Find the best romantic movies to watch, from our mood category. Like everything on agoodmovietowatch, these romantic movies are highly-rated by both viewers and critics.
This small-scale but incredibly fun 88-minute drama from 2003 is about a group of Latino teenagers who grow up in New York’s Lower East Side.
Victor lives with his eccentric grandmother, which sometimes gets in the way of him pursuing Judy, his dream girl.
The actor who plays Victor is called Victor Rasuk, the one who plays Judy is called Judy Marte. This is a film so personal that both main characters needed to be named after the actors who play them.
See, low budget films do work! Like Crazy schools other romantic films on what they should all be: cute and sweet but also frustrating and nerve-wracking. Felicity Jones is absolutely fantastic here, she stars as a British girl who falls in love with an American, Jacob, while in college. On a whim, she overstays her visa to be with him, and then return to England to face the consequences. The intimacy this film explores really distinguishes it from others and makes for an authentic experience, as it is based on its writer/director's own 8-year long-distance relationship. A great option if you're in the mood for the type of suspense that pulls at your heartstrings.
Sometimes, nothing beats the easygoing entertainment of watching two attractive characters flirt and fall in love on screen, or seeing a group of ride-or-die friends get into trouble together. HBO's Insecure, which ran for five successful seasons, knows that it doesn't need to exaggerate or put a subversive twist on the romantic comedy to find relatable and affecting storylines. The series stays mostly locked in to South Los Angeles, California as it follows Issa (Issa Rae) navigate the modern dating scene, try to settle on a career path, and manage her friendships as an ambitious and somewhat awkward thirtysomething Black woman.
Even if you don't have much in common with Issa, Insecure is a massively comforting watch. Rae and co-creator Larry Wilmore have an impeccable eye for the messy, unspoken rules of social and romantic interaction that other shows might write off as too trivial. But this show lives and breathes in the ordinary, realistic problems—while still indulging in the warm and fuzzy feelings brought about by meeting someone new or seeing yourself grow up just a little more.
Doris Miller is an unassuming sixty-something office worker whose life takes an unusual turn after her mother passes away. We find out over the course of the film that Doris' life was put on hold early when she had to give up her dreams and ambitions to take care of her mother. Something is awakened in Doris though when she falls head over heels for John, a much younger co-worker, and Doris dives head first into the world of social media, electro-pop, and Brooklyn hipsterdom. Sally Field is an absolute delight here -- her Doris is sweet, lovable, and tragic in equal measures. And the chemistry between her and John is palpable; you can see why they eventually strike up a friendship. In many ways this is a late in life coming-of-age story, and while there are moments of uncomfortable humor, you will find yourself rooting for Doris to come out of her shell and embrace her new life to the fullest.
Asako is in love with Baku—deeply and almost delusionally, in a way that can only manifest in young love. But when the freewheeling Baku ghosts Asako for good, she moves from Osaka all the way to Tokyo to start a new life. Years later, she's startled to meet Baku's doppelganger in Ryohei, an office man whose solid dependability and lack of artfulness, while endearing, could not place him any further from Baku. Confused and lonely, Asako tiptoes around her feelings for Ryohei and, in the process, raises thought-provoking questions about the meaning, ethics, and true purpose of love.
This is a very nice movie about a lovely older couple named Tom and Gerri. It follows their lives for an entire year, as they work at their jobs, invite friends over for dinner, and work in their garden. They live modest but fulfilling lives, and they seem mostly happy and very much in love, a rarity in the movies. This probably sounds horribly boring to most people, but since Mike Leigh is the director, the film is instead a touching and realistic portrayal of love and how people spend their time together. We should all be so lucky as to live a life as charmed as the central couple in this film.
A dark and existential comedy, Wristcutters: A Love Story follows Zia (Patrick Fugit), a young man who commits suicide, only to find himself in a bleak afterlife filled with other suicide victims. He discovers that his former partner has just joined him in this dreary realm and sets out to find her. From there, the film transitions into a macabre road-trip film as Zia and several acquaintances strike out in a beat-up old car in the name of love and redemption. Based on a short story by award-winning Israeli writer Etgar Karet, Wristcutters is a stunningly original film that will haunt viewers forever.
