147 Movies Like Captain America: Civil War (2016)

Staff & contributors

Chasing the feel of watching Captain America: Civil War ? Here are the movies we recommend you watch after Captain America: Civil War (2016).

Between 1967-1975, a group of Swedish filmmakers travelled to America to document the Black Power movement. The resulting archival footage of Black activists and intellectuals, including Bobby Seale, Huey P. Newton, Eldridge Cleaver, and the amazing Angela Davis, was hidden in an archive until it was unearthed and woven together by Göran Olsson, a Swedish director. Angela Davis also supplies some contemporary voice commentary alongside many others, such as Erykah Badu, Harry Belafonte, and The Roots drummer and rap culture's No. 1 record keeper Questlove, who also co-scored the film. This adds to the mixtape feel of the film as does the raw and unfiltered piecing together of the historic footage, giving the viewer an authentic impression of the movement and the struggles of the time. Being Swedish, the filmmakers dared to go where American mainstream TV might have never went.
Andy Goldsworthy is a British sculptor, photographer, and environmentalist, whose art is specific to the natural locations he creates them in and made only from the natural materials he finds in them. This is putting it very technically: Goldsworthy is a solitary wanderer, absorbed in the moment, unworried about what comes after him. Using often only his bare hands, he creates fleeting works of art that often looks like nature itself could have created them. The opening has him calmly forming a spiral out of icicles using the heat of his hands to fuse the pieces together. As painstaking as this process is, his art is not meant to live forever. Once completed, it is handed over to the rivers and tides to do with it as they please. Directed, shot, and edited by Thomas Riedelsheimer, a German filmmaker, Rivers and Tides takes an in-depth look at Goldsworthy's ideas and craft, everywhere from upstate New York to his home village in Scotland. A calming and inspiring journey.
Named after a slur for people of Asian descent, this 2017 film put Justin Chon on the map as a director. More than that, he also starred as the main lead in this raw and uncompromising period drama about Asian-Americans and the LA riots in 1992. Shot completely in black and white, it tells the story of Eli, a scrawny Korean-American, who runs his family shoe store with his brother, Daniel (David So), in several vignettes. They strike up an unlikely friendship with Kamilla (Simone Baker), a black kid from around the way, whose family is not happy with her hanging out with the two brothers. Amidst the ubiquitous violence in LA at the time, the Rodney King riots as well as a tragic shooting of a black teenager by a Korean convenience store owner, it shines the light on America's intra-minority race relations and the more unseen stories behind them. A topic that has come back to haunt America in the 2020s. The film is fierce as it is funny, harsh as it is playful. Uplifting and unsettling.
The movie opens with a guy called Tarzan, saying in a Russian accent: “I called my friend Michel, and I said can I buy a submarine, a used one?” Apparently, two days later he called him back asking: “With, or without missiles?” This should give you a decent idea of how the protagonists of this Tiller-Russell-directed documentary roll. Operation Odessa is the crazy true story of how the FBI, Pablo Escobar, and the Russian Mafia were played by three criminal outsiders in a $35 million submarine deal. Strictly speaking, it belongs in the true crime documentary genre, but it can also be treated as a real-life black comedy. The protagonists are so audacious, it is hard to believe that most of this story is true. The submarine deal story is only the tip of the iceberg here. Crazy, funny, and just really well done!

Like all great documentaries, Angry Inuk is about way more than its tagline. At first glance, it's about how anti-sealing activism has been harming Inuit communities since the 1980s, to the point of instituting the highest rates of hunger and suicide anywhere in the "developed" world. But beyond, it's about the complicity of the government of Canada. A crushed seal-based economy means that the Inuit have to agree to oil and uranium mining in the Arctic.

Angry Inuk is also about the corrupt behavior of animal rights organizations like Greenpeace: seals are actually not on the endangered animal list but NGOs focus on them because they make them money.

It's an infuriating but incredibly important documentary. One that is not about how Canada has a bad history, but about how Canada is harming the Inuit right now.

Martin Bell documents the lives of youth living in the streets of Seattle in the early eighties with profound empathy. It's a type of filmmaking that doesn’t judge or condescend, but seeks to capture the humanity of its subjects. The result is a film bursting with life and laughter, and although tragedy lurks around every corner it isn’t over-sentimentalized or exploited, taking a backseat to the compassionate depiction of everyday moments. 

The audience is left to its own devices to pull together the extent to which these youth have been failed by a broken safety-net and the expired promise of an American dream. These ideas rise to the surface naturally and serve as a testament to the power of the documentary form when it’s loosened from the grip of mawkish narrators and sugary moralizing.

One of the most notable avant-garde filmmakers, Su Friedrich is both a tour-de-force of documentary filmmaking and queer cinema. In Sink or Swim, Friedrich explores the complicated dynamic between a distant, work-oriented father and young daughter longing for his attention, approval, and love.

