11 Movies Like Wildlife (2018) On Netflix Canada

Staff & contributors

Chasing the feel of watching Wildlife ? Here are the movies we recommend you watch after Wildlife (2018).

A powerful but quiet movie directed by Paul Dano and based on a novel of the same name by Richard Ford. It stars Carey Mulligan and Jake Gyllenhaal as a couple who move to a new town with their only child during the 1960s. Their relationship transforms after Gyllenhaal's character loses his job as a butler and chooses to leave for a more dangerous profession, firefighting. This movie is about his wife's response to this event and the implications of both parents' behavior on their kid. There are no twists or turns, exciting action or plot; but Wildlife doesn't need any of that. This moving story about a decaying family unit is portrayed in the sadness that comes with such events. The only joy comes from watching the outstanding (but expected) performances of the cast.

Before you press play on this movie, we highly recommend you take a few very deep breaths. This 2018 thriller is wound so tight, you will need the extra oxygen to get through it without fainting. In his directorial debut, Swedish-danish filmmaker Gustav Möller uses very little in terms of resources to create this breath-taking atmosphere. While The Guilty feels like it was made on a $100 million budget, all it physically brings to the table is one man in a dark room. It plays with our imagination instead of blinding it with special effects. Similarly, the plot is also short and sweet: a police officer is temporarily sent to do emergency dispatch, when he receives a call that turns an ordinary shift into a hell ride. This is all we are going to give away before you've completed your breathing exercises. The movie's minimalist approach is held together by great acting from Jakob Cedergre, a screenplay to match, and incredible sound design. A real white-knuckle ride.
If you don't know much about him or high fashion, don't fret because this intelligent and informative film by Ian Bonhôte and Peter Ettedgui will chaperone you into this world with ease. Simply titled McQueen, this documentary is a poignant portrait of the British fashion icon that goes to great lengths to do him justice. With a reputation for shock tactics and controversy, McQueen grew from humble beginnings in a British council flat with three sisters into a world-famous enfant terrible of the 1990s for his quote unquote unwearable fashion and extravagant shows. Music fans might recognise his designs from Bjork's album Homogenic or the music video to her song Alarm Call. Despite the documentary's scope and depth, this is the type of film that leaves you wanting more and you might find yourself browsing through Wikipedia and YouTube for another hour to stay in the vibe. Alexander McQueen died of suicide in 2010.
Russel Crowe, Nicole Kidman, and the immensely talented young actor Lucas Hedges (Manchester By the Sea) form an amazing pack of talent in this excellent drama. The story is based on the memoir by Garrard Conley, a true story. Set among deeply pious Christians in Arkansas, Hedges plays 18-year-old Jared Eamons, who discovers that he is gay. Crowe plays the father, a car dealer and a preacher, and Kidman the mom, who is a sweet-natured hairdresser with traditional values. When their son comes out to them after concealing his sexuality for some time, they pressure Jared into going to a Christian conversion camp, where his “lifestyle choice” is to be “prayed away”. The unspeakable camp is led by the Victor Sykes, who is as sinister as he is stupid, played with aplomb by Joel Edgerton, the writer and director. It's a funny sidenote to a serious movie that many actors in this Southern drama are from Australia, including Edgerton, Crowe, and Kidman as well as Red Hot Chili Peppers bass player extraordinaire, Flea, who plays a drill-instructor-type PE teacher at the camp. The powerful performances are indeed what drive this drama and they contribute significantly to telling a story that needed to be told.

Leave No Trace is the amazing new movie from the director of Winter's Bone, Debra Granik. It's the story of a father and his daughter who live completely off the grid in a national park in Portland, and their quiet quest to not be separated and remain off the grid. It's not the sensational, tear-jerker story that you'd expect something with this premise to be. Rather, and like Winter's Bone, it chooses a humane and realistic approach to the subject matter. The decision to live outside society is almost irrelevant to this movie. More so, its inevitability for certain people with certain mindsets is what is interesting. A stunningly quiet movie, really well-acted too.

