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Happy-Go-Lucky is a Mike Leigh feel-good movie tells the story of Poppy, a North London teacher, whose story we follow through a number of different situations: driving lessons, solving work issues, having fun with friends, all while trying not to lose her optimism. The acting is superb, Sally Hawkins is a gem as Poppy, and one cannot describe it, one simply has to see it and enjoy it, because it leaves you smiling :)
A film written by screenwriter Charlie Kaufman, about screenwriter Charlie Kaufman as he struggles to adapt a book about poaching a rare plant into a successful movie. Through Kaufman's clever writing and Spike Jones' unique style of directing, the film unfolds using "mise en abîme" as the viewer sees the lessons the writer in film comes across to improve his script more or less subtly influence the events he encounters as the narrative advances. Nicolas Cage's performance is also particularly good as a highly intelligent and self-obsessed screen writer with low self-esteem.
A delightfully screwy comedy about a guy and his struggling bar (of the title). The film is full of food, music, dancing, romance, and crazy coincidences. Our hero, Zinos, has just be abandoned by his girlfriend. On top of that his bar is struggling, he’s recently thrown his back out, he desperately needs to find a new chef, and his shady brother has just come to the Soul Kitchen looking for a job after being let out of on “partial parole.” Will it all work out in the end? Of course it will! This film is a lot lighter than Akin’s previous features, but maybe after all those challenging pictures he just felt the need to have a good time, which this film definitely delivers.
Filmed as a “found footage” of a Norwegian college film crew investigating local poachers, this movie really surprised me. To be fair, I didn’t really know what to expect. But I definitely didn’t expect to like this movie as much as I did. The pacing is on point. The suspense hits you at just the right times. There are a few drops of humour trickled throughout to keep a smile on your face. And that’s how my face stayed when the credits rolled.
In “The Way”, an American doctor, Tom (Martin Sheen), travels to Spain to identify the remains of his deceased son (Emilio Estevez, also writer/director) who has died while traveling "El Camino de Santiago”, the famous pilgrimage across Northern Spain. Once there, Tom unexpectedly finds himself inspired to continue his son’s journey, sprinkling his ashes along the lengthy expedition to the Cathedral of Santiago de Compostela in Galicia, home to the shrine of the apostle St. James the Great. Along the way Tom gains several unlikely traveling companions: a Dutchman (Yorick van Wageningen), a Canadian (Deborah Kara Unger) and an Irishman (James Nesbitt), each of whom has his/her own personal reasons for making the pilgrimage, with each adding various degrees of drama and humor to the proceedings as well. A touching and inspiring film marred a bit by some unnecessarily roughly-hewn characterizations, but overall a pleasant experience with a warm feeling of adventure and camaraderie throughout.
The Grand Seduction, a remake of 2003 French-Canadian film La Grande Séduction (2003), is a lighthearted comedy about the residents of the small fishing village of Tickle Head, Newfoudland attempting to convince a young doctor to become its long-term caregiver in order to secure a contract for a new petrochemical facility. Desperate to guide the town out of its impoverished conditions and lack of employment opportunities, the citizens band together to pull ever bit out of deceit and chicanery out of their hats (in often laugh-out-loud fashion) in order to sway the young doctor Paul (Taylor Kitsch) into believing that Tickle Head is where he belongs. It’s a lighthearted and funny story, despite undeniably familiar shades of The Shipping News, Doc Hollywood and Funny Farm. Brendan Gleeson is particularly good as the new mayor of town and Paul’s head “seducer”. He gives the film that extra bit of humanity and wry humor that lifts it above the familiar plot points and into “notable recommendation” territory.
A seemingly well-adjusted Scandinavian Family vacationing in the French Alps experiences a frightening avalanche scare near the beginning of Force Majeure, thereby unleashing a cacophony of mistrust and anxiety as their dynamic is shaken to the core. This pitch black comedy from Sweden charts the steady disintegration of the family unit and the father’s psyche in particular, as his reaction to impending death leaves his family deeply questioning his masculinity and prioritization of their well-being. The stages of blame and negotiation play out with painful honesty, holding back very little in a manner that leaves the viewer supremely uncomfortable, as if eavesdropping on a neighbor's personal affairs. The effect is unsettling yet stunningly honest and often laugh-quietly-on-the-inside worthy in its depiction of human vulnerability. Unlike many narrative films, the “climax” comes at the beginning of Force Majeure, with the remainder of the film acting as an extended denouement in the form of a measured, Kubrickian character study.
In many ways, The Perks of Being a Wallflower is a modern masterpiece. It's a psychological experience - one that is sincere to its premise and the troubled nature of the human beings in it. You will be surprised by the depth of its many layers and the extents to which a similar movie can go (on paper it's a coming-of-age story). Its character-driven chemistry will catch you even more as it reaches its perfect mix between comedy, warmth, tragedy, and honest depiction of depression.
