29 Movies Like The Virgin Suicides (1999)

Movies to watch after The Virgin Suicides (1999).

Awkward. That is how Oliver Tate can be described, and generally the whole movie. But it is professionally and scrutinizingly awkward. Submarine is a realistic teen comedy, one that makes sense and in which not everyone looks gorgeous and pretends to have a tough time. It is hilarious and sad, dark and touching. It is awesome and it's embarrassing, and it's the kind of movie that gets nearly everything about being a teen right, no matter where you grew up.

Five orphaned sisters are put under house arrest by their uncle and grandmother after they are seen horsing around with local boys from school. While their actions were purely innocent, their behavior is viewed as scandalous and shameful by the conservative elders in their small Turkish village. After this incident, their grandmother turns her attention towards marrying off her granddaughters. Each of the five sisters rebel in their own way, but it is the youngest and rowdiest sister, Lale, who is the central protagonist of the film. She watches helplessly as each of her older sisters is married off with an increasing sense of dread and desperation. While this may sound hopelessly depressing, the movie is equal parts beautiful and tragic and floats across the screen in a dreamlike manner. Not all of the sisters escape their oppressive surroundings or their assigned fate, but the message is clear: it’s crucial to try.

The best way to watch this movie is to be completely unprepared; it's a super indie (sub 1 million dollar budget) Canadian thriller that completely wowed critics and audiences, even as it (and we're being honest here) totally freaked them out. So, no spoilers, we can let you know it's an internet thriller with shades of Little Red Riding Hood, hyperrealistic violence, and extremely surprising plot twists. Also, there's less than 9 minutes of music in the entire film, which instead uses creepy ambient noises and breathing, so, yeah, it gets a bit tense.

A dark and existential comedy, Wristcutters: A Love Story follows Zia (Patrick Fugit), a young man who commits suicide, only to find himself in a bleak afterlife filled with other suicide victims. He discovers that his former partner has just joined him in this dreary realm and sets out to find her. From there, the film transitions into a macabre road-trip film as Zia and several acquaintances strike out in a beat-up old car in the name of love and redemption. Based on a short story by award-winning Israeli writer Etgar Karet, Wristcutters is a stunningly original film that will haunt viewers forever.

Adapted from the Lionel Shriver novel of the same name, We Need to Talk About Kevin is the story of a mother (Tilda Swinton) that never quite bonds with her child, but not by her choice. The son grows up to do a heinous act that begs the question: nature or nurture? This film is an uncompromising view on the development of an unloved child. Silent pain gets voice. Feelings are shown by actions not emotions in an authentic, comprehensible and aesthetic manner. Great work.

When Brian was eight years old he lost five hours of his life to a black out. Now ten years later he is searching for the truth. His search leads him to Neil, a boy who was on his little league team the summer of the blackout. Brian has always believed he was abducted by aliens from the dreams he had with Neil in them. Neil however knows the truth. Neil had just left the small town life and moved to New York. When he comes home for Christmas and meets Brian will he finally tell him the answers he has been looking for? This is the story of one boy who can't remember and a boy who can't forget.

An intriguing, funny and rather bizarre movie which serves as a fantastic introduction to 'new-wave' German cinema. Featuring a cast of young talented actors and excellent direction, this movie takes place around the time the Berlin wall fell and East and West Berlin were still united. Christiane, a devout socialist activist in East Berlin suffers an accident which leaves her in a coma, during which time the Berlin wall comes down and Western capitalism encroaches on her beloved East Berlin. Fearing that she may relapse into a coma after waking up, her doctors warn that she must remain calm and not endure any shocks. Despite the somewhat contrived premise, the film really takes off from this point as her son Alex and his friend aim to hide this fact from her, by faking news reports on the television, coming up with excuses for a giant Coca Cola banner and a whole host of other amusing exploits to prevent her from knowing. While categorised as a comedy, it is also a moving portrayal of a loving family enduring great, historic change.

Frances (Greta Gerwig) lives in New York – but not the glamorous NYC of Woody Allen movies. Taking place primarily in the gritty and rapidly gentrifying North Brooklyn, the black and white film paints a picture of an extended adolescence. Focusing on the goofy and carefree Frances, who loses her boyfriend, her best friend and her dream of being a dancer. She moves in with two guys, both of whom are more successful than her, and becomes even more determined to fulfil her goals, impractical as they may be. Fans of HBO’s Girls and other odes to not being a “real person” yet will love this film.

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