97 Movies Like The Lobster (2015)

Staff & contributors

Chasing the feel of watching The Lobster ? Here are the movies we recommend you watch right after.

A unique movie about a near-future society obsessed with couples; viewing couples as the norm, as opposed to single people who are viewed as unproductive and undesirable. In that way, the film shows David (Colin Farrell), a newly single person who is transferred to the Hotel, a place where single people have just 45 days to find a suitable mate, and if they fail, they would be transformed into animals of their choice. While the film’s original premise may not be everyone’s cup of tea, The Lobster will prove a goldmine for people who are into a Kafkaesque, absurdist mentality, or anyone looking for an idea-driven experience.

Much like Berlin’s infamous nightlife, which serves as the backdrop to the plot, this daring German real-time drama will eat you up and spit you out. After leaving a nightclub at 4am, Victoria, a runaway Spanish girl, befriends a gang of four raucous young men, climbing rooftops and drinking beers among the city’s moon-lit streets. The gang’s light-hearted banter is impressively improvised from a skeleton script, offset by Niels Frahm’s ominous original score.

But what starts out as late-night high jinks swerves into darker territory. Driven by her infatuation with the pack leader Sonne, played by Frederick Lau, Victoria ends up being recruited as a get-away driver for an ill-prepared bank robbery and loses herself in a sinister spiral of events. What sounds like a standard-issue crime drama is, in fact, a staggering cinematic experiment.

Filmed in one take, on location, and in real time, the movie’s production is indeed a gamble, but director Sebastian Schipper more than pulls it off. The claustrophobic camerawork of cinematographer Sturla Brandth Grøvlen leaves the viewer feeling like a hapless accomplice to Victoria’s plight. With Laia Costa giving an awe-striking lead performance, the high wire acting of the entire main cast only adds to this effect. Victoria is a stellar directorial debut, heart-stopping drama, and a truly immersive experience.

Genre: Crime, Drama, Romance, Thriller

Actor: Adolfo Assor, Andre Hennicke, Anna Lena Klenke, Burak Yigit, Daniel Fripan, Eike Frederick Schulz, Eike Frederik Schulz, Franz Rogowski, Frederick Lau, Hans-Ulrich Laux, Laia Costa, Lena Klenke, Martin Goeres, Max Mauff, Philipp Kubitza

Director: Sebastian Schipper

Rating: Not Rated, R

A hot summer night, around 2 a.m. You're outside talking with a close friend about life, happiness, and the human condition. That quality and depth of conversation, which you reach at best a couple of times a year is present throughout the 106 minutes of The End of the Tour.

In the case of this movie, you become the witness of five days of conversation spent between two fine writers: the once-in-a-generation American author David Foster Wallace and best-selling Rolling Stone journalist David Lipsky, as they travel the US during the 1996 publicity tour for the former's magnum opus, Infinite Jest. Twelve years later Wallace will commit suicide.

Like a good podcast, the James-Ponsoldt-directed road movie makes you feel being part of a deeply personal conversation of the kind you would have with a long-time friend. At times, it can feel like eavesdropping on a genius at work. This effect is helped along by a flawless Jason Segal, who delivers an award-worthy performance as DFW. The fierce intelligence exuded by Jesse Eisenberg as David Lipsky is also nothing short of amazing. As they stuff their faces with junk food, their conversation is insightful, immediate, and unpretentiously relevant, making The End of the Tour a rare and important film.

Genre: Drama

Actor: Anna Chlumsky, Becky Ann Baker, Dan John Miller, Jason Segel, Jesse Eisenberg, Joan Cusack, Joel Thingvall, Johnny Otto, Mamie Gummer, Mickey Sumner, Punnavith Koy, Ron Livingston, Ryan J. Gilmer, Stephanie Cotton

Director: James Ponsoldt

Rating: R

Former activists Ben Cash (Viggo Mortensen) and his wife Leslie drop out from modern consumerist society to raise their six children in the wilderness of the Pacific Northwest. They teach them how to raise and kill their own food, to survive in nature through boot-camp-like workouts, and homeschool them in literature, music, and left-wing philosophy. Instead of Christmas, they celebrate Noam Chomsky's birthday. Then, one day, this unusual family life is shaken by a phone call and they are forced to leave their life of adventure to reintegrate into American life.

