229 Best US Movies Movies to Watch (Page 3)

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Martin Scorsese had just spent a year prepping for The Last Temptation of Christ when Paramount Pictures unceremoniously pulled the plug on the movie just one month before production was due to start. After Hours was Scorsese’s way of exorcising all that disappointment and frustration, and you can feel it: this black comedy vibrates with manic intensity as it charts a night from hell in the life of Paul (Griffin Dunne), a somewhat scuzzy yuppie living in ‘80s New York City.

In keeping with its title — which suggests the movie is suspended in temporal limbo — After Hours feels like it takes place in some mythological hellscape, a demonic underworld in which everyone Paul meets has been sent forth with the express mission to make his life more miserable. Surreal coincidences pile up, deepening his paranoia and turning his simple goal of returning home into a labyrinthine quest for survival on the deserted, rain-soaked streets of SoHo. It’s the kind of celluloid nightmare that terrorizes and thrills you at the same time (a la the Safdie brothers’ best works, which draw inspiration from After Hours). Only a director of Scorsese’s caliber could turn profound professional disappointment into such a win as this.

Genre: Comedy, Drama, Thriller

Actor: Bronson Pinchot, Catherine O'Hara, Charles Scorsese, Cheech Marin, Clarence Felder, Dick Miller, Frank Aquilino, Griffin Dunne, Henry Judd Baker, John Heard, Larry Block, Linda Fiorentino, Margo Winkler, Martin Scorsese, Murray Moston, Paula Raflo, Robin Johnson, Rocco Sisto, Rockets Redglare, Rosanna Arquette, Teri Garr, Tommy Chong, Verna Bloom, Victor Argo, Victor Magnotta, Will Patton

Director: Martin Scorsese

Rating: R

This cult classic is the first hip-hop movie in cinema’s history — and, aptly, one of the most sampled movies in rap music. With a cast drawn exclusively from the NYC graffiti, breakdancing, and rap subcultures that it spotlights, Wild Style wisely doesn’t try too hard to construct a conventional drama. Instead, there are toe-tapping scenes in neon-lit, smoke-filled clubs that stretch far beyond usual cinematic limits because they’re following the dynamic pace and infectious rhythm of the battling emcees, not film’s rules.

In lieu of a plot, Wild Style captures the singular atmosphere of the period it was filmed in, when hip-hop culture was thriving and art curators had begun to look to graffiti artists to fill their galleries. That uneasy turning point in the culture is chronicled here through the perspective of Zoro (real graffiti “writer” Lee Quiñones), a young artist who looks on with disdain as his peers embrace the commercialization of their medium by NYC’s art world. (As he shrewdly puts it, risk is central to graffiti’s identity — made for subway cars and walls, not framed canvases.) Brilliantly capturing the freewheeling spirit of NYC’s hip-hop scene, this is a time capsule that never feels dusty thanks to the appropriately off-the-cuff filmmaking.

Genre: Drama, Music

Actor: Busy Bee, Daze, Dondi, Fab 5 Freddy, Grandmaster Flash, Lady Pink, Lee Quiñones, Nathan Ingram, Patti Astor, ZEPHYR

Director: Charlie Ahearn

Rating: R

David Fincher's return to form almost ten years after Gone Girl turns the eponymous French graphic novel series into a stone-cold stunner. The Killer can be described as a crime thriller and a neo noir, but it's perfectly Fincherian in the ways it withholds information from the viewer, building up suspense in a masterful rhythm. The film opens on the inside of a construction site—a WeWork office to-be—where our Killer stalks his pray across the street. A rather static beginning, where nothing much happens: one may question the thriller qualities of the film during its first act for similar reasons, but just give it time; that's exactly what The Killer would say. But little does he know that time is something he doesn't have much of...