In the year of the Netflix TV Show Maniac, another absurdist title stole critics’ hearts. Sorry to Bother You is a movie set in an alternate reality, where capitalism and greed are accentuated. Lakeith Stanfield (Atlanta) is a guy called Cassius who struggles to pay his bills. However, when at a tele-marketing job an old-timer tells him to use a “white voice”, he starts moving up the ranks of his bizarre society. A really smart movie that will be mostly enjoyed by those who watch it for its entertaining value, and not so much for its commentary. It is like a Black Mirror episode stretched into a movie.

Barry Jenkins’ follow up to his award-winning film Moonlight, If Beale Street Could Talk is a highly compelling tale that explores the extent of the emotional consequences of racial injustices through the lens of a young couple torn apart by the judicial system. Staying faithful to James Baldwin’s original novel while adopting Jenkins’ signature melancholic style, it fails to reach the brilliance of Moonlight, but still stands strong enough on its own and successfully tugs on your heartstrings.

Three half-Puerto-Rican, half-white boys grow up in suburban New York in this personal movie shot on stunning 16mm film.

This movie follows the boys, often literally with the camera behind their backs, as their parents’ relationship goes through turmoil. The kids are often left unattended and have to fend for themselves. The beauty of We the Animals is illustrating how they grow-up swinging between the angry character of their father and the protective nature of their mother.

This is one of the best movies I’ve seen in a long time, and I think I loved it so much because I was able to relate and feel for the main character (one of the boys). I really hope you will too.

It wouldn't be too far of a reach to evoke Kids (1995) while diving into Mid90s. But instead of taking on the HIV crisis, Mid90s is a much more tender, poignant reflection on coming of age in 90's skate culture. Jonah Hill, writer and director, examines the complexities of trying to fit in and the difficult choices one has to embrace individualism. From an opening of physical abuse to scenes of drug usage and traumatic experiences, Mid90s is a meditation not only on culture, but also a subtle examination of what it means to be human, to reach emotional and physical limitations, and to seek acceptance. Filmed in a 4:3 aspect ratio, Mid90s doesn't concern itself with grandiose filmography, but instead the aspect ratio almost reflects the tonal and metaphorical aspects played out on screen. With a smaller dynamic range of color and the familiar dust/scratches, the 16mm film compliments gritty and emotional moments of Mid90s. The emotional range of the film will take the audience from the depths of empathy to laughing out loud, but there is no compromise to the weight of each moment. Jonah Hill's directorial debut is beautiful in every sense of the word.

This is a star-packed movie about two brother assassins played by John C. Reilly and Joaquin Phoenix, and starring Jake Gyllenhaal. You might have read the book of the same name, and it is always hard to make a great film out of a great book but the brilliant director of A Prophet Jacques Audiard has done it (again). He is aided by a superb darkly comic script and fantastic acting from the entire cast. Audiard is French, but his take on the American Western is filled with epic violence but also witty dialogue, brotherly love, and male camaraderie.
Vague statement alert: Burning is not a movie that you “get”; it’s a movie you experience. Based on a short story by Murakami, it’s dark and bleak in a way that comes out more in the atmosphere of the movie rather than what happens in the story. Working in the capital Seoul, a young guy from a poor town near the North Korean border runs into a girl from his village. As he starts falling for her, she makes an unlikely acquaintance with one of Seoul’s wealthy youth (played by Korean-American actor Steven Yeun, pictured above.) This new character is mysterious in a way that’s all-too-common in South Korea: young people who have access to money no one knows where it came from, and who are difficult to predict or go against. Two worlds clash, poor and rich, in a movie that’s really three movies combined into one - a character-study, a romance, and a revenge thriller.

An uplifting and inspiring movie with Felicity Jones and Armie Hammer. Jones stars as Supreme Court Justice Associate Ruth Bader Ginsburg in this biopic centered around her hallmark case against sex-based discrimination. While it doesn't feel like it truly conveys the power of Ginsburg's story, her determination, or all the odds that were stacked against her, it serves as a mellowed-down preview of her remarkable story. Watch this if you're in need of a good dose of inspiration.