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29 Best Lovely Movies to Watch (Page 3)

An insightful and thoughtful Canadian coming-of-age drama, Giant Little Ones is about two seventeen-year-old best friends whose relationship changes after an incident one night. Spanning a quick 90 minutes, it manages to tell its story quickly and honestly, as it touches on themes of sexual identity not only for the teenagers but for their parents as well. And it has a great message about tolerance. It's a lovely and wholesome movie. 

7.8

An instant essential film in the Jim Jarmusch catalog. In his traditional directing fashion, Paterson disregards plot and instead finds inspiration in deconstructing the seemingly mundane aspects of life. Adam Driver stars as a bus driver and amateur poet who leads a content life staying away from change as much as possible. His girlfriend, Laura (played by Iranian actress Golshifteh Farahani), is the complete opposite: eager to be creative, to explore new paths, and to decorate and design every object in her life. Jarmusch takes these two characters, adds only a few others, and makes a movie that celebrates similar so-called simple lives, reaching surprising levels of beauty. Again, not much happens in terms of plot, and the pace is slow. But if you are interested in the kind of movie that will let you into people's lives, you will love Paterson.

7.8

After being held captive his whole life, a man sets out to finish the only show he's ever seen. Thoughtfully written with a creative cast; it is not a film you would expect to laugh at and enjoy so thoroughly with such an unconventionally dark premise. However, it is a hilarious, wholesome, and loving film that will leave your heart feeling warm.

7.5

Boy is the highest-grossing New Zealand film of all time, and a masterpiece of compassion and good humor. Set in New Zealand's rural East Coast in 1984, the film's protagonist, Boy, imagines a world outside, dreaming of meeting Michael Jackson and having adventures. These fantasies serve to distract him from the sad circumstances of his life, living with his grandmother while his father serves out a prison sentence. However, adventure comes to Boy suddenly when his ex-convict father returns to find a long hidden bag of money. Written, directed, and starring Taika Waitit and featuring the new comer James Rolleston as Boy, it's a hilarious and heartwarming tale.

7.5

Vivid, sweeping landscapes surround the simple beauty of a Mongolian family navigating the pressures of globalization while still practicing their traditional nomadic lifestyle. Ostensibly it's about the charming, captivating relationship that forms between a young girl, Nansal, and a dog that she finds. However, the magic of this slow, enthralling film is that it captures the brilliance of familial relationships and power of culture and stories through this simple backdrop. And it is a simple film; everything you can learn from this film comes through its gentle storytelling that invites you to recognize the beauty and profundity that exists in everyday lives.

7.3

How does a standout director follow up to a film like Eternal Sunshine of the Spotless Mind? With a more profound exploration of style, a further exploration of his originality. Gael Garcia Bernal (who you might know from Y Tu Mama Tambien) plays an imaginative but awkward kind of guy who falls for his cute neighbor, played Charlotte Gainsbourg. Bizarre and whimsical dream sequences follow and a sweet, if hesitant, love story unfolds. An eccentric, funny and very French movie (with most scenes in English).  

7.2

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This Swedish movie is the story of Astrid Lindgren, one of the most translated children book writers of all time. Her work of over 100 books includes Pippi Longstocking and The Brothers Lionheart.Away from the quiet existence of the characters she would later create, Astrid had a turbulent life. Her troubles start when she falls for the editor of the paper she worked at when she was young, a man 30 years her senior. This results in an unwanted pregnancy and Astrid is pushed to immigrate.

7.1

Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. There is a subplot involving a growing rift between Wadjda’s parents; while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. It wouldn’t work without a strong central performance from first-time actor Waad Mohammed though -- she is never less than believable as a clever, determined and joyful 10-year-old, and her journey towards adulthood is both heartbreaking and inspiring.

7.0
Also see: The Very Best
The Very Best are our staff picks, they're all rated 8.0 and above. Here, we selected a few for you.