Genre: Crime, Thriller

Actor: Arliss Howard, Bernard Bygott, Brandon Morales, Charles Parnell, Daran Norris, Emiliano Pernia, Endre Hules, Erik Hellman, Gabriel Polanco, Jack Kesy, Jérôme Keen, Julia Rowley, Kellan Rhude, Kerry O'Malley, Michael Fassbender, Monique Ganderton, Nikki Dixon, Sala Baker, Sophie Charlotte, Tilda Swinton

Director: David Fincher

Rating: R

Before The Silence of the Lambs and Anthony Hopkins’ Hannibal, there was Manhunter and Brian Cox’s deeply unnerving Dr. Lecktor. Michael Mann’s neon-lit serial-killer thriller follows Will Graham (William Petersen), a retired FBI agent lured back to work by a psychotic mass murderer whom no one at the Bureau can catch. But Will has something no one else on the force does: he was so committed to tracking down the now-imprisoned Lecktor that he developed an ability to warp his mind into that of a deranged killer, seeing a kind of logic in their madness that allows him to hunt them down. 

While that’s a professional superpower of sorts, it’s also a point of insecurity and a source of deep torture for Will, who struggles with the burden of his extraordinary empathy. Manhunter is thus a different kind of psychological thriller: while its dive into the depraved minds of Lecktor and the Tooth Fairy is certainly disturbing, it’s the obsessive, sanity-smashing effect the investigation has on Will that is most terrifying. Add to that Dante Spinotti’s impossibly vivid cinematography, Tom Noonan’s shudder-inducing performance as the voyeuristic Tooth Fairy, and the film’s surprisingly layered treatment of the murderer, and this is the serial-killer movie to end all others.

Genre: Crime, Drama, Horror, Thriller

Actor: Alexandra Neil, Annie McEnroe, Benjamin Hendrickson, Bill Cwikowski, Bill Smitrovich, Brian Cox, Chris Elliott, Cynthia Chvatal, Dan Butler, David Allen Brooks, David Seaman, Dennis Farina, Elisabeth Ryall, Frankie Faison, Garcelle Beauvais, Jim Zubiena, Joan Allen, Joanne Camp, John Posey, Ken Colquitt, Kim Greist, Kin Shriner, LA Winters, Marshall Bell, Michael D. Roberts, Michael Talbott, Michele Shay, Norman Snow, Pat Williams, Patricia Charbonneau, Paul Perri, Peter Maloney, Robin Moseley, Stephen Lang, Tom Noonan, William Petersen

Director: Michael Mann

There is so much power to this story based actor Shia Laboeuf’s life. As a kid, he lived with his father on the road during the filming of Even Stevens and other star-making roles. His dad was a war veteran who goes to bikers’ AA meetings and who had a brief acting career himself.  He was full of anger that made Laboeuf later suffer from PTSD, but which he was able to perceive in a fascinating way. 

Putting Laboeuf’s fame aside, this is an incredible movie on emotionally abusive parent-child relationships. It’s a universal story. With Shia Laboeuf as his father and Lucas Hedges as current-day Laboeuf. 

 

Genre: Drama

Actor: Al Burke, Ben Maccabee, Byron Bowers, Clifton Collins Jr., Craig Stark, Dorian Brown Pham, Eli Santana, FKA Twigs, Giovanni Lopes, Graham Clarke, Greta Jung, Kara C. Roberts, Kingston Vernes, Laura San Giacomo, Leana Chavez, Lucas Hedges, Ludwig Manukian, Maika Monroe, Martin Starr, Natasha Lyonne, Noah Jupe, Paulina Lule, Sandra Rosko, Shia LaBeouf

Director: Alma Har'el, Alma Har'el

Rating: R

A wacky viral story — the kind that gets played for laughs at the end of news broadcasts — gets uncommonly deep consideration in this documentary gem. That’s not to say that Finders Keepers ignores the surreal comedy of the situation that John Wood and Shannon Whisnant, two star-crossed North Carolina men, found themselves in in 2007: battling over the custody rights of John’s mummified amputated leg. The humor in this bizarre tale and all the myriad eccentricities of its real-life characters is never left untapped, but to simply focus on that would add nothing new to the way the story had been told thus far. 

Unlike the many clips from news segments and reality TV that we see in the film, Finders Keepers instead looks beyond the low-hanging fruit and finds deep pathos simmering under the surface of this wacky tale. What emerges is a complex, often tragic, and very American picture of the way traumas shape our lives, the addictive pull of drugs and attention, and fate’s habit of twisting nightmares into blessings and vice versa. It’s the kind of film that makes you wonder how many other unexpectedly poignant stories have been short-changed by our impulse to be flippant.

