23 Movies Like Honey Boy (2019)

Staff & contributors

Chasing the feel of watching Honey Boy ? Here are the movies we recommend you watch after Honey Boy (2019).

There is so much power to this story based actor Shia Laboeuf’s life. As a kid, he lived with his father on the road during the filming of Even Stevens and other star-making roles. His dad was a war veteran who goes to bikers’ AA meetings and who had a brief acting career himself.  He was full of anger that made Laboeuf later suffer from PTSD, but which he was able to perceive in a fascinating way. Putting Laboeuf’s fame aside, this is an incredible movie on emotionally abusive parent-child relationships. It’s a universal story. With Shia Laboeuf as his father and Lucas Hedges as current-day Laboeuf.  

The first movie to be nominated for both the Documentary and Foreign-Language Oscar categories and the most awarded film of the 2019 Sundance Festival, Honeyland quietly accompanies the last wild beekeepers in Europe over three years. It portrays the lonely and primordial life of Muratova, which is centered around harvesting honey according to the rules of her ancient ancestors and caring for her ailing mother.

Originally planned as an environmental documentary, this film evolved into something completely different, as it often goes with immersive documentaries, when the Macedonian directors Tamara Kotevska and Ljubomir Stefanov met beekeeper Hatidže. The film takes another sudden turn when Muratova's life is upended by a nomadic family settling next door, threatening her tradition, her way of life, and her natural environment.

This unbelievable cinematic journey is a feast for the eyes thanks to the amazing work done by cinematographer Samir Ljuma. However, despite the awe-inspiring imagery, Honeyland never imposes on its subject, creating an incredible intimacy with Hatidže's life and her natural environment. Breathtaking!

Many things clash in this beautifully layered, semi-autobiographical film of American director Lulu Wang: cultures, morals, and emotions. The result is a type of comedy that is complex and bittersweet⁠—and based on a true lie: this is the story of a Chinese grandma whose family won't tell her that she is fatally ill. Instead, they organize a fake wedding in China, where everyone gets together to bid a farewell to the unwitting matriarch (played by Zhao Shuzhen). The fake wedding is, in fact, a premature funeral for a person unaware that she is going to die. Played by rapper and comedian Awkwafina, Billi, a New-York-based Chinese-American with a complicated relationship to China, embodies the cultural and moral question at the heart of this story: is it right or wrong not tell grandma? It is thanks to Wang's deft writing and Awkwafina's outstanding performance that The Farewell homes in on answers without ever being melodramatic. Warm, honest, and beautiful.
Do you keep re-watching Superbad when you're hungover? Next time you are, try the film that has been praised as 'the female Superbad”: the amazing Booksmart. Yes, it's coming-of-age comedy, but, like Superbad, it tried something a little different. Like its two main characters, one could say it's a bit smarter than Greg Mottola's seminal bromedy. Molly (Beanie Feldstein, incidentally, Jonah Hill's younger sister) and Amy (Kaitlyn Dever) are best friends, class presidents, and academic overachievers. Nice girls, too. With excellent grades in their pockets, they head off to college only to find that the same in-crowd from high school that was doing nothing but partying, now goes to the same college as them. Why, oh why, did they choose academic success over partying, when, clearly, they could have had both? On their last day in high school, now here's a trope, they decide to make up for all the years of lost partying on one night. This sets off a raucous, raunchy, and wildly entertaining ride. And with a feminist twist!

A beautifully shot movie about a high-schooler who's pushed by his father to always work and exercise the hardest. He aces his exams and always wins at wrestling, but nothing is ever good enough for the father and there is no margin for error. When things with both his body and his relationship start going wrong, his existence comes crashing down. This movie has two parts, and it takes a lot of narrative risks, but the beautiful camera work and believable characters land every single risk. It's an incredible achievement and a movie that should have gotten much more attention than it did.

This story of a filmmaker who stayed in Aleppo, Syria during the war, got married then had a child called Sama, is a mix of difficult and inspiring.

There are stories of unsurmountable loss, as the filmmaker’s husband is one of the 30 remaining doctors in Aleppo (a city of almost 5 million), and she films many of the victims that come to his hospital. But while this is happening, there are also uplifting stories of resilience and rare but profound moments of laughter and joy.

We’re growing too sensitized to violence in Syria, and this movie, possibly the most intimate account of the war, can stir back a much-needed awareness of the injustices that take place.

When things get really bad in the documentary, it’s hard not to wonder where the humanity is in all of this. You quickly realize that it’s right there, behind the camera, in Sama and her mother’s will to live.

There are three big reasons to watch Paddleton. The first two are Ray Romano and Mark Duplass, who play the two neighbors at the center of the story. And the third is Alexandre Lehmann, the director, who also is responsible for Blue Jay (on Netflix as well).

These two misfit neighbors find themselves together when one of them is diagnosed with cancer. They embark on a trip to the nearest pharmacy (a six-hour drive) which turns into an adventure.

This premise gives Paddleton a lot to play on: it’s a comedy, but it’s also a drama about a fatal disease. It’s a bromance, but it’s about a fragile friendship. All these contradictions make Paddleton a great slice-of-life movie. And again, both actors are amazing. Watching it just for them is worth it.

