188 Movies Like Pulp Fiction (1994) (Page 6)

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Before The Rain is a very intriguing and unique film, to say the least. Its cyclical narrative structure may not be for everyone, it will puzzle most, leaving some in wonder while others fume at the illogicality of it all.

While the film's general production values have not aged very well, its intercut story of war and romance is a timeless one, makes this film one that is essential viewing for all international cinema lovers, and serves as a great introduction to Macedonian cinema as a whole.

A Swedish film about a world-famous conductor who suddenly interrupts his career to return alone to his childhood village in Norrland. It doesn't take long before he is asked to come and listen to the fragment of a church choir, which practices every Thursday in the parish hall. "Just come along and give a little bit of good advice". He can't say no, and from that moment, nothing in the village is the same again. The choir develops and grows. He makes both friends and enemies. And he finds love. It's a wonderful movie about faith, values, and the exploration of one's spirit.

Iceland is a country of vast lands but limited population - only about 300,000 people can call themselves Icelandic. On the other hand, 8 million people have connecting flights through Iceland every year. 

In this setting of mass movement, a single mother dealing with poverty is offered a chance to turn things around - a job as a border agent. One of her first days, she comes across an asylum seeker on a connecting flight from Guinea Bissau to Canada, trying to cross with a fake passport. 

Their stories don’t only intertwine as border agent and asylum seeker, but as two mothers. And Breathe Normally is about struggling with poverty both in Europe and coming from a place like Guinea Bissau. It’s a beautiful, plot-heavy statement on the importance of solidarity and of seeing the human behind the country of origin or race. 

While it would be easy to make comparisons to The Good Place and other shows and films dealing with the afterlife, Hirokazu Kore-eda's film is devoted to a single thing: commemorating the ordinary moments that make our life precious. Through little more than workplace banter and documentary-style interviews (with an ensemble delivering uncannily naturalistic performances), After Life reminds us how beautiful the mundane can be and how important it is for us to be present for each other in the everyday. And as the fim's characters prepare to create reenactments of each person's most precious memory, Kore-eda also defines filmmaking itself as an act of comfort and empathy. No existential crises here; an overwhelming sense of peace floods After Life, making it all the more memorable.

A man is struggling to mourn his passing wife in this slow-burning Icelandic drama. The story starts with him converting an abandoned electricity station into a house, in an effort to find peace. Soon, however, questions about a possible extramarital affair that his wife disturb this peace and make it seem unattainable. 

The way A White, White Day's brilliant story unfolds might catch you off-guard a couple of times. Still, it's slow and requires a little bit of patience. Make sure you're in the mood for that to be rewarded with unmatched insight on how differently people process grief.

Michael Douglas plays Grady Tripp, a craggy, lovable English professor struggling to finish the follow-up to a very successful first novel. It has taken him 7 years, and it's an obvious metaphor for his ridiculous life. The character navigates various tragicomic dilemmas with a stellar supporting cast including Frances McDormand, Tobey Maguire, and Katie Holmes. His editor is Robert Downey Jr. and his nemesis is Rip Torn. Bob Dylan wrote the theme song. How do you not love this movie? It's one of those films that feels like a warm, cozy house (despite the fact that it takes place in a Pittsburgh winter), and it's a great blend of humor and drama.

A documentary about two "climbing" friends who attempt to summit Siula Grande in the Peruvian Andes in 1985. I say climbing friends because they are both somewhat egotistical, yuppie risk takers and seem to be the type who are only friends when their interests align. Nevertheless, they are truly ambitious, driven adventurers. A storm hits and one of the climbers gets injured. They both know that this is a death sentence, and events go on from there. The story is epic and nearly unbelievable, but for the fact that it actually happened. I am not a climber, but the plot and story will speak to any adventurer who must accept inherent risks, including death, in their outdoor endeavors.

The Last Man on the Moon is a documentary about astronaut Eugene Cernan, Commander of the Apollo 17 lunar landing mission in 1972. Chronicled by Cernan himself as he reminisces on his life, the film follows his early career with the Navy, his recruitment and training as an astronaut, and his participation in 3 trips to space: Gemini 9A, Apollo 10 and eventually Apollo 17—the last of NASA’s six expeditions to the Moon. Cern also delves heartfully into his loss of friends as well as his regretfulness for missing out on so much family time while away. It’s a poignant and inspiring account, with Cern providing a fine lesson in the confidence and diligence in takes to pursue and accomplish one’s dreams

In the West, South Korean film is largely defined by the ingenious (oft violent) bombast of directors like Park Chan-wook (Oldboy) and Bong Joon-ho (Parasite), but there is a quieter tradition championed by director Hong Sang-soo that is just as imaginative and worthy of your time. This fascinating film serves as a perfect entry point to a director whose filmography is full of similar riches.

