It wouldn't be too far of a reach to evoke Kids (1995) while diving into Mid90s. But instead of taking on the HIV crisis, Mid90s is a much more tender, poignant reflection on coming of age in 90's skate culture. Jonah Hill, writer and director, examines the complexities of trying to fit in and the difficult choices one has to embrace individualism. From an opening of physical abuse to scenes of drug usage and traumatic experiences, Mid90s is a meditation not only on culture, but also a subtle examination of what it means to be human, to reach emotional and physical limitations, and to seek acceptance. Filmed in a 4:3 aspect ratio, Mid90s doesn't concern itself with grandiose filmography, but instead the aspect ratio almost reflects the tonal and metaphorical aspects played out on screen. With a smaller dynamic range of color and the familiar dust/scratches, the 16mm film compliments gritty and emotional moments of Mid90s. The emotional range of the film will take the audience from the depths of empathy to laughing out loud, but there is no compromise to the weight of each moment. Jonah Hill's directorial debut is beautiful in every sense of the word.
Chasing the feel of watching Booksmart ? Here are the movies we recommend you watch after Booksmart (2019).
Do you keep re-watching Superbad when you're hungover? Next time you are, try the film that has been praised as 'the female Superbad”: the amazing Booksmart. Yes, it's coming-of-age comedy, but, like Superbad, it tried something a little different. Like its two main characters, one could say it's a bit smarter than Greg Mottola's seminal bromedy. Molly (Beanie Feldstein, incidentally, Jonah Hill's younger sister) and Amy (Kaitlyn Dever) are best friends, class presidents, and academic overachievers. Nice girls, too. With excellent grades in their pockets, they head off to college only to find that the same in-crowd from high school that was doing nothing but partying, now goes to the same college as them. Why, oh why, did they choose academic success over partying, when, clearly, they could have had both? On their last day in high school, now here's a trope, they decide to make up for all the years of lost partying on one night. This sets off a raucous, raunchy, and wildly entertaining ride. And with a feminist twist!