Beautiful story-telling and powerful acting boost the story of an Iranian man returning to France to finalize his divorce. He finds that his wife has a new lover. A lot more happens that I wouldn't want to spoil for you, the film is in fact directed by Iranian legend Asghar Farhadi, so expect twists and subtleties you're probably familiar with from A Separation or About Elly. That said, The Past remains to some extent different from his previous work since it focuses on romantic relationships, failed ones, and the toll they take on the humans involved. Learning about the characters is a lot like meeting them in real life and hearing their stories: it's hard to take sides or tell who's wrong - you'd rather stay silent and try to make sense of it all.
Arguably Werner Herzog's most renowned film, Grizzly Man is a thought-provoking documentary about Tim Treadwell, a man who, as the title suggests, lived among bears. While he remained only known for how his story ended, by one of the bears turning on him, Grizzly Man is the exploration of the man's complex mind, unlimited energy and love for nature. It could be because of the subject matter or because of Herzog's mesmerizing monotone narration, and maybe it is because of both - but Grizzly Man becomes a supremely beautiful look at psychology and how it collides nature. Also like most of Herzog's other work it's a hunt for the peculiar, so expect many funny, absurd, and charming moments.
A beautifully crafted film about the unrequited love of two people renting adjacent rooms in a Shanghaiese territory in Hong Kong in the 1960s. The main characters, played by Tony Leung and Maggie Cheung, struggle to stay true to their values rather than give in to their desires although they both suspect their spouses of extramarital activities. The flawless acting and stunning visuals and editing wonderfully represent the melancholia of repressed emotions, and help the audience truly "feel" the film's "mood".
This is a low-scale, intimate, almost minimalist movie that speaks volumes about the misconceptions that westerners have regarding the Middle-East. And the performance of Richard Jenkins is absolutely exceptional (earned him a nomination for the Oscars). He plays a professor who comes back to his New York apartment only to find two immigrants living in it. What a great role and what a great film.The Visitor is from the director of The Station Agent and very recently Spotlight, Tom McCarthy.
In this comedy/drama, Bill Murray plays an aged, dispirited war veteran named Vincent who openly disdains most people and gives little attention to anything beyond alcohol and horse racing. Living a life of solitude in Brooklyn, everything takes a turn when a young single mother (Melissa McCarthy) and her son Oliver move in next door. Vincent eventually takes on the responsibility of watching over Oliver when Maggie is at work. Murray is perfectly unpleasant in his darkly comedic role, as his relationship with Oliver evolves despite his own misgivings, providing young Oliver (Jaeden Lieberher) with the fatherly/grandfatherly presence he desperately needs. Though somewhat formulaic, St. Vincent rises above expectations by way of great dialogue, favourable performances from all of the leads, and an unbelievably touching finale that will melt your heart. Much better than you probably expect—definitely check this one out.
The main reason to watch Love & Mercy could be that it's about the life of Beach Boys leader Bryan Wilson, but it shouldn't. That wouldn't do the film any justice. Yes it is a great rock biopic, but its reach goes way beyond that: it's a compelling and beautiful character study performed in unparalleled perfection by Paul Dano and John Cusack. It gives an inside look into the mind of a genius in all its glory and obscurity. And so much of it rings true because, yes, it is about the life Beach Boys leader Bryan Wilson. Such a unique and beautiful film.
An exploration of the complex and loving relationship between a mother and her son that will take you through a variety of extremely perceived emotions: it's uplifting, disturbing, provocative, sad, and hopeful among many other things. We don't get many of these middle-class-budget films anymore, and this one might be its category's best. A kidnapped girl (Brie Larson) has a son (Jacob Tremblay in an electrifying performance) with her abductor and tries to provide a "normal" environment for the kid in the room where they're being held captive, until they attempt to escape. Brie Larson won an Oscar for Best Actress in Room, so make sure to also check out Short Term 12, an equally impressive performance by her in an equally amazing movie.
Five orphaned sisters are put under house arrest by their uncle and grandmother after they are seen horsing around with local boys from school. While their actions were purely innocent, their behavior is viewed as scandalous and shameful by the conservative elders in their small Turkish village. After this incident, their grandmother turns her attention towards marrying off her granddaughters. Each of the five sisters rebel in their own way, but it is the youngest and rowdiest sister, Lale, who is the central protagonist of the film. She watches helplessly as each of her older sisters is married off with an increasing sense of dread and desperation. While this may sound hopelessly depressing, the movie is equal parts beautiful and tragic and floats across the screen in a dreamlike manner. Not all of the sisters escape their oppressive surroundings or their assigned fate, but the message is clear: it’s crucial to try.
The true story of Oscar Grant III, a 22-year-old black man on the last day of 2008, where his will to change is challenged by his past and the police. You’ve probably read and heard a lot about young black men's’ encounters with the police, and for this reason, you might feel like skipping this film. Don’t. Produced by Academy Award winner Forest Whitaker, it is compassionate and powerfully told, that it surpasses the sadness of its subject matter to be a celebration of life. It is an extraordinary film and important watch.
A critical favorite and award-show sweeper, The Great Beauty celebrates the sheer decadence of Italian cinema and the Italian capital, Rome, in a tour de force of luxury and gorgeousness. Following an aging bon vivant and Roman socialite who squandered a youth of artistic promise for the simple pleasures of being, the film is a meditation on art, regret, pleasure and the beauty of the eternal city.
This is the story of an almost unknown musician of the 60’s and early 70’s, known as Rodriguez. He was shunned in his native U.S., but beloved in the most unlikely of countries, Apartheid-era South Africa. His bootleg albums circulated widely among his fans there, propelling him to extreme levels of fame. But he had no idea. This is a feel-good production that can also be sharp-witted when it needs to be.