Pedro Almodovar’s films tend to swing wildly between comedy/farce and melodrama/tragedy. Volver somehow hits the sweet spot right in the middle of all four genres, with an added dose of magical realism. It’s a total joy to watch, which is really saying something since the story touches on murder, adultery, incest, malignant tumors, ghosts, and Penelope Cruz’s derriere. But maybe that’s the magic of Almodovar’s films? He’s able to take dark themes and surround them with bright colors, warm characters, and screwball humor—and really, is there anything better than that?
Set in a town drawn in chalk outlines on the floor of a dark studio room. However unconventional the unrealistic stage-like set, the story of Grace (Nicole Kidman), a woman who arrives at this town seeking refuge becomes real enough to absorb you in a disturbing examination of human morals. It's unique and features powerful performances, and will be more appreciated by anyone striving for something new. Directed by Lars von Trier.
Without a shadow of a doubt, one of the most gripping thrillers in recent years. It starts in a morgue where a corpse of a deceased femme fatale goes missing. Her husband is the first person to be suspected as evidence starts pointing to him for killing his wife and hiding the body. He is called by the police to the crime scene to help with the investigation that is led by a shady detective. The film then takes you on a journey filled with reflections on marriage, deceit and the character's urge to safeguard whats their own and the territories they are willing to cross to keep it. Drawing you into the atmosphere from the very start, it refuses to let you go out of it. All while maintaining a simple premise.
Beautiful story-telling and powerful acting boost the story of an Iranian man returning to France to finalize his divorce. He finds that his wife has a new lover. A lot more happens that I wouldn't want to spoil for you, the film is in fact directed by Iranian legend Asghar Farhadi, so expect twists and subtleties you're probably familiar with from A Separation or About Elly. That said, The Past remains to some extent different from his previous work since it focuses on romantic relationships, failed ones, and the toll they take on the humans involved. Learning about the characters is a lot like meeting them in real life and hearing their stories: it's hard to take sides or tell who's wrong - you'd rather stay silent and try to make sense of it all.
The original Swedish mystery thriller that was later remade by David Fincher. It's the same story of a wealthy man hiring a journalist and scrappy hacker to solver a murder, but told better. This version is slower, has more attention to detail and pace. In casting, authenticity triumphs over good looks. In staging, aesthetics are given as much importance as thrills. And in the story, intelligence wins over plot. This gives the main character of Lisbeth Salander (played by Noomi Rapace) better space to deploy her full mysticism and enigmatic nature. Danish director Niels Arden Oplev masterfully brings everything together to make for a movie that will forever be remembered.
A man accidentally gets into a time travel machine and travels one hour back in time. He finds himself stuck in a series of disasters of unforeseeable consequences, with unusual and thrilling moments at every corner. Similarly to Primer, this movie goes to prove that with intelligence and attention to detail, you don't need a big budget to create an unforgettable story. Great acting, great story-line, and a great thriller.
From Steven Spielberg, Munich is the sharp and thrilling depiction of Mossad agents on a mission to avenge the Munich Massacre, the killing of 11 Israeli Olympic team members at the 1972 Summer Olympics. Despite being based on real events, it’s a work of fiction. This allows the film to stand on clear yet nuanced grounds, focusing on the moral dilemmas that may rise for the secret agents and the perpetrators, now targets. The ensemble cast including Daniel Craig and Eric Bana allow Spielberg to deliver the film you can tell he wanted to make. A personal and striking effort.
Based on a true story, The Whistleblower is the biography of a once Nebraskan police officer who volunteers for the U.N. peacekeeping mission in post-war Bosnia. Once there, she uncovers a human trafficking scandal involving peacekeeping officials, and finds herself alone against a hostile system in a devastated country. Rachel Weisz plays the whistleblower in a powerful lead role, but the true star of the movie is its director, Larysa Kondracki, who thanks to near documentary-style film-making delivers a perfectly executed political thriller with utmost authenticity.
The film stars Jake Gyllenhaal as Lou Bloom, an impromptu freelance videographer who begins covering the crime world in LA for a local TV station. Almost as dark as a mystery can get, it is disturbing, and plays out as a combination of "Drive" and "The Network".The film is visually stunning as well as immensely suspenseful. It then becomes almost impossible to look away, even when you're the most horrified by just how far Bloom is willing to go to reach success. Gyllenhaal's performance is widely compared to that of Robert De Niro in Taxi Driver, which should give you an idea of its caliber.
One of The Drop's many strengths is its dark, clever, yet compassionate script. It will take you into the heart of the Brooklyn crime scene through the characters and their respective more or less fragile lifestyles. The extremely good performances, however, soon become the focus and attire of the film. James Gandolfini couldn't be more at home in this context and excels with his usual menace, yet somehow relatable presence. Tom Hardy, however, surprises in unfamiliar grounds, sharply portraying a vulnerable character, whose vulnerability you will keep doubting. The Drop is consistent from start to finish, and with jaw-dropping moments here and there, it is both an interesting and enjoyable film.
A Danish cargo ship is hijacked by Somali pirates in the Indian Ocean. The pirates demand millions of dollars in ransom and from there on, a psychological drama between the pirates and the ship owner develops, as they negotiate the price for the ship and its crew. A really great thing about this film is the fact that it doesn't get tangled up in the weepy feelings of the families back home - but instead focuses on the shrinking hope of the ship's crew and the psychological consequences of the brutal negotiation, that drives the ship owner to the edge of madness. Inspired by a true story. Brilliantly acted.