Terrence Malick (The Tree of Life) is back in full form with this three-hour movie based on a true story. His creation has one of the most beautiful depictions of happiness ever seen in film, portraying the simple yet joyous life of a farmer in the Austrian mountains. You'd have to see it for yourself to understand, but how Malick depicts this character's love for his wife (and her love for him), their children, and even their farming rituals are nothing short of cinematic wizardry. 

This peaceful existence changes when World War 2 intensifies and this farmer is called to serve for the Nazis. He refuses to enroll out of principle and puts himself and his family at great danger and alienation from their village. The question at the center of the film is one that other villagers and the church ask him a lot: what good can his actions do? And the title of the movie is taken from A George Eliot quote: "The growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs."

On their drive back from a Tinder date that was only average, a couple are pulled over by a racist police officer. Things escalate unexpectedly and the couple, one of whom is a lawyer aware of the corruptedness of the system, start a life on the run together. This thrilling set-up mixing social commentary and romance is a movie that's actually many movies in one. And almost as if to cut in-between the different tonalities, there are so many quiet and beautiful shots of the couple: silent, still or dancing - these moments are true cinematic magic. 

Adam Driver, Annette Bening, and Jon Hamm are among the many recognizable faces of this star-packed political drama.

Driver, pictured above in his ‘I’m goofy but I will save the world’ signature stare 😍, plays Daniel J. Jones, an investigator working with the Senate. He is assigned to write a report (“the” report) about the CIA torture program post 9/11.

If you so much as liked Vice, the hit movie from earlier this year, you will love The Report. It covers similar grounds: incompetency, unclear intentions, confusion, etc; but in a way that is more to-the-point (which might make it feel dry to some). It also helps in understanding or getting a refresher on, how the Senate works and how organizations like the CIA interact with (bully) other branches of government. 

I would almost go as far as to say that if you are a U.S. citizen, watching this movie, with its many goofy Adam Driver moments, is your civic duty.

Mark Ruffalo, Anne Hathaway, and Tim Robbins star in this well-executed and eye-opening drama based on a true story. Robert Bilott (Ruffalo) is a successful corporate lawyer in New York. He is visited by a distressed farmer from his hometown in Cincinnati whose cows have been developing strange behaviors and diseases. Robert decides to take on this case in what will become one of the biggest class-action lawsuits in the country: the use of cancerous chemicals by the company that commercializes Teflon (the stuff in pans). Excellent acting in an incredibly frustrating but necessary story that will trouble you more than any other legal thriller you have watched in the past: prepare to be outraged (and throw away your pans).

Andy Samberg, Cristin Milioti (Modern Love, Black Mirror), and J.K. Simmons star in this easy but original rom-com that takes place in a wedding time loop. Nyles (Samberg) finds himself living the same day over and over again, so he gives in to the monotony and the fact that there is no way to escape it. 

When he is about to hook up with one of the guests, Sarah (Milioti), he is attacked by a mysterious character. The routine of his time-loop is broken. 

Palm Springs is often surreal and philosophical, which are not adjectives usually used to describe rom-coms. It offers just enough twists to be original without jeopardizing the things that make it a good rom-com.

Like a Wes Anderson movie, The Last Black Man in San Francisco takes artistic risks and nails every one of them. There are many quirky, aesthetically well-studied, and even funny aspects to this moving story.

Jimmie has been maintaining a typical San Francisco Victorian house, regularly painting the windows and watering the plants. One small problem: other people live there and they don’t want him around. It turns out this was once Jimmie’s family house, having been built by his grandfather in 1948, and he misses it deeply.

This story is based on writer Jimmie Fails’ life, as he tried to reclaim his family home in SF. However, it’s not a movie that limits itself to gentrification. It transcends that to being about the universal yearning to find a place to call home.

Hugh Jackman, Allison Janney, and Ray Romano star in this true story of a big academic corruption case. Hugh Jackman is (of course) excellent as a successful and dedicated superintendent with a complicated personal life. However, when a curious student with the school journal starts digging around in a project he promotes, she uncovers what will become the largest public school embezzlement in the history of the U.S. 

The performances stretch the story to its full potential, as this movie would be nothing without its incredible cast. It should be watched for the acting. Eventually, it suffers from a problem common to all movies based on newspaper articles: the story can be told in a single article.

Thunder Road is both a single-shot 13 minute short and a 91-minute feature-film expanding the story. Both are excellent and award-winning, but I really recommend the full experience!

Jim Cummings (above) is the director, writer, and main actor of this dark comedy. He plays a police officer having the worst day of his life as he tries to sing Bruce Springsteen’s Thunder Road at his mother’s funeral.

This sight is funny, and so is most of the story. But it’s also cringe-inducing, and because the main character is so sincere in his decline, will make you feel guilty about laughing so much. 

This buddies-on-the-road drama was the highest-grossing independent film of 2019, which tells you everything you need to know about it: it’s familiar, but it’s not overblown.

A fisherman (Shia LaBeouf) has to flee after vandalizing the property of a rival fishing group who bully him. On the way, he meets a man with Down syndrome, who, unexpectedly, is on a journey to become a pro wrestler.