Directed by Matt Ross, who also brought you Good Night, and Good Luck, the film offers a poignant look at alternative living, the effects of modern technology, and the nature of good parenting. Viggo Mortensen is indeed fantastic as the grizzled father and was rightly nominated for a Golden Globe and the Academy Award for Best Actor. George MacKay and the entire cast of “children” also deliver terrific performances. As emotionally raw and thought-provoking as it is funny, Captain Fantastic will have the viewer decide if Ben Cash is the best father in the world or the worst.

Genre: Adventure, Comedy, Drama

Actor: Alan Humphrey, Ann Dowd, Annalise Basso, Charlie Shotwell, Elena Stecca, Elijah Stevenson, Erin Moriarty, Frank Langella, George MacKay, Greg Crooks, Hannah Horton, Kathryn Hahn, Matt Ross, Mike Miller, Missi Pyle, Nicholas Hamilton, Rex Young, Richard Beal, Samantha Isler, Shree Crooks, Steve Zahn, Teddy Van Ee, Trin Miller, Viggo Mortensen

Director: Matt Ross

Rating: R

Though the drag scene is alive and well today, Paris is Burning is an important reminder that it didn’t always used to be that way. Over the course of seven years, Director Jennie Livingston leads us underneath the crime-ridden streets of 80s New York, where a glittery drag subculture is flourishing, despite all odds. Leading the community are the so-called mothers, the best performers and most fashionable of them all, tasked with inspiring and caring for newcomers. Nevermind that they’re shunned by society and suffocated (sometimes literally) by hateful homophobes and racists; when there is a ball, all that matters is that they strut, dance, and put on the best damn show of their lives. What they do is art, and Livingston makes sure to exalt the craft and pride that goes into it. At the same time, intimate interviews with iconic queens like Pepper LaBeija and Willi Ninja reveal the heartbreaking nature of the community. Most, if not all, have endured some form of abuse, and many risk their lives to earn a decent living. But again, Livingston refuses to reduce them to pure tragedy; she gets them to share their wonderfully big dreams, then gets us to hope along with them that they might just come true.

Genre: Documentary

Actor: Dorian Corey, Kim Pendavis, Octavia St. Laurent, Pepper LaBeija, Sol Williams Pendavis, Venus Xtravaganza, Willi Ninja

Director: Jennie Livingston

Rating: R

The 2016 outing of South-Korean auteur director Park Chan-wook (maker of Oldboy and Stoker) once again shifts attention to the dark side of what makes us human: betrayal, violence, and transgression. Based on the 2002 novel Fingersmith by British author Sarah Waters, The Handmaiden revolves around the love of two women and the greedy men around them. Park shifts the novel's plot from Victorian London to 1930s Korea, where an orphaned pickpocket is used by a con man to defraud an old Japanese woman. Routinely called a masterpiece with comparisons made to the likes of Alfred Hitchcock, this is a stylish and meticulous psychological thriller that packs enough erotic tension to put a crack in your screen. If you love cinema, you can't miss this movie. You might even have to watch it twice.

Genre: Drama, Mystery, Romance, Thriller

Actor: Bae Il-hyuck, Cho Jin-woong, Choi Byung-mo, Choi Jong-ryul, Eun-hyung Jo, Ha Jung-woo, Ha Si-yeon, Hae-suk Kim, Han Ha-na, In-woo Kim, Jeong Ha-dam, Jeong In-kyeom, Jin-woong Jo, Jo Eun-Hyung, Jung In-gyeom, Jung-woo Ha, Kim Hae-sook, Kim Hae-suk, Kim In-woo, Kim Min-hee, Kim Si-eun, Kim Tae-ri, Kwak Eun-jin, Lee Dong-hwi, Lee Ji-ha, Lee Kyu-jung, Lee Yong-nyeo, Lim Han-bin, Min-hee Kim, Moon So-ri, O Man-seok, Oh Man-seok, Rina Takagi, So-ri Moon, Tae-ri Kim, Takashi Kakizawa, Tomomitsu Adachi

Director: Chan-wook Park, Park Chan-wook

Rating: Not Rated

Echoing Arthur Miller's Death of a Salesmen, Oscar-winning writer-director Asghar Farhadi (A Separation, About Elly) tells the story of a loving middle-class couple who live in Tehran, Emad (Shahab Hosseini) and Rana (Taraneh Alidoosti), who are forced to move out of their apartment. After arriving at their new place, violence erupts, upending their life and straining their previously happy relationship. Farhadi does what he does best here, delivering simmering tension, complex realism, and unaltered emotion. Originally titled Forushande, every scene of The Salesman is a privileged look for Western viewers into Iran's collective consciousness. And even with all that aside, the film still stands out as an extraordinary drama with a tense plot and outstanding performances across the board. Another incredible addition to Farhadi's first-class filmography.