Genre: Documentary

Actor: John Wood, Shannon Whisnant

Director: Bryan Carberry, J. Clay Tweel

Rating: R

A healthy mix of despair and self-deprecation has always been Bo Burnham's signature, but Inside takes it to the next level. It's a deconstructed film, rather than a simple one-night special; a one-man-show that constantly undercuts itself. Even more so, it sabotages its own immersive qualities and explores the depths of self-loathing by turning oneself into comedy material. Some may say, it's a classic move, but the pandemic reality and Burnham's unkempt look predispose us to embrace all the cringe (YouTube reactions), quirkiness, (the sock puppet), and frightening angst (suicide jokes) he puts forward. Emotional rawness and a polished DIY look fits the Netflix bill, but as far as the content goes, this one goes straight to the world heritage lockdown archives.

Genre: Comedy, Drama

Actor: Bo Burnham

Director: Bo Burnham

Rating: R

This groundbreaking documentary follows the USA Olympics sexual abuse case that made headlines in 2015. Through interviews with Olympians, their families, and investigative reporters, it’s also a documentary on the overall culture of abuse in gymnastics: sexual, physical, and emotional.

In one scene from the 1996 Olympics, gold medalist Kerri Strug has to run, vault, and land - all with a severe foot injury that was covered up by her coaches. She does this twice, limping between attempts and crawling off the mat on the second, crying. Meanwhile, her family, her coaches, the spectators - the World - is celebrating.

When she’s carried off, it’s Larry Nassar, the pedophile at the center of the documentary, who carries her.

Athlete A is groundbreaking exactly because it illustrates that the problem is not only with one doctor, or the 54 coaches who were also found guilty of sexual abuse, or the morally bankrupt leadership of USA Gymastics; it’s also about what went so wrong with society to see the abuse of young girls as cause for celebration.

Genre: Documentary

Actor: Géza Poszar, Gina Nichols, Jen Sey, John Nichols, Maggie Nichols

Director: Bonni Cohen, Jon Shenk

Rating: PG-13

If you’ve never seen Walk Hard before but still get déjà vu from just its first 10 minutes, that's the point. This riotous pastiche parodies every musician biopic ever made — and even many that came after it. Its ability to predict the future is thanks to its sharp observation of all the clichés that are typically wheeled out when a musical artist’s life story gets the big screen treatment. Walk Hard skewers everything from the tropes of preternatural musical abilities and galvanizing childhood trauma to the formulaic three-act structure that follows the musician’s rise, inevitable fall, and triumphant rise again.

Absolutely no chances are left unseized to lampoon the genre: the film is told in an incredibly long flashback, for example, and features multiple groan-including moments in which characters say the movie’s title out loud, all but winking at the camera. The danger with a parody is that the joke can get old quickly, but Walk Hard is blessedly full of laughs that would stand up even outside of the spoof framework, displaying incredible devotion to even the most throwaway of jokes (as when The Temptations make a cameo for one five-second gag). Not just a brilliant satire, then, but a terrific comedy of its own.

Genre: Comedy, Drama, Music

Actor: Adam Herschman, Amber Hay, Angela Little, Cheryl Ladd, Cheryl Tiegs, Chris Parnell, Clement Blake, Conner Rayburn, Craig Robinson, David Doty, David Krumholtz, E.J. Callahan, Ed Helms, Eddie Vedder, Frankie Muniz, Gerry Bednob, Gerry Black, Ghostface Killah, Gregg Lee, Harold Ramis, Ian Roberts, Jack Black, Jack Kehler, Jack McBrayer, Jack White, Jackson Browne, Jacques Slade, Jane Lynch, Jason Schwartzman, Jenna Fischer, Jewel, John C. Reilly, John Ennis, John Maynard, John Michael Higgins, Jonah Hill, Justin Long, Kristen Wiig, Lyle Lovett, Margo Martindale, Martin Starr, Matt Besser, Molly C. Quinn, Morgan Fairchild, Nat Faxon, Neil Ironfield, Odette Annable, Patrick Duffy, Patrick Faucette, Patrick J. Adams, Paul Bates, Paul Feig, Paul Rudd, Philip Rosenthal, Rae Sunshine Lee, Rance Howard, Raymond J. Barry, Ron Tyson, Serria Tawan, Simon Helberg, Skyler Gisondo, Stacey Scowley, Steve Bannos, Terrence Beasor, Tim Bagley, Tim Meadows, Tyler Nilson, Willow Geer