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Understated in budget but lavished with praise, this semi-autobiographical drama by Daniel Destin Cretton flings its audience into the chaotic lives and personal crises of at-risk youths and the passionate social workers that aid them. In his first feature film, the young director draws the viewers into the storm of events and the emotional ups-and-downs of social work in America, going from uplifting to depressing and back – and every emotion in-between. Set in the real-life and eponymous group home Short Term 12, devoted but troubled foster-care worker Grace is played by Brie Larson, whose shining performance in her first leading role was lauded by critics. Fans will also recognize the supporting actors Lakeith Stanfield and Rami Malek, who broke out in this movie. Short Term 12 is now considered one of the most important movies of 2013 – some say of the decade – owing to its immaculate writing, intimate camerawork, and gripping performances.

10

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This French-Canadian slow-burner, written and directed by Denis Villeneuve, will pull you in with one of the best movie beginnings of all time – and its outstanding ending will leave you shaken. To fulfill their mother’s last wish after her sudden death in Montreal, the two twins Jeanne and Simon must travel separately to an unnamed Middle-Eastern country (with strong resemblances to civil-war-torn Lebanon) to deliver letters to close relatives they never knew they had. The twins’ quest into a dark and staggering family history makes them experience themselves and the violence of war like they had never imagined. Their ordeal is interrupted by a series of flashbacks telling the story of their mother, Nawal Marwan, before leading them to uncover a deeply disturbing secret. Based on Wajdi Mouawad's 2003 play of the same name, this melodramatic war thriller takes a poetic and poignant look at how families are shaped by atrocities – even long the after wars that produced them have ended.

9.9

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With ‘Wild tales’, writer-director Damían Szifrón explores exactly how thin the proverbial veneer is on the passions of the human heart. Or rather he gleefully rips it off. Visually dazzling and laced with social critique, violent revenge is the theme joining the six vignettes together. Each one starts off in a relatable everyday situation, including an airplane, a wedding, and a coffee shop, which quickly propels into complete savagery of Roald Dahlian proportions. Like the famous author of Charlie and the Chocolate Factory, Szifrón writes great satirical characters, which he relishes in hurting and throwing in the ditch. And much like the rage of its protagonists, featuring Ricardo Darín as a family man articulating his by way of explosives, this movie does not know peaks and valleys. It’s a dark comedy thrill ride that will have you gasping for air!

9.9

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Get ready to cry your eyes out, scream in anger, but also rejoice at the powerful love that exists in our world. We will not spoiler the premise of this documentary and urge you not to do so yourself. Instead, we recommend watching it and prepare to be changed forever. Call it true crime if you will, but this documentary is much more. Hailed as one of the most important documentaries of the 2000s, it is a testament to friendship and love, a real-life thriller, and a political denouncement all in one.

9.9

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It comes as no surprise that former Bond villain Mads Mikkelsen won Best Actor in Cannes for delivering on this challenging role. In this merciless thriller by Danish director Thomas Vinterberg, the ice-eyed actor plays Lucas, an out-of-luck high school teacher struggling to start a new life. After a bitter divorce, he returns to the close-knit community he grew up in to work as a kindergarten teacher. A few weeks before Christmas, a child from his class, who has an innocent crush on the popular teacher, hints to a colleague that he had exposed himself to her. The young girl’s intimation galvanizes the small hunter’s town into a witch-hunt that leaves Lucas’ life hanging from a string. Trapped in the lies, the more he fights back, the more irrational the mob becomes. In all its brutal honesty, The Hunt is one of those rare thrillers that will haunt you for days. Extraordinary and thought-provoking!

9.8

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Much like Berlin’s infamous nightlife, which serves as the backdrop to the plot, this daring German real-time drama will eat you up and spit you out. After leaving a nightclub at 4am, Victoria, a runaway Spanish girl, befriends a gang of four raucous young men, climbing rooftops and drinking beers among the city’s moon-lit streets. The gang’s light-hearted banter is impressively improvised from a skeleton script, offset by Niels Frahm’s ominous original score. But what starts out as late-night high jinks swerves into darker territory. Driven by her infatuation with the pack leader Sonne, played by Frederick Lau, Victoria ends up being recruited as a get-away driver for an ill-prepared bank robbery and loses herself in a sinister spiral of events. What sounds like a standard-issue crime drama is, in fact, a staggering cinematic experiment. Filmed in one take, on location, and in real time, the movie’s production is indeed a gamble, but director Sebastian Schipper more than pulls it off. The claustrophobic camerawork of cinematographer Sturla Brandth Grøvlen leaves the viewer feeling like a hapless accomplice to Victoria’s plight. With Laia Costa giving an awe-striking lead performance, the high wire acting of the entire main cast only adds to this effect. Victoria is a stellar directorial debut, heart-stopping drama, and a truly immersive experience.