Genre: Drama, Thriller

Actor: Babak Karimi, Ehteram Boroumand, Emad Emami, Erfan Barzin, Farid Sajjadi Hosseini, Maral Bani Adam, Mehdi Koushki, Mina Sadati, Mojtaba Pirzadeh, Sahra Asadollahe, Sam Valipour, Shahab Hosseini, Shirin Aghakashi, Tarane Alidousti, Taraneh Alidoosti

Director: Asghar Farhadi

Rating: PG-13

A follow-up/companion piece to the award-winning The Act of Killing, The Look of Silence is another compelling documentary from Director Joshua Oppenheimer. Both films aim attention at the Indonesian Genocide of 1965-66, when the military government systematically purged up to one million communists. While the first film's focus was on the culprits and on providing facts, the second one lets us meet the victims. One victim in particular: a soft-spoken optician named Adi Rukun, who meets with various members of the death squad who murdered his elder brother Ramli, under the guise of giving them an eye test. As he questions them about the killings, the murderers, again, show little remorse and eagerly provide the lurid details to the many executions. It's a stunning and provocative look at the legacy of historical mass killings, along with the insidious propaganda that provokes them, and continues to justify them to younger generations. A testament to the power of cinema to remember the forgotten.

Genre: Documentary, History

Actor: Adi Rukun, Amir Hasan, Inong, Joshua Oppenheimer, M.Y. Basrun

Director: Joshua Oppenheimer

Rating: PG-13

Being an intimate, black-and-white portrayal of just two people, it is worth mentioning the two leads in the very first sentence: Blue Jay stars the incredibly versatile Sarah Paulson, who most of you will know from her depiction of Marcia Clark in The People vs. O.J., and Mark Duplass from Creep. In this incredibly intricate dialogue-driven drama, he is of course named Jim, a regular guy with some issues, who runs into his high-school sweetheart Amanda at the grocery store. She is only in town briefly because her sister is having a baby. Amanda agrees to have coffee with him, later they get beer and jellybeans, and find themselves recreating silly tapes at his late mother's house that they use to make when they were still at school. This could quickly become a soppy affair if it wasn't for the heart-felt realness of the acting, for lack of a better term, and all the fine details that the two leads bring to the screen. The chemistry between them is something to behold!

Genre: Drama, Romance

Actor: Alex Lehmann, Clu Gulager, James Andrews, Mark Duplass, Sarah Paulson

Director: Alex Lehmann, Alexandre Lehmann

Rating: Not Rated, Unrated

There are many movies by the much-celebrated Japanese auteur director Hirokazu Koreeda on A Good Movie to Watch. Why? Because, like all the movies we showcase here, his work is often little-known, but unbelievably good. After the Storm is no different. Much like his other works, notably Like Father, Like Son, Shoplifters, and Nobody Knows, it deals with the topic of family dynamics, regret, and disappointment. But his movies are never dramatic downers but delicate dioramas, understated in tone. Once a successful writer, Ryota (Hiroshi Abe) is now a private detective who spends the little money he makes on gambling instead of paying child support. His ex-wife and son are increasingly alienated by his behavior until one day, during a storm, they all find themselves trapped in Ryota's childhood home. Subtly touching on notions of inter-generational bond and tension –⁠ Koreeda's works are mesmerizing and stick with you long after you've finished watching.

Genre: Drama, Family

Actor: Aju Makita, Daisuke Kuroda, Hiroshi Abe, Isao Hashizume, Izumi Matsuoka, Jun Matsumoto, Kanji Furutachi, Kazuya Takahashi, Kirin Kiki, Lily Franky, Maki Yoko, Makoto Nakamura, Mickey Curtis, Rie Minemura, Ryoko Tateishi, Satomi Kobayashi, Shôno Hayama, Sosuke Ikematsu, Taiyo Yoshizawa, Yôko Maki, Yukiyoshi Ozawa, Yūko Fukui, Yuri Nakamura, 蒔田 彩珠

