In this comedy/drama, Bill Murray plays an aged, dispirited war veteran named Vincent who openly disdains most people and gives little attention to anything beyond alcohol and horse racing. Living a life of solitude in Brooklyn, everything takes a turn when a young single mother (Melissa McCarthy) and her son Oliver move in next door. Vincent eventually takes on the responsibility of watching over Oliver when Maggie is at work. Murray is perfectly unpleasant in his darkly comedic role, as his relationship with Oliver evolves despite his own misgivings, providing young Oliver (Jaeden Lieberher) with the fatherly/grandfatherly presence he desperately needs. Though somewhat formulaic, St. Vincent rises above expectations by way of great dialogue, favourable performances from all of the leads, and an unbelievably touching finale that will melt your heart. Much better than you probably expect—definitely check this one out.
In 1980s Dublin, a young Irish catholic-school boy, whose family is facing financial problems starts his own band with the sole objective of impressing a mysterious femme fatale. The film takes you on a beautiful and witty journey through the band’s path to success and our protagonist’s quest in conquering his love all to the rhythm of some of the biggest 80’s pop-rock hits and the band’s own original soundtrack. Without a doubt this film is the long awaited passion project of filmmaker John Carney (Once, Begin Again).
Set in Victorian London, it’s about a guy who sets out on a mission to find his missing family. He is helped by a mysterious medium played by the ever-amazing Eva Green.If you make it to the second season, I genuinely think it’s the better watch. The first season is good, so it won’t be that hard to get there. (Side note: This super cool show pays tribute to some familiar fictional characters like Dr. Frankenstein, Dracula and, Dorian Gray. )
The Siege of Jadotville is a different kind of war movie. It doesn’t recount famous battles or portray renowned heroes - instead, it’s about heroes and events that went completely unnoticed. Namely, the Irish 35 Battalion ‘A’ Company - a group of youngsters who are sent out on a U.N mission to the Congo. What was supposed to be a simple positioning quickly becomes one of the most sought-after locations and the battalion of 150 ‘war-virgins” find themselves up against 3000 mercenaries led by experienced French commandants. And what a tribute this film is: it’s well-paced, powerfully shot, and the acting, led by Jamie Dornan on one side and Guillaume Canet on the other, is absolutely perfect.
Ryan Bingham (George Clooney) is a corporate axman, he comes in a fires people when the managers are too afraid to do it themselves. The nature of his work requires a lot of flying, short lived meetings in transit zones and he absolutely loves it, and he has a certain goal in mind. When the company tries a new approach to corporate downsizing he has to change his way and view of life. It's full of cynicism and warmth. If you are familiar with Jason Reitman's previous work, you'll feel right at home, if you don't : Get to it!
First off you have to remember it is the same writer as Training Day. Then you have to believe that he must have gone to a joint training camp between the Taliban and Mexican Cartels or something since Training Day to come up with such a tense, unpredictable script. But End of Watch is more than that. It is warm and sweet (yes), and a great showcase of Gyllenhaal and Pena's talents -- which thanks to a documentary-style cinematography, and the actors' 5-month immersion program with actual LA cops, make for a very authentic, rich, and overall exciting film.
Based on a beautiful premise, sprinkled with artistic vision, it is an intelligent sit back and relax movie. The film explores the life and times of Nemo Nobody, the last mortal man on earth, as he reflects on the important choices he’s made. Each of these choices are presented as branching pathways of what could have been, utilizing innovative non-linear cinematography. In addition to the film’s winning structure, its soundtrack is considered a masterpiece, perfectly fitting the plot via looping and trilling melodies. The film garnered 6 Magritte awards, and has slowly been developing into an indie cult classic.
The main reason to watch Love & Mercy could be that it's about the life of Beach Boys leader Bryan Wilson, but it shouldn't. That wouldn't do the film any justice. Yes it is a great rock biopic, but its reach goes way beyond that: it's a compelling and beautiful character study performed in unparalleled perfection by Paul Dano and John Cusack. It gives an inside look into the mind of a genius in all its glory and obscurity. And so much of it rings true because, yes, it is about the life Beach Boys leader Bryan Wilson. Such a unique and beautiful film.
An exploration of the complex and loving relationship between a mother and her son that will take you through a variety of extremely perceived emotions: it's uplifting, disturbing, provocative, sad, and hopeful among many other things. We don't get many of these middle-class-budget films anymore, and this one might be its category's best. A kidnapped girl (Brie Larson) has a son (Jacob Tremblay in an electrifying performance) with her abductor and tries to provide a "normal" environment for the kid in the room where they're being held captive, until they attempt to escape. Brie Larson won an Oscar for Best Actress in Room, so make sure to also check out Short Term 12, an equally impressive performance by her in an equally amazing movie.