78 Best Mind-blowing Movies to Watch (Page 5)

Find the best mind-blowing movies to watch, from our mood category. Like everything on agoodmovietowatch, these mind-blowing movies are highly-rated by both viewers and critics.

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61. Into the Inferno, 2016

From countries like Finland to North Korea, this amazing documentary explores the most fascinating active volcanoes on our planet. But as it unfolds you realize that Into the Inferno is a movie as much about volcanoes as it is about the people obsessed with them. And who can be called obsessive more than the film’s own director, Werner Herzog, who, with such an explosive career had to eventually make a film about volcanos (bad pun intended). Beautiful scenery, interesting interviews, and Werner’s majestic delivery all make Into the Inferno both an interesting and satisfying documentary.

62. Three Identical Strangers, 2018

This is a documentary with a dark underbelly. When Bobby Shafran goes on his first day at college, everyone seems to recognize him. The person they're actually recognizing is his twin brother, as the two were separated at birth by an adoption agency. A third brother surfaces to make the story even crazier, but things take a darker turn when questions arise about why they were separated as toddlers and to what end. If it wasn't a documentary, this story would be an unusual science fiction on the themes of identity and nature vs. nurture.

63. Swiss Army Man, 2016

Probably the weirdest film you'll ever see. Paul Dano plays a borderline suicidal man who befriends a farting corpse that washed up from the sea as played by Daniel Radcliffe. It's an adventurous, witty and hilarious film yet it is filled with discreet and very deep lessons about society and norms. The soundtrack is so charmingly unique as well, it's a definite must-watch for anyone looking for a refreshing comedy.

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64. Burning, 2018

Vague statement alert: Burning is not a movie that you “get”; it’s a movie you experience. Based on a short story by Murakami, it’s dark and bleak in a way that comes out more in the atmosphere of the movie rather than what happens in the story. Working in the capital Seoul, a young guy from a poor town near the North Korean border runs into a girl from his village. As he starts falling for her, she makes an unlikely acquaintance with one of Seoul’s wealthy youth (played by Korean-American actor Steven Yeun, pictured above.) This new character is mysterious in a way that’s all-too-common in South Korea: young people who have access to money no one knows where it came from, and who are difficult to predict or go against. Two worlds clash, poor and rich, in a movie that’s really three movies combined into one - a character-study, a romance, and a revenge thriller.

65. Biutiful, 2010

Ever wondered how much your life will change when faced with the reality that death is about to come? That’s normal, and not nearly as life-altering as being told you only have a few more moments to live. Because of a terminal illness, Uxbal (Javier Bardem) is driven to this situation and tries to right his wrongs in the wake of modern Barcelona. This melodrama is supercharged by Bardem’s unearthly performance as the story’s only hero, demonstrating the selfless love of a destroyed and dying father to his children – paired with cinematography unlike any other, this film is exceptionally beautiful. Directed by González Iñárritu' (Babel, Birdman, The Revenant).

66. Under the Sun, 2015, 2016

When Russian director Vitaly Mansky is commissioned by the North Korean government to make a documentary about an average Pyongyang child, he follows their every guideline. Except the end result, Under The Sun, is the complete opposite of what they had intended. For example starting every take earlier than they thought, he makes the documentary about the watchdogs around the child and other mechanisms of propaganda. He uses quiet storytelling to expose how brainwashing in a fascist regime takes place, and how the people caught in it function. May just be the smartest, most important film you can watch on North Korea.

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67. Weiner, 2016

Former Congressman Anthony Weiner just doesn’t give up. After a 2011 scandal that had him resign from office, Weiner tries to make a comeback in this documentary that follows his 2013 mayoral campaign. His passion for public service is indisputable, and despite his shortcomings, it’s hard not to root for his go-getter attempts at a second chance. To this end, he wins and fails, with each outcome feeling more dramatic and consequential than the last. Things culminate upon the revelation of a fresh, new scandal, which disrupts his unlikely rise as a top candidate as well as the film’s production flow, which then takes a turn for the better (or worse, depending on your sympathies for Weiner).

Fast paced and brilliantly stitched, Weiner is a compelling account of a man who won’t back down, and of the people surrounding him who suffer from his obstinacy. The documentary is proof that even in our hypercritical age, it’s still possible to both humanize and criticize a “canceled” subject, all while maintaining level-headed humor and allure.

