Phenomenal and heartbreaking, Wind River is a true masterpiece by Taylor Sheridan, the man behind Sicario and Hell or High Water. In a Native American Reservation, a local girl is found dead and a young detective (Elizabeth Olsen) tries to uncover the mystery. She is accompanied by a tracker (Jeremy Renner) with his own dark history in the community. It’s not a very rewarding movie at first, so don’t expect an incredibly fast-paced story from the get-go. However, when everything unfolds, it’s not only action-packed, its reflections on indigenous communities are deep and poignant. How this remains a relatively known movie is shocking, it has to be one of the best mysteries of the past 20 years.
Chasing the feel of watching Dunkirk ? Here are the movies we recommend you watch after Dunkirk (2017).
Director Bryan Fogel, who you might know as the guy behind Jewtopia, initially set out to chronicle his exploration of doping to win an amateur cycling race. He starts off by reaching out to experts to help him with obtaining and administering said drugs, one of which points him towards Russian scientist Grigory Rodchenkov, the director of Russia's national anti-doping laboratory. Rodchenkov eagerly agrees to help him out.
Little did he know that his Russian acquaintance would transform Fogel film from a self-experiment documentary into a true-crime political thriller, when the scientist admits to being involved in a state-sponsored doping scheme of epic proportions on camera. Putin is obviously not amused.
Aside from all the madness that unfolds in this Netflix production, it's Rodchenkov's likeable and eccentric personality that makes the story more relatable and human as well as giving you a rare glimpse into the upper echelons of a country like Russia. As the plot thickens, one can't help but think that Fogel too is in over his head. Rightly award-winning, this is gripping stuff even if you're not into sports!
A hilarious and smart comedy that is almost impossible to hate. It doesn’t matter if you liked The Room or not; or if you’ve even heard of it, you will find The Disaster Artist extremely enjoyable. Same applies for James Franco, it’s irrelevant if you think he’s the hottest man walking or a complete waste of screen-time - this movie is better approached without any preconceived ideas. It follows the true events surrounding Tommy Wiseau’s making of The Room, a movie so bad it actually became a worldwide hit. Tommy’s character, played by Franco, is 100% mystery. He pops out of nowhere and does and says things that contain little to no logic. Capitalizing on this, the movie is both absolutely hilarious and intriguing from beginning to end.
Every once in a while there are movies that expand the definition of quality film-making. This is one of those movies.
Here is an incredible, yet delicate film that follows three children from poor families who are stuck living in subpar motels. Their lives and friendships are portrayed with honesty and precise aesthetics. It’s a story that at first seems as plot-free as life itself.
It succeeds in capturing an innocence that is usually reserved to a child’s imagination: a precarious living condition full of adventures and fun. It’s hard to describe it beyond that; it’s the kind of film that must be seen to be fully understood.
And it ends on a very high note.
A revelation of a movie, both in filmmaking and commercial success. While little-known abroad, it has made more than $42 million in US Box Office revenue out of a tiny $5 million budget. Kumail Nanjiani, stand-up comedian and star of the show Silicon Valley, tells his own story of romance with his now-wife Emily V. Gordon (who co-wrote the movie). Because it is based on a true story, and because it is the product of the love of both its writers and stars, this movie is incredibly heartfelt. It is also timely, addressing heavy themes such as identity, immigration, and family relationships. Not to mention it is absolutely hilarious. And it's produced by Judd Apatow. Trust me and go watch it.
Director Bong Joon-ho (Snowpiercer) does something quite amazing with the $50 million budget Netflix gave him: he makes a simplistic movie. But man, is it good. Okja tells the story of a “super pig” experiment that sends genetically modified pigs to top farmers around the world. In Korea, a farmer’s granddaughter forms a special relationship with one of these super pigs (Okja). When the company who originally ran the experiment want their pig back (performances by Jake Gyllenhaal and Tilda Swinton) – the two find an ally in an animal advocacy group led by Jay (Paul Dano). This is a straightforward movie, but nevertheless it is entertaining and full of thought-provoking themes and performances from an excellent cast.
Remember the name Rufus Norris. "Broken" is his directorial debut and he handles it like a seasoned pro. Also keep an eye out in the future for its young star, Eloise Laurence, who shows all the natural ability of a young Natalie Portman or Jodie Foster. Laurence plays "Skunk", a twelve year old trying to make sense of life - and whose task isn't made any easier by her own family's internal struggles, or the other families living in the peaceful-looking cul-de-sac where much of the action takes place. We're informed from the get-go that some sort of tragedy will befall the girl, but we don't know what shape it will take, or what the outcome of it will be. The tension builds from there, with a little relief along the way, thanks to her often-amusing performance as she witnesses the confusing actions of her elders. Tim Roth and Cillian Murphy are also in good form, both of whom seem happy to complement Laurence's presence rather than try to upstage her. "Broken" is equal parts cute, frightening, and brutally tense. It's well worth checking out.
Shia Laboeuf and Stellan Skarsgård star in this true story about one of the greatest tennis matches in history: the 1980 Wimbledon final. The movie dissects what drives both competitors (one played by Laboeuf and the other by Sverrir Gudnason). Their personalities, considered opposites, are studied through their paths and how they got into tennis. All this leads to that one match, in this beautiful story of dealing with competition and fear of failure. Don’t stop watching when the credits roll, read what they say!