Kerine Wint: My Curated Picks on Streaming Services (Page 2)
Kerine Wint is a curator at A Good Movie to Watch. When she’s not absorbed in anime and weird docu-series, she reviews speculative fiction for Fiyah Lit Magazine or designs album covers and magazines. As for her film taste, One Cut of the Dead (2017), The Lure (2015), Inu-Oh (2021), and Dear Ex (2018) sum it up pretty well.
In the style of a handbook, How to Be A Cult Leader chronicles the manipulative tactics of infamous cult leaders, from their upbringing and early interests to the failures that honed their charismatic pull. Each episode profiles a leader (Charles Manson and Jim Jones for the first two episodes) with ex-followers and specialists that break down how the cults were sustained and eventually toppled tremendously. The overall tone is unsettling at first, and as the lies and crimes of these leaders are exposed, the lessons of the handbook mostly manage to be warnings. News (and stock) footage, meme-esque inserts, and animated renditions of events round out Peter Dinklage’s narration and keep this unorthodox docuseries dynamic — but to what end?
Unknown’s next documentary installment takes us to the stars following the construction and deployment of the James Webb Space Telescope. The documentary centers on the behind-the-scenes of launching the telescope, which eradicated all possible errors as it was the most expensive operation to enter space without human intervention. Explanations are palatable, and the highlights of their successes and failures are enough for casual viewers. Packed with emotion from NASA’s scientists and engineers (and global spectators during Covid), the investment in this project and journey carry the film even though the concepts are too large to condense.
The best thing about a Cinderella story is knowing she’ll get a Prince Charming™ by the end (with or without the rats and pumpkins). The first episode of My Happy Marriage sets up the fairytale expectations to a T. Mistreated by her step-mother and step-sister – and a tragic mom-is-dead backstory – this anime hits expected beats which means it’ll either be a comfortable watch or a predictable skip. The silver lining comes when Miyo’s step-sister marries her long-time crush while she is sent away to marry a difficult man known to repel his suitors. A swoon-worthy, slow-burn romance is surely on the horizon, enveloped in a strikingly beautiful, dreamy animation.
After 90 minutes of watching folkloric spring and a lone volunteer’s descent into madness, it soon becomes clear to the audience that Enys Men sacrifices its narrative for visual and sonic feats. The soundscape of dripping water, whistling wind, and crunching footsteps layered upon a montage of old-grain textured visuals qualify this as a sensory piece of art. But merely showing how the repetitive and lonely life of the volunteer progresses into troubling hallucinations, body horror, and mysterious apparitions makes this arthouse film too vague to parse. There’s no doubt that director Mark Jenkin can create an immersive and atmospheric film, but the ASMR of it all falls flat without a graspable story underneath.
Today’s comic book industry and cinematic universes are inextricable from popular culture, but the road to global recognition was long and arduous. Superpowered: The DC Story chronicles a fraction of that journey including the quiet beginnings of the publishing house as Jerry Siegel and Joe Shuster’s response to being bullied, all the way to the risky investments in film and TV adaptations and championing diverse voices. The three-part series delves into the “holy trinity” (Superman, Batman, and Wonder Woman) and how the cultural phenomenon of comics evolved over the years. Every era summarizes how DC creators had to overcome rigid executives, competing publishers like Marvel, and the highs and lows of relevancy in the ever-changing consumer market. With contributions from creators, innovators, directors, and actors, the attention to the politics of media and the call for diversity round out the somewhat-insightful and fan-sustained life of the DC universe.
After the fall of the Demon Lord, the Demon realm hosts a tournament to find a successor. Strangely, the contestant predicted to win (stronger than other contestants in every way) is Helck, a human with a disdain for humankind. With the tournament underway, fantasy and action are abundant in the first episode alone. The mystery of Helck’s participation and the constant loom of a race war set the trajectory of the series but humor and gimmicks are never far behind. Whether it’s a ridiculous card-building game, twins with coffee-triggered telepathy, or the sudden onslaught of winged creatures, Helck has something to offer.
In the sea of adult animation, Captain Fall floats in on a crime-packed cruise ship under the charge of the most unqualified man, Jonathan Fall. Although there are unsavory characters, the show never goes into the childish crass humor employed by many of its contemporaries. It also doesn’t shy away from grotesque violence and pokes fun at the dangerous and exploitative things rich people willingly pay for. It’s not all cynical though, as we mostly follow an earnest captain who just wants his parents’ love. Captain Fall is a watchable crime-comedy that balances out its cartoonish parts with the impending countdown to expose this crime ring.
Why is Erin Carter, a British temp teacher in Barcelona, always on edge and stabbing people with random objects? Well, it seems that hiding in a Spanish-speaking country is the modus operandi for many a protagonist on the run (looking at you, The Chosen One), and yet they can’t help but look suspicious in easily avoidable ways. But two episodes in, and it’s barely clear what Erin is running away from, but luckily, she can shoot, stab, and throw a nasty open-palm slap. And if you’re in the mood for bloody action, a standard dose of suspense and can ignore that this story feels as familiar as every other “badass person with a secret” show, it doesn’t disappoint as much as it could.
In its two-episode premiere, Praise Petey uses a lot of straightforward dialogue, on-the-nose jokes, and visual gags that work in its favor as “it girl” Petey becomes more acquainted with her inherited cult. Everything still feels at arm’s length for Petey even though we, the audience, are aware of the nefarious activities behind the scenes. Although it’s slated as a comedy, Praise Petey doesn’t land any real LOL moments and would benefit from leaning into its mystery elements more, given that a “city girl” spontaneously running a cult is funny on its own. Visually, it is as simple as adult animation can get, and one can only hope that the substance (with a tonal shift) can last the entire first season.
Quick to start and slow to deliver, Devil’s Advocate follows Bader, a renowned football player who is tried for being the primary suspect in his wife Dalal’s murder. After the series’ initial commentary on how the court of public opinion affects a case, nothing else about it stands out. It’s mostly just the lawyer Loulwa desperately proving Bader’s innocence, going against her father (the prosecutor), and avoiding her ex-fiance (the officer assigned to the case). All of those things collectively sound like a good setup, but they somehow have no impact. In two of the six episodes, there are countless conversations and baseless speculating, and yet nothing progresses past emphasizing Dalal’s mental illness. So our two options, by that point, are to trust Bader or (if you can) believe that Dalal stabbed herself 14 TIMES. There’s certainly more to the story, but the allure is no more than an ignorable simmer.
Shaitan is a Telugu crime thriller series that follows the story of a family caught in the crossfire between the police, the Naxal movement, and the political establishment. Through the eldest son, Baali, we see the struggles of poverty on the decisions forced upon them; crime often being the only option they can afford. The series is dark, violent, morally ambiguous, and not for the faint of heart. It is a dark exploration of the human capacity for violence, often calling attention to the mistreatment of the working class for capitalistic gain. While it is a main staple of the plot, it becomes laborious to engage with every episode. The show excels in its immersive reality but sells itself short on a more fulfilling narrative.

