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One thing about director Sean Baker’s movies is that everything is rooted in class. Anora might charm as a romance, delight as a comedy, and dazzle as a realistic look into sex work, but at the end of the day, it’s a movie about labor, specifically exploitation labor, making the movie as painfully realistic as […]

There is nothing quite like The Substance right now. It’s unsubtle, it’s provocative, and its satirical humor can be a hit or miss for some viewers, but it strikes at the one thing that’s fundamental to everyone, that can make or break their lives, yet that is rarely given grace and consideration– that is the […]

Given the original real-life story behind it, perhaps it shouldn’t be surprising that The Girl with the Needle was so bleak. Serial killing, after all, is bad. But rather than focus on the historical killer, writer-director Magnus von Horn hones the camera to focus on one such mother that would have sought for help from […]

Though wordless and human-less, Flow might be one of the most charming films about humanity you’ll ever see. It follows a group of different-species animals who’ve formed an unlikely bond as they try to survive a massive flood. There’s a quirky lemur, a friendly dog, a majestic bird, a wise capybara, and connecting them all […]

Beautiful in its painterly compositions and gut-wrenching in its storytelling, The Wild Robot has been dubbed one of the best animated features in a while, and rightly so. The film, which is a bit like if Tarzan were a robot, or if Stitch had to assimilate in the wild instead of the city, is a […]

It’s always refreshing to see people in esteemed positions let their guard down, not to mention smoke a vape or gossip feverishly, as we mere mortals do. But Conclave is more than just a candid look at what goes down in a process as elaborate as a papal election. It’s a portrait of man’s innate […]

You’d think a Disney movie about a sweet kid overcoming the difficulties of cerebral palsy would be overly sweet or forcefully positive (Disney-fied, if you will), but Out of My Mind is surprisingly tempered. A smart and sensitive script and great performances across the board work to make the film a balanced and heart-warming portrait […]

Many movies try to be nostalgic, but few have come as close as Between the Temples. Directed by Nathan Silver, it channels classics like The Graduate, Harold and Maude, and early Woody Allen dramedies without trying too hard. It has the grain, patina, and camera movements of 60s and 70s movies, and its central love […]

In Coup!, the servants of a wealthy, faux-progressive family in 1918 attempt to take over after realizing that the Spanish influenza has granted them leverage over their helpless masters. It’s a dark comedy that shares many similarities with the 2019 hit Parasite. Like the latter, Coup! is largely a film about class warfare, liberal hypocrisy, […]

Visual artist Ann Oren’s first foray into feature-length filmmaking is a sensual delight and a gift that keeps on giving. Oren approaches her film with sincere dedication to every single building block: Piaffe looks, sounds, and feels sensational while being a fairly modest production. A true indie film, Piaffe verges on experimentation as a young […]

Irish period drama Monster is downright depressing. Of course, for some viewers, that’s just part and parcel of any period drama– without the scientific advancement, the philosophical debates, and the sheer convenience of the modern world, it can be easy to imagine a bleak past. But, like some of the best depressing period dramas, Monster […]