Director: Jake Kasdan

Rating: R

After the successful run of the first instalment, The Conjuring 2 brings back lead couple Ed and Lorraine Warren for yet another real life-based case of demonic possession. This time, it's the Enfield poltergeist, a case which gained popularity in the London Borough of Enfield between 1977 and 1979, and while the Warrens in the film show reluctance to take on a new job amongst growing skepticism, we're so glad they did so in the end. The franchise's second chapter is perfectly built: a good amount of character establishment, a fair bit of rekindling allegiance with the Warrens, and a lot of ingenious scaries. What makes The Conjuring 2 a pitch-perfect horror of its kind is precisely this multivalence, combining empathetic characters and well-crafted, yet extremely disturbing visuals. When the supposedly simple case becomes a fight between good and proper evil, the film shifts gear to an obscenely dark, vengeful mode. You can't tell from its beginning, but the second Conjuring is even more proficient, deeply troubling, and most of all, bold in the way it renders the possession horror genre a canonical must.

Genre: Horror, Thriller

Actor: Abhi Sinha, Annie Young, Benjamin Haigh, Bob Adrian, Bonnie Aarons, Emily Brobst, Emily Tasker, Frances O'Connor, Franka Potente, Jason Liles, Javier Botet, Jennifer Collins, Joseph Bishara, Kate Cook, Lauren Esposito, Madison Wolfe, Maria Doyle Kennedy, Nancy DeMars, Patrick McAuley, Patrick Wilson, Robin Atkin Downes, Shannon Kook, Simon Delaney, Simon McBurney, Sterling Jerins, Steve Coulter, Vera Farmiga

Director: James Wan

Rating: R

There are a striking number of similarities between Priscilla and director Sofia Coppola’s earlier offering, Marie Antoinette: both revolve around 14-year-old girls hand-picked to be partners to more powerful men in long-unconsummated relationships, and both girls are emotionally cut adrift and forced to live in gilded cages. But where Coppola’s Barbie-pink historical biopic is punkily anachronistic and riotous, Priscilla is a far more muted affair. There are no wild parties at Graceland as there were at Versailles; instead, Priscilla’s emotional isolation, thousands of miles away from her family, is made disconcertingly clear in shots of the infatuated teenager (played by Cailee Spaeny) anxiously ruminating alone in endless lavish rooms while the decade-older King (Jacob Elordi) plays away. Elvis’ emotional manipulation of Priscilla is conveyed subtly but inescapably — and the full sickening, insidious effect comes to the fore thanks to Spaeny’s astonishing performance. Based on Priscilla Presley’s own memoir, this is a bubble-bursting biopic, and it’s so compelling and painfully immersive that we never feel, even for a moment, like we’re watching the B side — instead, Spaeny and Coppola convincingly assert that this was the real story all along.

Genre: Drama, Romance

Actor: Alanis Peart, Ari Cohen, Cailee Spaeny, Conni Miu, Dagmara Domińczyk, Dan Abramovici, Dan Beirne, Deanna Jarvis, E. Fegan DeCordova, Gwynne Phillips, Jacob Elordi, Jorja Cadence, Josette Halpert, Kamilla Kowal, Kelaiah Guiel, Kelly Penner, Luke Humphrey, Lynne Griffin, Mary Kelly, Olivia Barrett, R Austin Ball, Rodrigo Fernandez-Stoll, Sarah Dodd, Stephanie Moore, Stephanie Moran, Tim Dowler-Coltman, Tim Post

Director: Sofia Coppola

Rating: R

, 2023

Just based off its title, Mutt is already a film that tackles a state of in-between, and perhaps what makes it already precious is how honest and personal it can get, while remaining a good fictional story. This striking debut took Chilean-Serbian filmmaker Vuk Lungulov-Klotz more than six years to make, at least from the initial stages of the script as he was working through his own transition, how that felt and how he dealt with it in life and art. That said, Mutt is a film that stands on its own feet, without the need for any such context: the script, the performances, the frantic pacing of it, they are all top-level stuff. A generous, open film that has its trans protagonist be who they are, whatever that may be, and gives as much insight as it allows for curiosity and empathy. If Mutt is educational in any way, it is through it's apt storytelling and truthfulness that bleeds through the screen; its significance for trans cinema cannot be overstated, but it is also once of the most accomplished debuts of 2023.