68. The Wailing, 2016

In rural Korea a policeman starts to investigate peculiar and violent events that most of the people in his village attribute to the arrival of a new Japanese resident. As the occurrences keep multiplying, and different perspectives in the film are shown, you start to lose touch with reality in the face of what can only be described as genius film-making. As critic Jada Yuan puts it, the film operates on a level “that makes most American cinema seem clunky and unimaginative”. For this reason, and while The Wailing is a true horror flick with a great premise, it’s also more than just that: it boosts a mind-boggling, interesting plot that will have you thinking about it long after the credits roll. Protip: grab the person next to you and make them watch this movie with you so you can have someone to discuss it with after!

69. The One I Love, 2014

Elisabeth Moss is in it. Calling The One I Love a romantic-comedy, looking it up, or trusting anyone else about it -- especially my review, will ruin this film for you. Just watch it. If one's penchant is typically opposed to titles with 'love' in them, then it's for you. Just hit 'play', or 'start', or whatever. The initial wtf-ness that attracted me to it is compelled further by excellent acting. And Elisabeth Moss is in it.

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70. Archive 81, 2022

This sci-fi thriller based on a podcast by the same name is about Dan (Mamoudou Athie), a video archivist who takes a job to restore a set of burned Hi8 videotapes. When he starts seeing the footage, he discovers that it is from a now-missing woman trying to document a cult in the '90s.

The events of the footage take place in an unassuming apartment building in New York City; after the building mysteriously burned down, many were left dead and missing in its wake. As Dan tries to understand what happened, he uncovers details about the woman filming and something that links even his own family to the fire.

The show is at times more of an unsettling horror than a supernatural thriller, but it features a stunning performance from Mamoudou Athie. It's also notably co-produced by James Wan, co-creator of the Saw, Insidious, and Conjuring franchises.

71. Bacurau, 2019

This incredibly creative and unique movie is set in a fictional small town in the Brazilian Backcountry. It has a realistic first half but things quickly get crazy.

Even in that realistic half, you can clearly tell that something is off about the town of Bacurau. An accident involving a truck carrying coffins turns into an impromptu coffin shop. A dam was built to divert water from people. The village doctor seems to be the least sane person in the village. It’s all wrong.

Bacurau is funny, it’s politically charged, it’s thrilling, and it’s sweet, all at once. It’s that one in a thousand weird movies that actually works, and will inevitably become a classic.

72. Pleasantville, 1998

When David and his sister Jennifer fight over the TV remote, they are suddenly transported to David’s favorite sitcom, Pleasantville. They’re told by a spirit guide that their best bet at getting out is fitting in, but their modern sensibilities prove to be too much for the genteel ‘50s town. Soon, the residents learn about sex, art, criticism, and politics, and it’s up to the twins to control the ensuing mayhem and guide them to the right path.

In hindsight, Pleasantville seems ahead of its time, preceding Marvel’s WandaVision as the ultimate, deconstructed homage to 20th-century television. But unlike the series, Pleasantville dives deep into personal and social politics, all while maintaining an impressive balance of wisdom and humor. Equally notable is the film’s transformation from black and white to Technicolor, which, aside from being a symbolic and technical feat, is also a piece of pure, mesmerizing cinema.

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73. Outer Range, 2022

If you’re a fan of slow-burn mysteries and genre blends, you might enjoy Outer Range, a carefully paced mix of Western, sci-fi, and family drama.

Josh Brolin stars as the patriarch Royal Abbott, who, while defending his ranch from a neighboring family, also discovers a strange void in his pasture. The void leads to even stranger depths as the show takes a turn for the supernatural. A ranch drama with a paranormal twist, Outer Range has been compared to family epics like Yellowstone and eerie mysteries like Twin Peaks—vastly different shows whose only throughline is that they are absurdly but impressively extensive in scale.

74. Frequencies, 2013

I loved this movie. It starts a bit weird but gets so good. In a parallel world where human frequencies determine luck, love, and destiny, Zak, a young college student, must overcome science in order to love Marie, who emits a different frequency than his own. In an attempt to make their love a reality, Zak experiments on the laws of nature, putting in danger the cosmic equilibrium of fate and everything he holds dear. This unique and experimental drama blends science fiction and romance to create a futuristic tale where love, science, and fate collide.

75. Enter the Void, 2009

In this raw, psychedelic drama, an American drug dealer living in Tokyo with his sister is killed at a night club. His spirit continues to float above the city and past, present, and future are woven together to complete the tale of his life. Taking a page from the Tibetan book of the dead, the film aims to explore one answer to life's most epic question: What happens when we die? Definitely not for the faint of heart, there is drug use, gore, and challenging themes throughout the movie. Its unique cinematography also captures Tokyo quite well.

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