9.8

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This is the true story of Oscar Grant III, a 22-year-old black man in Oakland, California, who was shot dead by police in the morning hours of New Year’s Day 2009. Incidentally, 2009 was also the time when smartphones started going mainstream, and so the incident was not only captured by CCTV but also many private cell phone cameras. The killing went viral. Grant is superbly played by Michael B. Jordan in what now counts as one of his breakthrough roles, when many only knew him as Wallace in the now-legendary crime drama The Wire. Director Ryan Coogler went on making two more movies with him, including Black Panther in 2018. You’ve probably read and heard many harrowing stories of African Americans and police brutality. Still, we urge you not to skip on this film. Produced by Academy Award winner Forest Whitaker and compassionately told, Fruitvale Station surpasses the sadness of its subject matter and amounts to an extraordinary celebration of life. A must-watch.

9.7

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Not one but two Oscars as well as a Golden Globe are among this movie’s never-ending list of accolades. It was the first Iranian film ever to get an Oscar and the first non-English film ever nominated for Best Screenplay. Originally titled The Separation of Nader from Simin in Persian, it homes in on the dissolving relationship of a middle-class couple from Teheran – and the unintended consequences of tragic events. However, this film is so intense, well-acted, and well-written, it defies categorization. To be sure, the movie does offer a painful look at a deteriorating marriage. It’s also timely, dealing with the politics of theocracy, economic underdevelopment, and social alienation. It presents tense moral dilemmas without pointing a finger. If you’re curious to learn about the humans of Iran and, by cultural extension, the humans of the Middle East beyond the scope of global politics, A Separation is also for you. But please don’t call it world cinema, because this is no Slumdog Millionaire. Above all, it is a searing portrayal of human conflict, relationships, and morals. It is an almost perfect depiction of how many bad people are simply good people running out of options.

9.7

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Aptly named ‘Rupert Grint on speed’ by one critic, Antoine-Olivier Pilon plays Steve, an abusive ADHD adolescent who just got out of a juvenile care facility for setting fire to the school cafeteria and injuring a fellow student. Similarly, his mother Diane, played by Anne Dorval, is a type of Lorelai Gilmore on speed – and to say that sparks fly when they clash is an understatement. But help comes from unexpected places: ‘Die’ makes friends with Kyla, an anxious teacher living across the street, who then gets sucked into this crazy, volcanic mess. Mommy is the fifth feature film by French-Canadian don’t-call-him-a-hipster director Xavier Dolan and won the Cannes Jury Prize for its originality. It is shot in the 1:1 ‘portrait’ format, but every now and then a moment of exhilaration will crack open the frame. The brutality on screen is sugar-coated by an all-over-the-place soundtrack that includes the Counting Crows, Celine Dion, and Blue (Da Ba Dee) by Eiffel 65. Shrill, violent, and demented, this out-of-control dark comedy will punch you in the guts. But it also aims straight for the heart and doesn't miss. Prepare to be continually torn between laughing out loud, clawing your seat, and covering your mouth in shock.

9.7

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A wealthy paraplegic needs a new caretaker. His choice is surprising -- an ex-con down on his luck. Both of their lives are changed forever. Based on a true story, it is funny, touching, and very surprising.  It will have you rolling on the floor laughing one minute and reaching for your hankie the next. Intouchables is one of those perfect movies, that will easily and instantly make anyone's all-time top 10 list.

9.6
That's all for the 29 Best Lovely Movies to Watch (Page 3).
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