Genre: Drama

Actor: Alejandro Goic, Cole Doman, Jari Jones, Jasai Chase-Owens, Lio Mehiel, MiMi Ryder, Sarah Herrman

Director: Vuk Lungulov-Klotz

Rating: NR

I’m Not There is an unusual biopic in that it never refers to its subject, Bob Dylan, by name. Instead, Todd Haynes’ portrait of the singer mimics his constant reinvention by casting six separate actors to play as many reincarnations of the same soul. It’s an ingenious spin on a usually stale genre, one that liberates the film from the humdrum restrictions of a literal retelling of Dylan's life.

If there’s anyone who warrants such an inventive approach to biography, it’s Dylan, whose public and private personas are so numerous that it’s only by angling six different mirrors at him that Haynes can hope to catch some of his essence. Impressionistic editing toggles freely between these vignettes, each visually distinct: from the 11-year-old Woody Guthrie-obsessive (Marcus Carl Franklin) and the black-and-white Super 16mm-shot poet (Ben Whishaw) to the aging cowboy outlaw (Richard Gere), all by way of Christian Bale, Heath Ledger, and Cate Blanchett’s incarnations. To be sure, this is a somewhat challenging film, reflecting, in places, the enigmatic surrealism of Dylan’s lyrics and his refusal to be pinned down to one thing. But, as Blanchett’s embodiment says, “Mystery is a traditional fact,” and that’s no more true than of Dylan, making Haynes’ film a fascinatingly fitting spiritual biopic.

Genre: Drama, Music

Actor: Alison Folland, Andrew Shaver, Andrew Simms, Angela Galuppo, Arthur Holden, Ben Whishaw, Benz Antoine, Bill Croft, Bob Dylan, Brett Watson, Bruce Greenwood, Cate Blanchett, Catherine Colvey, Charlotte Gainsbourg, Christian Bale, Craig Thomas, Danny Blanco Hall, David Cross, David Gow, Dennis St John, Dominic James, Don Francks, Emmanuel Schwartz, Eric Newsome, Eugene Brotto, Fanny La Croix, Garth Gilker, Gordon Masten, Graham Cuthbertson, Greg Kramer, Heath Ledger, Holly Uloth, Ivan Freud, Jane Gilchrist, Jane Wheeler, Jason Cavalier, Jennifer Rae Westley, Jesse Todd, Jessica Kardos, Jim James, Jodie Resther, Joe Cobden, John Koensgen, Julianne Moore, Kathleen Fee, Kim Gordon, Kim Roberts, Kris Kristofferson, Kristen Hager, Kyle Gatehouse, Kyle Switzer, Larry Day, Leif Anderson, Leigh Ann Taylor, Lina Roessler, Lisa Bronwyn Moore, Lorne Brass, Maggie Castle, Marcus Carl Franklin, Marie-Julie Rivest, Mark Camacho, Matt Holland, Matthew Boylan, Matthew Harbour, Melantha Blackthorne, Michelle Williams, Nathalie Girard, Noel Burton, Patrick Costello, Paul Cagelet, Paul Johnston, Paul Spence, Pauline Little, Peter Friedman, Phyllis Gooden, Pier Paquette, Pierre Leblanc, Pierre-Alexandre Fortin, Richard Gere, Richard Jutras, Richard Robitaille, Richie Havens, Rob Burns, Roc LaFortune, Sharlene Royer, Shawn Baichoo, Steve Godin, Susan Glover, Terry Haig, Thiéry Dubé, Tim Post, Trevor Hayes, Tyrone Benskin, Vito DeFilippo, Wyatt Bowen, Yolonda Ross

Director: Todd Haynes

Rating: R

There’s a vein of reality running through He Got Game that gives this Spike Lee joint a sense of pulsating immediacy. For one, the young basketball prodigy at its center is played by real-life pro Ray Allen, who shot the movie during the sport’s off-season period in 1997. The film also draws on a host of other ballers and ancillary figures — including coaches and commentators — to fully convince us of the hype around Jesus Shuttlesworth (Allen), a Coney Island high-schooler who’s been crowned America’s top college draft pick.