If Steven Spielberg had just decided to do a straightforward cover version of West Side Story, it still would have been a wonder of music, movement, and color. But more than the lush camerawork and impassioned performances from Rachel Zegler, Mike Faist, and Oscar winner Ariana DeBose, this adaptation is most memorable for its renewed focus on the senselessness of its central turf war. Here, New York City exercises absolute power over the Jets and the Sharks, rendering all this gang violence as a futile attempt to hold on to outdated values in the face of economic desolation. Spielberg might not be able to do much about the story's weaker Romeo and Juliet-inspired parts, but he still finds a way to let this often ridiculed tragic romance serve a greater purpose.
Even if you aren't familiar with the original, Tony Award-winning Broadway production from Lin-Manuel Miranda, this adaptation of In the Heights is still infused with the same infectious energy and loaded with many of the same eclectic songs. This is musical theater at its most fundamental (cheesy, us-against-the-world romance; unstoppable optimism) and also at some of its most unique—with old-school Broadway numbers mixing seamlessly with hip hop, Latin dance, and cheery 2000s pop. But beyond its music, In the Heights offers a gorgeous tapestry of stories about life in a proud immigrant community and the challenges of staying rooted to home while reaching for the stars.
Tilda Swinton stars in this gorgeous Italian production by Luca Guadagnino, part of the director’s “Desire Trilogy”, together with Call Me By Your Name and A Bigger Splash.
Swinton learned to speak Italian and some Russian for the movie, where she plays - to absolute perfection - the wife of a Milan textile mogul who starts having an affair with a cook.
It’s an elegant family drama that’s definitely more concerned with aesthetics than substance, but the setting in snowy Northern Italy and lush 35mm film make that very easy to look past.
Earnest, beautiful, and tender, Luca Guadagnino's Bones and All is many things: a road trip movie that sweeps the midwest deserts of 1980s America; a coming-of-age story that brings together two outsiders into an understanding world of their own; and a cannibal film that is unflinchingly flesh deep in its depiction of the practice. Bizarrely, these seemingly disparate elements work harmoniously to create a film that you won't soon forget, not least because of its rawness.
As the aforementioned outsiders, Maren and Lee (Taylor Russell and Timothée Chalamet, respectively) are bewitching—individually sure but especially when they're together. They have a bond that is quite difficult to replicate onscreen, charged as it is with so much chemistry and warmth. The background players also bring their a-game when called for, especially Mark Rylance as the disturbing stalker Sully, Michael Stuhlbarg as the creepy but good-willed Jake, and Chloë Sevigny as Maren's stark mad mother.
It's worth repeating that this movie goes all in on the gore, so steer clear if you don't have the heart for these sorts of things. But if you do, the viewing experience is rewarding. Bones and All is as romantic as they get, and rather than bury its message, the many layers on top of its core serve as a meaningful puzzle to unpack and unravel long after the credits roll.
Us and Them follows two former lovers who reminisce and reassess their decade-long relationship over one night. They both seem to be in better places, certainly financially if anything else, but their shared wistfulness for the past threatens to prove otherwise.
The film was an immediate hit when it was first released in China, and it’s easy to see why. With just the right balance of realism, romance, and comedy, the movie makes for a simple but deeply moving and involving watch. You can’t help but root for the exes to get back together, even though you know as well as they do how minimal the chances of that happening are.
The Resort may start off as a familiar murder mystery, but it quickly unfolds into a multi-genre feat re-filled with new characters and questions each episode. Set in the Yucatan forest and embarking on some mind-bending, time-hopping journeys, The Resort is lush and trippy at the onset, unafraid to take its viewers deep into its version of a rabbit hole.
You wouldn’t expect less from the creators of Mr. Robot and Palm Springs, the latter of which also stars Cristin Milioti in a twisty vacation adventure. Milioti of course steals the show as a woman who would rather drown herself in a police-level investigation than deal with her own existential problems, but the show’s strong cast, which includes The Good Place’s William Jackson Harper and Parks and Recreation’s Nick Offerman solidifies The Resort as one of the most intriguing and exciting shows today.