4 Movies Like Top Gun: Maverick (2022) On Mubi India

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The film opens with Julie in her early twenties, longing to pursue a career in medical school. But after briefly testing the waters, she switches over to psychology, only to drop completely out of school and transform her hobby of photography into a professional career. This indecisiveness carries over in most aspects of her life, including and especially in romance, where impulse and desire drive her to run after what she believes to be love. The movie follows Julie as she navigates adulthood in modern Oslo—at once a specific yet universally relatable story about the growing pains of growing up.

With The Worst Person in the World, Joachim Trier scores again with another life-changing Norwegian drama about longing, love, grief, and finding your place in the world. His films can be quite sad but amidst all the drama, moments of happiness and hope are scattered throughout, as it is in real life.

Genre: Comedy, Drama, Romance

Actor: Anders Danielsen Lie, Anna Dworak, Gisle Tveito, Hans Olav Brenner, Herbert Nordrum, Ine Jansen, Maria Grazia Di Meo, Marianne Krogh, Renate Reinsve, Ruby Dagnall, Sofia Schandy Bloch, Thea Stabell, Vidar Sandem

Director: Joachim Trier

A twitchy, uncomfortable noir film for the digital age, Decision to Leave blends the trappings of a restless police procedural with an obsessive forbidden romance. Here, director Park Chan-wook flips every interrogation and piece of evidence on its head, pulling us away from the whodunit and towards the inherently invasive nature of a criminal investigation. It's a movie that remains achingly romantic even if everything about the central relationship is wrong. For detective Hae-jun and suspect Seo-rae (played masterfully by Park Hae-il and Tang Wei, respectively), the attraction between them is built entirely on distrust and suspicion—illustrating the danger of falling for the idea of someone rather than the person themself.

Genre: Crime, Drama, Mystery, Romance, Thriller

Actor: Ahn Seong-bong, Cha Seo-won, Choi Dae-hoon, Choi Sun-ja, Go Kyung-pyo, Go Min-si, Hwang Jae-won, Jeong Ha-dam, Jeong So-ri, Jin Yong-uk, Joo In-young, Jun Sung-ae, Jung Yi-seo, Jung Young-sook, Kim Do-yeon, Kim Mi-hwa, Kim Shin-young, Kwak Eun-jin, Kwon Hyuk, Lee Hak-joo, Lee Hak-ju, Lee Ji-ha, Lee Jung-hyun, Lee Yong-nyeo, Moon Jung-dae, Park Hae-il, Park Jeong-min, Park Yong-woo, Seo Hyun-woo, Shin An-jin, Tang Wei, Teo Yoo, Yoo In-hye, Yoo Seung-mok, Yoo Teo

Director: Park Chan-wook

With a title like this, it was expected that Do Not Expect Too Much from the End of the World would be critical of today’s current circumstances, but the film takes a more startling approach. Radu Jude’s longest narrative feature is a day in the life of a disgruntled, underpaid production assistant, and as she drives between interviewees injured from work accidents, the film alternates between the black-and-white, terribly mundane reality, her Tiktok-filtered satirical rants as Bobiță, and an old colored film of a Romania decades past. It's a cynical depiction of how vulgar it is to be alive today, but it’s also more honest as Jude refuses to cling to the past.

Genre: Comedy, Drama

Actor: Adina Cristescu, Adrian Nicolae, Andi Vasluianu, Dorina Lazăr, Ilinca Manolache, Ioana Iacob, Katia Pascariu, László Miske, Nicodim Ungureanu, Nina Hoss, Ovidiu Pîrșan, Rodica Negrea, Șerban Pavlu, Uwe Boll

Director: Radu Jude

The emotional sterility of modern life comes under the microscope of this understated Korean drama in which a young woman who has built self-preserving walls around her lonely existence begins to wonder if the trade-off is worth it. Outside of the soul-sucking call center job at which Jina (Gong Seung-Yeon) excels, her interactions with others are purely parasocial: she streams mukbangs on her phone as she eats alone, wakes up to the blare of her always-on TV, and checks in on her aging father via the security camera she’s surreptitiously installed in his home. When she reluctantly agrees to train the chatty, warm newbie (Jeong Da-eun) at work, Jina is confronted with a direct challenge to her aloofness, but the provocation is easily ignored until a similarly withdrawn neighbor is discovered long after his death.

This triggers a quarter-life crisis for Jina that’s predictably resolved, but Aloners transcends the neatness of this arc thanks to its quietly persistent challenging of the instinct to contort oneself to fit an inhumane world. Hong Sung-eun’s thoughtful first-time direction and Gong’s nuanced performance as a young woman waking up to the creeping dehumanization of herself make Aloners a genuinely thought-provoking reflection on 21st-century life.

Genre: Drama

Actor: Ahn Jeong-bin, Geum Hae-na, Gong Seung-yeon, Jeong Da-eun, Ju Seok-tae, Kim Hae-na, Kwak Min-kyu, Park Jeong-hak, Seo Hyun-woo

Director: Hong Sung-eun