Lee takes this premise to much more interesting places than sports movies usually go. The plot is a melodrama of sorts, in which Jesus’ incarcerated father Jake (a top-tier Denzel Washington) must convince his son to declare for the governor’s alma mater in exchange for a reduced sentence. The pair are estranged — Jake is in prison for the death of Jesus’ mother — making this as much a tense examination of family and forgiveness as it is a sports movie. And what a sports movie it is: Lee makes his love of basketball not just abundantly clear but also infectious, opening the film on soaring, balletic images of the sport that suggest it’s no mere game, but something unifying, artistic, and ultimately salvatory.

Genre: Drama

Actor: Al Palagonia, Arthur J. Nascarella, Bill Nunn, Bill Walton, Charles Barkley, Chasey Lain, Denzel Washington, Dick Vitale, George Karl, Hill Harper, Jennifer Esposito, Jill Kelly, Jim Boeheim, Jim Brown, John Turturro, Joseph Lyle Taylor, Kim Director, Leonard Roberts, Lonette McKee, Michael Jordan, Milla Jovovich, Ned Beatty, Ray Allen, Reggie Miller, Rick Fox, Robin Roberts, Roger Guenveur Smith, Ron Cephas Jones, Rosario Dawson, Roy Williams, Scottie Pippen, Shaquille O'Neal, Thomas Jefferson Byrd, Zelda Harris

Director: Spike Lee

Rating: R

Disclosure is a patient and articulate study of the ways movies have physically conditioned us to respond to certain expressions of queerness with fear, disgust, or laughter. But it also serves as a reminder that trans bodies have been represented on screen for as long as movies have existed—making it all the more unacceptable that we still often only see reductive and harmful stereotypes of trans people over 100 years since the birth of cinema. However, Disclosure is far from a "takedown" designed to make viewers feel bad. At the end of it all this remains a celebration film's power to dignify perspectives we rarely get to see through, and it's one of the nerdiest and most passionate trips through film history you could hope to have.

Genre: Documentary

Actor: Ajita Wilson, Alexandra Billings, Alexandra Grey, Angelica Ross, Anne Heywood, Arsenio Hall, Barbra Streisand, Blanche Sweet, Brian Michael Smith, Caitlyn Jenner, Candis Cayne, Candy Darling, Carmen Carrera, Cathy Moriarty, Chaz Bono, Chloe Sevigny, Chris Sarandon, Christine Jorgensen, Crystal LaBeija, Dana Wynter, Daniela Sea, Daniela Vega, David E. Harrison, Divine, Dorian Corey, Dustin Hoffman, Eddie Redmayne, Elliot Fletcher, Eric Gurry, Esme Percy, Ethel Lloyd, Flip Wilson, Gary Collins, Georges Du Fresne, Glenn Close, Hailie Sahar, Harry Langdon, Henry B. Walthall, Hilary Swank, Holly Woodlawn, Jackie Curtis, James Garner, Jamie Clayton, Janet McTeer, Jared Leto, Jaye Davidson, Jazzmun, Jean Harlow, Jeffrey Tambor, Jen Richards, Jim Carrey, Joan Rivers, John Gavin, John Lazar, John Lithgow, John Lone, Julie Andrews, Junior LaBeija, Katie Couric, Kim Kardashian, Lady Chablis, Laverne Cox, Leo Sheng, Lesley Ann Warren, Lilly Wachowski, Mandy Patinkin, Marquise Vilson, Mary Badham, Matthew McConaughey, Mercedes Ruehl, Michael Blodgett, Michael D. Cohen, Michaela Jaé Rodriguez, Milton Berle, Mya Taylor, Nick Adams, Octavia St. Laurent, Oprah Winfrey, Paris Dupree, Pepper LaBeija, Peter Scolari, Phil Donahue, Raúl Juliá, Ray Charles, Robert Preston, Roscoe 'Fatty' Arbuckle, Roscoe Arbuckle, Sandra Caldwell, Sean Young, Ser Anzoategui, Stephen Rea, Susan Stryker, Sylvia Rivera, T.C. Jones, Tom Hanks, Trace Lysette, Veronica Redd, Vivian Vance, Wendy Williams, William Hurt, Yance Ford, Zackary Drucker

Director: Sam Feder

Rating: R