A film director arrives in town to deliver a lecture, and having some time to kill, ends up sharing a day with a stranger. This simple set-up recalling Before Sunrise leads down a charming and quietly romantic route that would be delightful on its own, but Right Now, Wrong Then is about much more than just a chance encounter. It’s a film more concerned with how little moments here and there can change everything, and how much our lives are governed as much by chance and timing as the choices we make.

This South Korean coming-of-age story, an award-winning debut from Lee Su-jin, is centered around a high school student named Han Gong-ju. There's a dark aura surrounding our teenage protagonist, as she avoids making new friends and closes herself off from the world. More than anything, she is afraid that people will discover the secret behind her shy persona, and the past events that changed her life forever. This is an intricate and truly devastating tale, sensitively told, and is likely to leave even the most hardened viewers filled with rage at those who have wronged Han Gong-ju.

There are comfort food movies, and then there are films like Big Night: comfort food movies about comfort food. Stanley Tucci and Tony Shaloub are brothers running a failing Italian restaurant. Their last chance to save it from foreclosure is to throw a colossal dinner bolstered by a dubious promise of a visit from singer Louis Prima.

The comedy is mellow and pleasant, and Tucci and Shaloub have wonderful chemistry as bickering brothers. Meanwhile, a great supporting cast featuring Isabella Rosellini, Ian Holm, and Allison Janney more than make up for the somewhat predictable script.

 

When Russian director Vitaly Mansky is commissioned by the North Korean government to make a documentary about an average Pyongyang child, he follows their every guideline. Except the end result, Under The Sun, is the complete opposite of what they had intended. For example starting every take earlier than they thought, he makes the documentary about the watchdogs around the child and other mechanisms of propaganda. He uses quiet storytelling to expose how brainwashing in a fascist regime takes place, and how the people caught in it function. May just be the smartest, most important film you can watch on North Korea.

This fun comedy-drama is about Bridget, a 34-year-old who hasn't quite got it all figured out, but at least she’s trying: after terminating an accidental pregnancy, she gets herself a summer gig as a nanny for a fearless six-year-old by the name of Frances. 

Tackling a myriad of "taboo" topics including abortion, menstruation, and depression, the movie visually normalizes human experiences that remain underrepresented in mainstream cinema. And writer Kelly O’Sullivan, who also plays Bridget, has a screenplay that manages to do it all without feeling didactic.

Is courage still courage when you have no choices left? What do you do when you're pressed to the wall and have no way to go? Maria, a pretty, modest and hardworking girl living in a small Colombian town, where the only career choice (thus not being a choice, really) is working in a floral plant, packing and distributing flowers - a dead-end job with killer hours and zero-tolerance boss. Yet, it's money. Until the day Maria gets pregnant and her choices become even more limited. By accident, she makes acquaintance with a guy who turns out to be her way out - and the way is out to become a drug mule, transporting drugs in your stomach across the border to the American soil. A job dangerous in many aspects, illegal and potentially deadly, but also paid well. Maria decides to take the only way out, a way that may be a one-way street. Maria Full of Grace is a gut-wrenching story about survival in a seemingly hopeless situation. It's about taking that one chance that has all the potential to go south, and investing in it all the hope you have left, and all the survival instinct you have in your heart and soul. And when everything that could go bad does, and everything turns from bad to worse beyond imagination, it's about standing strong and not giving up, no matter what. Though technically not a documentary, it's real beyond belief, and you can be sure Colombia is full of Marias - just hoping for a decent life, ready to sacrifice the very life itself to obtain it. It's a masterpiece of its genre and it also boasts one of the best posters in the history of the cinema. Highly recommended.

This coming-of-age drama set near Sept-Îles in Quebec, Canada is about two indigenous Innu best friends who grow up together. One day, one of them meets a white guy and starts planning a life with him, which is seen by both her best friend and her community as a rupture with them.

“If everybody did the same thing you’re doing, we wouldn’t exist,” her friend tells her. Kuessipan is about that intersection between friends growing apart and indigenous identity, all set in the backdrop of Canadian reserve life. Won the Grand Prix at the Québec City Film Festival.