Director: Hirokazu Kore-eda, Hirokazu Koreeda

Rating: Not Rated

Co-directed and narrated by legendary German director Wim Wenders in collaboration with Salgado's son, Juliano, this unique film tells Sebastião Salgado's life story from his childhood in Northern Brazil, his early career as an economist, and how he shifted towards photography to become a world-renowned photojournalist. Shot in stunning black and white by Juliano Salgado and Hugo Barbier, The Salt of the Earth is a mesmerizing exhibition of one man's lifelong dedication to capture the suffering of humanity and of nature. Most famously, the nightmarish images of the teeming workers of Serra Pelada, a Brazilian mountain gold mine. While creating these images raises some ethical questions that Salgado was confronted with throughout his career, it is an utterly enthralling experience, upsetting at times in its frank display of war, death, and devastation. Ultimately, however, Salgado's elegance and kindness pull us back in and what we see is truth, awareness, and beauty.

Genre: Documentary

Actor: Juliano Ribeiro Salgado, Lélia Wanick Salgado, Régis Muller, Sebastião Salgado, Wim Wenders

Director: Juliano Ribeiro Salgado, Wim Wenders

Rating: PG-13

In a world where mortality has been overcome, people watch in awe as the as the 118-year-old Nemo Nobody, the last mortal on Earth, nears his end. He is interviewed about his life, recounting it at three points in time: as a 9-year-old after his parents divorced, when he first fell in love at 15, and as an adult at 34. The three stories seemingly contradict each other. Utilizing non-linear cinematography, Belgian director Jaco Van Dormael presents each of these branching pathways as a version of what could have been. The result is a complex, entangled narrative. That and the movie's ensemble cast, featuring Jared Leto, Sarah Polley, and Diane Kruger, have turned Mr. Nobody into a cult classic. The soundtrack, featuring several of the beautifully restrained music by Eric Satie, is also considered a masterpiece. While it is surely not for everybody, this is trippy, intimate, and existential sci-fi at its best.

Genre: Drama, Fantasy, Mystery, Romance, Science Fiction

Actor: Aaron Landt, Alice van Dormael, Allan Corduner, Andrew Simms, Audrey Giacomini, Ben Mansfield, Carlo Mestroni, Catherine Demaiffe, Christelle Cornil, Christophe Beaucarne, Clare Stone, Daniel Brochu, Daniel Mays, David Kennedy, David Schaal, Diane Kruger, Dominique Warnier, Harold Manning, Harry Cleven, Hugo Harold-Harrison, Jan Hammenecker, Jared Leto, Jenna Wheeler-Hughes, John Churchill, Juliette Van Dormael, Juno Temple, Laura Brumagne, Laurent Capelluto, Leni Parker, Linh Dan Pham, Lola Pauwels, Manfred Andrae, Marc Zinga, Marie-Ève Beauregard, Martin Swabey, Natasha Little, Nicholas Beveney, Olivier Bony, Pascal Duquenne, Philippe Godeau, Philippe Lévy, Pierre Chaves, Rhys Ifans, Roline Skehan, Sandrine Laroche, Sarah Gravel, Sarah Polley, Serge Larivière, Stéphane Taillasson, Sylvie Olivé, Tedd Dillon, Thomas Byrne, Toby Regbo, Vincent Dupont, Virginie Bordes, Vito DeFilippo

Director: Jaco Van Dormael

Rating: R

Winning him Best Director at the Academy Awards, Kenneth Lonergan's drama Manchester By the Sea is a delicate and profound study of loss and grief—and a true triumph. Its focus on characters, well-paced unfolding as well as world-class acting are only equal to the very best of European dramas. This type of quiet exploration of the possibility that grief cannot be overcome has rarely been successful in American cinema, if ever. The last best attempt was probably You Can Count on Me. Originally a playwright, this is Lonergan's third film and Manchester by the Sea is where he unveils his full potential. It follows a depressed handyman, Lee Chandler (Casey Affleck), who leads a quiet but angry life. After his brother dies, he returns to his hometown only to discover that he is the only left to take care of his teenage nephew. There, he is confronted with his past and the blue-collar community from which he was raised. Co-produced by Matt Damon, it grossed around $80 million on a budget of $8.5 million. One of the most noted films of 2016.

