the impact goes off-track due to its lack of commitment to one solid narrative, the heart behind it (and the children's innocent will to live a better life) shines through every so often.

Genre: Comedy, Drama, Family

Actor: Adriana Barraza, Blanca Guerra, Clementina Guadarrama, Fátima Molina, Gabriela Cartol, Guillermo Villegas, Jero Medina, Leonardo Alonso, Tete Espinoza

Director: Ernesto Contreras

In Love and Deep Water is torn between multiple concepts. There’s a murder, sure, and a butler trying to figure out who’s the killer, but there also happens to be a romance plot where the same butler falls in love with the passenger that informs him of their partners’ infidelity. The film also tries to squeeze in comedy with the way the killers try to hide the dead body, the ridiculousness of some passengers, and cheeky but contextless commentary. While the romance is lovely, In Love and Deep Water isn’t the fun and chaotic murder mystery promised, as it drowns itself with interesting ideas that never really fully pans out.

Genre: Comedy, Mystery, Romance, Thriller

Actor: Airi Matsui, Aju Makita, Amane Okayama, Aoi Miyazaki, Hatsunori Hasegawa, Hidekazu Mashima, Ken Mitsuishi, Ken Yasuda, Kento Nagayama, Michiko Tomura, Miyu Hayashida, Nahana, Rinko Kikuchi, Ryo Yoshizawa, Saki Takaoka, Takashi Okabe, Tomu Miyazaki, Yasuomi Sano, Yoh Yoshida, Yoshimasa Kondô, Yuki Izumisawa

Director: Yusuke Taki

Rating: R, TV-MA

To Catch a Killer feels like a limited series shrunken down to fit a movie’s runtime: its many ideas, though potentially compelling on their own, are so underserved by the breezy treatment here that they lose all value. The film wants to hit every hot button — misogyny in the police force, demagoguery on TV news channels, high-level corruption, white supremacy, and the mental health crisis — but its frantic box-ticking makes it feel like a speed-run of topical issues rather than anything genuinely reflective. 

The characters feel similarly underdeveloped, not least star Shailene Woodley’s, a Clarice Starling wannabe who winds up delivering emotional counseling to the film’s bafflingly motivated serial killer in just one of many implausible scenes. Add to that the cringe-inducing dialogue, which is crammed to bursting point with clunky metaphors, and you can call off the manhunt —  the script is the real killer here.

Genre: Crime, Drama, Mystery, Thriller

Actor: Adam LeBlanc, Alain Chanoine, Arthur Holden, Ben Mendelsohn, Benz Antoine, Bobby Brown, Chip Chuipka, Christian Jadah, Daniel Brochu, Darcy Laurie, Dawn Lambing, Dusan Dukic, Erniel Baez, Frank Schorpion, Heidi Foss, Jason Cavalier, Joan Hart, Jovan Adepo, Karine Dion, Lesley Pahl, Leyda Aleyli, Lilou Roy-Lanouette, Luc Morissette, Marcello Bezina, Mark Antony Krupa, Mark Camacho, Mark Day, Martyne Musau, Maurizio Terrazzano, Michael Cram, Michael Dozier, Nabil Khatib, Patrick Émmanuel Abellard, Patrick Labbé, Ralph Ineson, Richard Zeman, Rosemary Dunsmore, Sean Tucker, Shailene Woodley, Ted Pluviose, Teneisha Collins

Director: Damián Szifron