At just barely 45 minutes, Sink or Swim is cinematic poetry. The movie slowly unfolds across six vulnerable vignettes, through which Friedrich invites the viewer to meditate on the past alongside her. Through photographs, archival footage, and loose narrative storytelling, Freidrich shows that storytelling is a way of both healing the past and learning to live with its ghostly figures.

The Tragically Hip was a deeply beloved band from Ontario that peaked in the 90s with hits like Grace, Too or Nautical Disaster. The Hip, as their fans refer to them, had just finished recording their latest album in 2015 when the lead singer was diagnosed with a fatal disease. This movie is about them deciding to go on one last tour to say goodbye to their fans and country. Mostly, it’s about the singer, Gord Downie, and how his personality and love for the music shined through his illness. Picture someone who is giving an immaculate performance despite being a few weeks away from death, and a packed stadium of people singing along in tears - this is this movie. It’s truly an incredible story of human ambition, empathy, and the bond that music can create between an artist and a whole nation.

This bittersweet film about a father and a daughter marks one of the more tender spots in Claire Denis’ brilliant filmography. Frequent collaborator Alex Descas plays Lionel (the father), while Mati Diop, now a director in her own right, plays Josephine (the daughter.) The film captures the two at a crossroads, with their closely-knit relationship tested as Josephine grows closer to her boyfriend, and Lionel must face the possibility of finally letting her go.

A melancholy lingers in the air as we learn more about their lives and the small community of neighbors and coworkers in their orbit. Meanwhile, the film's climax holds a mesmerizing sequence set to the Commodores’ Nightshift, which has to rank as one of the best needle drops in cinema from a director who already has an all-timer under her belt. (see. Beau Travail)

Eve’s Bayou is a Southern Gothic tale of spirituality, family, secrets, and the ties that bind them together. The story follows the awakening, both spiritual and emotional, of young Eve Baptiste. The middle sibling of the Baptiste family, 10-year-old Eve, navigates childhood while enduring the tumultuous relationship between her mother and father. 

What lurks beneath a seemingly ordinary marital conflict is an insidious betrayal that could tear her entire family apart. Eve’s Bayou should be considered one of the greatest Black American epics of the past 25 years. I adore this film because it is unflinchingly real - and honest about the sometimes rocky reality of familial bonds. 

In Cameraperson, documentarian and cinematographer Kirsten Johnson creates an incredible patchwork of her life—and her life’s work. Johnson has been behind the camera of seminal documentaries like Citizenfour, The Invisible War, and The Edge of Joy. Here, Johnson stitches together fragments of footage, shot over 25 years, reframes them to reveal the silent but influential ways in which she has been an invisible participant in her work. 

In one segment, Johnson places the camera down in the grass. A hand reaches into the frame briefly, pulling up weeds that would otherwise obscure the shot. Cameraperson is a must-see documentary that challenges us to reconsider and reflect upon how we see ourselves and others through the camera lens, and beyond it.

1985, a movie from 2018, was made like it was filmed during the year it’s about: it’s shot on gorgeous black-and-white Super 16mm film.

Not that it would be needed, but this minimalist setting puts a spotlight on the ensemble cast of this well-acted drama based on an award-winning short film.

In particular, the central one by Cory Michael Smith (Gotham, Camp X-Ray). He plays Adrian, a man visiting his conservative family in Texas from New York, so gently at times and explosively at others, it’s a sight to behold.

Adrian, estranged from his family for three years, visits them to find a way to tell them that he has AIDS.

Undefeated won an Oscar but since it’s a documentary, few sadly paid attention to it. It tells the story of a football team in a poor area in Tennessee. Kids without a bright future, until the new coach arrives. Yes, that sounds like a very old, cliché tale. But keep in mind it is a documentary, and the story it tells is powerful, gripping, and any familiarity quickly becomes irrelevant. Even if you have no interest in American football, or in sports in general, you will love it and more than likely find yourself reaching for the Kleenex at least a few times before the credits roll.
Another fantastic documentary from 2012, this one tells the remarkable story of the 1992 Lithuanian Olympic Men’s Basketball team that received scant attention in the shadow of the renowned U.S. “Dream Team” of NBA superstars (Michael Jordan, Magic Johnson, etc.). The Lithuanians’ story is all the more fascinating in that it comes immediately on the heels of their country’s freedom from Communist rule. With little hope of participating in the Barcelona games, they received the most unlikely last-minute assistance from the Grateful Dead, of all sources. A really great true-life story, told with an exuberance and a verve not often expected from non-fiction filmmaking. I challenge anyone watch this one and walk away uninspired.

A fantastic and light Canadian comedy, the Trotsky stars Jay Baruchel as Leon Bronstein, a young man who believes himself to be the reincarnation of the Soviet leader Leon Trotsky. True to his past life, Leon soon begins a quest to organize a revolution at his father's clothing company, while dealing with the transition from ritzy private to a Montreal public school. Smart and pointed, the Trotsky is a gem not to be missed.