Genre: Drama

Actor: Allyn Burrows, Anna Baryshnikov, Anthony Estrella, Ben Hanson, Ben O'Brien, Brian A. White, C.J. Wilson, Carolyn Pickman, Casey Affleck, Christian J. Mallen, Danae Nason, Ellie Teves, Erica McDermott, Frank Garvin, Gretchen Mol, Heather Burns, Ivy O'Brien, Jackson Damon, Jami Tennille, Joe Stapleton, Josh Hamilton, Kara Hayward, Kenneth Lonergan, Kt Baldassaro, Kyle Chandler, Lewis D. Wheeler, Liam McNeill, Lucas Hedges, Matthew Broderick, Michelle Williams, Missy Yager, Nellie Lonergan, Oscar Wahlberg, Quincy Tyler Bernstine, Richard Donelly, Robert Sella, Ruibo Qian, Shawn Fitzgibbon, Stephen Henderson, Stephen McKinley Henderson, Susan Pourfar, Tate Donovan, Tom Kemp, Wendy Overly, William Bornkessel, Zain Ullah

Director: Kenneth Lonergan

Rating: R

There are two auteur directors that we recommend more than anyone else on this site. One is Hirokazu Koreeda, the Japanese master of intricate drama, the other is Asghar Farhadi. Mr. Farhadi is an Oscar-winning, Iranian filmmaker and one of the most recognisable directors out there. His third film, Fireworks Wednesdays, paved the way for him to become one of the hidden champions of international cinema. As is often the case with the stories he tells, the film portrays the life of a couple in turmoil, Mozhdeh and Morteza Samiei, played by Hedye Tehrani and Hamid Farokhnezhad. She suspects him of cheating on her with their neighbor, a beautician, and sends the maid, a soon-to-be bride named Roohi, to the salon to spy on her. When Roohi takes matters in her own hands, the couple can't help but watch things spiraling out of control. This happens against the backdrop of Chaharshanbe Suri, an Iranian holiday celebrated with fireworks on the Wednesday before the Iranian New Year, hence the title. Will it make for an explosive ending? From what you have heard so far, this could easily be melodramatic, but Fahradi is too good. He's very, very good.

Genre: Drama

Actor: Behshad Sharifian, Hamid Farokhnezhad, Hamid Farrokhnejad, Hedie Tehrani, Hediyeh Tehrani, Houman Seyyedi, Pantea Bahram, Sahar Dolatshahi, Tarane Alidousti, Taraneh Alidoosti

Director: Asghar Farhadi

Rating: Not Rated

In 2009, Departures surprised everybody by winning the Academy Award for Best Foreign Language Film, instead of everyone's favourite, Ari Folman's Waltz of Bashir. This is even more surprising since this Japanese comedy almost never saw the light of day because many distributors refused to release it at first for its humorous treatment of a very human, but weirdly taboo subject: what happens when you die. Daigo Kobayashi (played by former boyband member Masahiro Motoki) just bought an expensive cello when he learns that his Tokyo-based symphony orchestra is going bankrupt. Daigo and his wife Mika, played by Ryôko Hirosue, decide to move back to his hometown, where he applies for an opening at what he thinks is a travel agency, hence the departures. You might have guessed by now that what he was applying for was, in fact, the job of an undertaker—a profession considered unclean in Japan. It's one of those rare movies that will make you laugh, to making you cry, and laugh again. It's dead-on!

Genre: Drama

Actor: Justin Lukach, Kazuko Yoshiyuki, Kimiko Yo, Maisie Williams, Masahiro Motoki, Nina Dobrev, Ryoko Hirosue, Ryosuke Otani, Sanae Miyata, Scott Wilson, Takashi Sasano, Taro Ishida, Tatsuo Yamada, Tetta Sugimoto, Tōru Minegishi, Tsutomu Yamazaki, Tyler Hoechlin, Yukari Tachibana

Director: Yōjirō Takita

Rating: PG-13

The apex of Abbas Kiarostami’s monumental filmography, Close-Up is a testament to the late directors’ ingenuity and humanism. Kiarostami documents the real-life trial of a man who impersonated fellow Iranian filmmaker Mohsen Makhmalbaf, and ingratiated himself to a family believing him to be the real deal. The courtroom drama and interviews are fascinating enough, but Kiarostami takes it one step further by having everyone involved reenact the events as they happened.

The result is an unparalleled piece of filmmaking that blurs the boundaries between documentary and narrative while posing vital questions about the exclusivity of cinema and the storytelling process. Despite its sophisticated constructions, Kiarostami’s direction is lucid and direct as it builds to a passionate and unforgettable conclusion.

Genre: Crime, Documentary, Drama

Actor: Abbas Kiarostami, Hossain Farazmand, Hossain Sabzian, Mohsen Makhmalbaf, Monoochehr Ahankhah

Director: Abbas Kiarostami