Pressured by the feeling that everyone is having sex except him, Otis (Asa Butterfield), like most teenagers, is very uncomfortable with sex, masturbation, and intimacy in general. In addition to the standard-issue teenage awkwardness, to make things worse, he grows up in a sex-positive household under the watchful eyes of his mother Jean, played by Gillian Anderson, who is a sex therapist. Obviously, the subject is omnipresent as are erotic art, oversized dildos, and coitus-craving couples all over the house. The twist comes when he transforms his tribulations into a business model by teaming up with bad girl Maeve Wiley (Emma Mackey) to counsel his teenage peers on sexual issues of all kinds. As you can imagine, uninitiated teenagers have a lot to offer in that department. Apart from its raunchy premise and explicit images, this is a hilarious, diverse, and warm teen comedy thanks, in particular, to the writing of playwright Laurie Nunn. Lauded by critics for its honesty, this future comedy classic will surely teach you a thing or two about sexuality yourself.
This heartwarming comedy-drama is about two best friends in their 20s who are deaf. One of them is a graphic novelist going through a breakup and the other just got engaged but is hiding the news out of fear of making her friend feel bad.
The script is sharp and funny, and like any first big production from a minority group, it also feels fresh and original: the arcs are unlike anything seen before, and the characters are a joy to discover and watch.
The result is something that feels like an easy and fun story until it’s not: in the first episode, when one of them doesn’t immediately put their seatbelt on in a plane, the cops come in and restrain their hands (their only way of communicating) to drag them out.
The two leads are played by the creators of the show - the first deaf showrunners in TV history. When they were trying to find a title for the series, they landed on the sign 🤏, not a phrase, that captured the bond between the two friends. “We’re showing something that’s intertwined... [the “this close” sign is] a sign used for “best friends, “like this” or “this close”. So we came up with “this close” from that."
This is an amazing documentary but be warned, the main character has some weird characteristics.
By coincidence, an art collector stumbles upon an undiscovered collection of sculptures and paintings that can only be described as the work of a genius. There was almost no reference to the artist, but upon research the collector finds that they are by a man called Stanislav Szukalski. He traces him down and finally locates him living anonymously in a California suburb.
The documentary, Struggle: The Life And Lost Art Of Szukalski, is a collection of tapes from numerous interviews in the 1980s between the collector and Szukalski. He was helped by George DiCaprio, who would later produce this movie with his son Leonardo (!).
In these interviews it becomes clear that Szukalski is pure genius. The funny thing is that he seemed to be well aware of this fact himself.
Remember the weird characteristics I mentioned in that first sentence? Here we go. Szukalski’s past is full of a lot of antisemitism, sexism and bigotry.
The question that lingers is how exactly can this forgotten-genius story be reshaped by the discovery of his twisted opinions. Can the artist be separated from the art? It’s a personal matter for the people who found Szukalski and later made this movie. It might never get as personal for you, but this movie will sure try to provoke an answer.
From Steven Spielberg, Munich is the sharp and thrilling depiction of Mossad agents on a mission to avenge the Munich Massacre, the killing of 11 Israeli Olympic team members at the 1972 Summer Olympics. Despite being based on real events, it’s a work of fiction. This allows the film to stand on clear yet nuanced grounds, focusing on the moral dilemmas that may rise for the secret agents and the perpetrators, now targets. The ensemble cast including Daniel Craig and Eric Bana allow Spielberg to deliver the film you can tell he wanted to make. A personal and striking effort.
A relevant and deeply entertaining movie that only has the appearance of being about politics. In reality, it is about television, and one brilliant journalist’s pursuit of the perfect interview. Richard Nixon stepped away from the public eye after the Watergate scandal, and was counting on a series of interviews three years later to redeem himself. His team assigns an unlikely reporter to sit in front of him, a British reality TV host named David Frost. Both men have everything to gain from this interview by going against each other, as Frost tries to extract a confession of wrongdoing in Watergate that Nixon never gave. Who will win? The master manipulator or the up-and-coming journalist? Frost / Nixon was originally a play, and this adaptation is full of drama and boosts great dialogue.
When asked about starring in First Reformed, Ethan Hawke said it’s the kind of role he would have never dared to audition for 10 years ago. This is coming from the same goatee icon who did Gattaca 22 years ago, and Training Day 18 years ago.
Needless to say that his performance in this movie is exceptional, and we hope that it will be rewarded with an Oscar. The film centers around his character, a reverend of a church in New York, who is trying to help a couple with marital issues (deciding the fate of a pregnancy). Instead, he uncovers a deeper story and becomes unexpectedly involved.
Religion intersects with ethical questions on activism, abortion, and environmental issues. I know that sounds like a lot, but First Reformed delivers on everything. The writing by Paul Schrader is delicate yet ensures that the movie keeps a gripping pace.
This is an excellent Russian movie about an ambulance unit and the paramedic that leads it.
His long-time relationship starts suffering from a combination of alcoholism and his devotion to his work, which are also linked together. This is set in a country where ambulances are underfunded and the health-care system is frail.
As a consequence, the story of Arrhythmia is one of a worker dedicated to saving their patients' lives in a system that seems not to care. This is portrayed in the ambulance's everyday missions, but also in the paramedic's decaying relationship. It's Blue Valentine meets an Andrey Zvyagintsev movie like Elena. Sadly, it might be more realistic than both those movies, and added to the fact that it's Russian, it has stayed severely under-watched since it came out.
Like all great documentaries, Angry Inuk is about way more than its tagline. At first glance, it's about how anti-sealing activism has been harming Inuit communities since the 1980s, to the point of instituting the highest rates of hunger and suicide anywhere in the "developed" world. But beyond, it's about the complicity of the government of Canada. A crushed seal-based economy means that the Inuit have to agree to oil and uranium mining in the Arctic.
Angry Inuk is also about the corrupt behavior of animal rights organizations like Greenpeace: seals are actually not on the endangered animal list but NGOs focus on them because they make them money.
It's an infuriating but incredibly important documentary. One that is not about how Canada has a bad history, but about how Canada is harming the Inuit right now.
A beautifully shot movie about a high-schooler who's pushed by his father to always work and exercise the hardest. He aces his exams and always wins at wrestling, but nothing is ever good enough for the father and there is no margin for error. When things with both his body and his relationship start going wrong, his existence comes crashing down. This movie has two parts, and it takes a lot of narrative risks, but the beautiful camera work and believable characters land every single risk. It's an incredible achievement and a movie that should have gotten much more attention than it did.
A period comedy set in New York in the summer of 1994, the Wackness is a coming of age story about Luke Shapiro (Joshua Peck), as he deals with family trauma, love, and economic hardship while selling pot to his strange psychologist. Rescued from a somewhat typical bildungsroman plot by sharp character acting, a firm directorial hand and an absolutely fitting soundtrack that evokes the golden age of rap music.